Lehár’s “Land des Lächelns“ as a Modern Day Dating Operetta?
Franz Lehár’s 1929 hit Das Land des Lächelns, written for star tenor Richard Tauber and containing the ever popular “Dein
read moreFranz Lehár’s 1929 hit Das Land des Lächelns, written for star tenor Richard Tauber and containing the ever popular “Dein
read moreIt’s announced as a “rarity“ – and it certainly is. The Winterstein Theater in Annaberg-Buchholz in Saxony/Germany will present Hugo
read moreAs everyone who’s currently watching season 2 of The Gilded Age knows: marriage in New York City among the super-rich
read moreDiese Woche verstarb der Regisseur Stefan Huber. Er hat u.a. mit seiner Operettenserie an der Komischen Oper Berlin Aufmerksamkeit erregt,
read moreIn 1878 The Chimes of Normandy became the ‘hit’ musical show in London, running for over 700 performances, which was
read moreSo, here it is at last: Diana Damrau’s operetta album dedicated to the “life embracing side” of the genre and
read moreWe’ve all read stories about the big players: Jacques Offenbach, Ludovic Halevy, Henri Meilhac, and certainly Napoleon III. But you
read moreThe last time this wonderful operetta by Charles Lecocq was performed in Paris was in 1984, at the Châtelet. I
read moreAt the small Gerhart Hauptmann Theater in Zittau (close to the Czech and Polish border in Eastern Germany) you can
read moreVolker Klotz, der vor knapp vier Monaten im hohen Alter von 92 Jahren verstarb, war ein außergewöhnlich produktiver und dabei
read moreEver since that night so many years ago when I saw my first Offenbach (November 4, 1974, Hoffmanns Erzählungen, at
read moreAnyone interested in Paul Ábrahám will have known – or will have heard – that Karin Meesmann has been working
read moreNico Dostal scored a hit with his Clivia when it premiered at Berlin’s Theater am Nollendorfplatz in December 1933, after
read moreIn der Geschichte der deutschsprachigen Operette bedeutet die sogenannte Machtergreifung der Nationalsozialisten Anfang 1933 einen radikalen Einschnitt: Die bis dahin
read moreThe works of German pre-WW1 composers have only recently come back into focus again – as opposed to the better-known
read more1996 erschien Moritz Csákys „kulturhistorischer Essay“ Ideologie der Operette und Wiener Moderne (Wien – Köln – Weimar: Böhlau). 2021 kam
read moreCamelot had the impossibly difficult task of following behind My Fair Lady in the opus of Lerner and Loewe, and
read moreI have always liked 90 percent of Camelot. And 100 percent of its delicious source material. I am, yes, too
read moreFor the first time in four years, Ohio Light Opera has returned for a full indoor season of shows (though
read moreTeresa Hrdlicka has just published a 184-page book entitled Das kaiserliche Sommertheater in Bad Ischl: Operette und Oper unter Kaiser
read moreIt’s only May, but I’m betting dollars to donuts that this starry production of Gilbert and Sullivan’s seventh comic opera
read more“You’re about to see a flop,” VHRP Artistic Director Alyce Mott impishly teased the packed house a few moments before
read moreIch werde diese Szene nie vergessen. Als sich während eines der Zwischenlockdowns mein Elektriker endlich wieder in meine Wohnung wagte,
read moreKálmáns Gräfin Mariza ist (neben der Csardasfürstin) eine seiner perfektesten, beliebtesten und daher zu Recht jahrein jahraus, landauf landab, im
read moreThis morning I had an interesting package on my desktop. Complete recordings of The King and I (1994) and South
read moreAt long last someone has written a brand new Offenbach book – in English. And what’s even better, it’s a
read moreOperetta was one of the most successful forms of theatre to go transglobal in the 19th and early 20th century.
read moreWhen Linie 1 premiered in West-Berlin back in 1986, three years before the wall came down and East and West
read moreIn the past, Barrie Kosky has shunned the works of Franz Lehár. His operetta focus has been on works by
read moreWhile the world is still waiting for a full-scale bio pic about the life of Fritzi Massary (1882-1969), the Theater
read moreThere is no real shortage of Frau Luna recordings, the Paul Lincke classic from 1899 has always worked well as
read moreIt is an accepted notion that Gilbert and Sullivan were careful to exclude anything in their comic operas that could
read moreThis is VHRP Artistic Director Alyce Mott’s fourth go-round with Victor Herbert’s popular musical comedy – originally a vehicle for
read moreIn March 2023 there’s a three-day conference in Prague devoted to the question of “Czech Operetta and Its Transnational Context”.
read moreThere are no real operetta divas around anymore. Or are there? It seems that nowadays most sopranos singing the once-famous
read moreOperettenfreunde in Österreich haben derzeit einen schweren Stand. Im sogenannten „Mekka der Operette“ in Mörbisch wird, seit Altbeau Alfons Haider
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