“Dorothy” By Alfred Cellier: World Premiere Recording
Before the building of railways into London from the rest of south-east England in the third quarter of the nineteenth
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“A Re-Evaluation of Operetta”: A Conference At The University Of Leeds
Last week the international operetta research world gathered in Leeds for a conference which was – nothing short of remarkable!
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Ábrahám’s “Märchen im Grand-Hotel” In Mainz
After having had great success in Berlin with three operettas on a very grand scale – Viktoria und ihr Husar
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Offenbach’s “Oyayïae, ou La Reine des îles” At Cologne’s New Year’s Concert
To mark the occasion, the city of Cologne and the local Gürzenich Orchestra inaugurate the festivities for Offenbach’s 200th birthday
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Jonas Kaufmann And Franz Welser-Möst Present “Die Fledermaus” In Dresden
Does the world really need another Fledermaus recording? Absolutely, yes! There are many glorious versions available already with singularly good
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Offenbach’s “Black Venus”, Or: Examining “La Belle Hélène” As An Intersection Of Race And Operetta
Sometimes you read an operetta essay that deeply disturbs you – not because it is badly written or full of
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An “Offenbach Family Album” and “Esther, Queen of Persia”: Interview With Ralf-Olivier Schwarz
For the 2019 Offenbach celebrations the city of Cologne has set up a special committee to organize an “Offenbach Year”
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A Certain Disco Feeling: Offenbach’s “Die Schöne Helena” With UdK Students In Berlin
No, it wasn’t public, and yes, it was only a one-off performance with a preceding dress rehearsal. There were invited
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“Jacques Offenbach – Meister des Vergnügens”: Ein Interview mit Heiko Schon
Große Ereignisse werfen ihre Schatten voraus, und so sind im Vorfeld des 200. Offenbach-Geburtstags 2019 mehrere neue Bücher auf den
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Kálmán’s “Kaiserin Josephine” (1936) On CPO: Live From The Léhar Festival in Ischl
Kálmán composed Kaiserin Josephine after his ‘regular’ first night theater, the Theater an der Wien, had gone bankrupt as a
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Erich Wolfgang Korngold’s “Das Lied der Liebe” From Leipzig
You know it’s Korngold alright from the very first bars: it’s an explosion of sound, hyper-intense like the opening of
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Offenbach’s “Robinson Crusoe” At The Royal College Of Music
“The Offenbach bi-centenary is being virtually ignored by opera companies in the United Kingdom, so all credit to the Royal
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Ivor Novello’s “The Dancing Years”: The First Complete Recording
The effect of Ivor Novello’s music on me was immediate: I remember the first time I heard his songs on
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Paris Finally Has An Operetta Season: 2019 With Palazzetto Bru Zane
They now call themselves “Bouffes de Bru Zane,” and they are taking up the operetta torch at the Théâtre Marigny
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High Kicks, Or: The History Of The CanCan In English-Language Theater
To say precisely who were the first English dancers to perform the cancan in the English-language theatre is pretty impossible.
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The Bernstein/Kosky “Candide” At Komische Oper Berlin: “A Really Spectacular Disaster”?
Writing an operetta in the 1950s for Broadway was certainly – a bit eccentric! The grand operetta hits had all
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The Revolution Of 1918/1919 In Berlin: A New Exhibition Incorporates Entertainment Culture
There are many events and exhibitions, TV documentaries and newspaper articles in circulations right now in Germany, commemorating the end
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Operetta and Modernity: A New Book By Ethel Matala de Mazza
When I first heard of this book I got really excited: the famous S. Fischer publishing house would release a
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“Höfisch ist das Menuett, höflich die Gavotte”
Eine der bekanntesten und weit verbreiteten Gavotten ist die „Stephanie-Gavotte“, op. 312 von Alfons Czibulka. Diese wurde 1880 der Prinzessin
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Charles Hayden Coffin: A ‘Gay’ Matinee Idol Revisited
A combination of circumstances led me, a year or three ago, to a little coven of enthusiasts fascinated by the
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“La comédie musicale britannique XIXème et XXème siècle”: A New Collection Of Essays In English, French And German
Just out is a large-size almost catalogue-like publication in English, French and German in the Revue Musicorum series, no. 20/2018.
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Howard Goodall’s “Girlfriends”: A Show About The Women’s Auxiliary Air Force 1941
After the success of The Hired Man (being revived at Hornchurch in the Spring of 2019), Howard Goodall turned his
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Ivor Novello & Kurt Gänzl: “The Dancing Years” On JAY Records
Any week now, John Yap’s company, JAY Records, is going to release a recording of Ivor Novello and Christopher Hassall’s
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Cross-Dressed Military Operetta In World War 1 And 2: An Exhibition In Meiningen And A New Book
Back in 2014, corresponding with the centenary of the outbreak of World War 1, the Schwules Museum in Berlin offered
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Meeting With The Comic Opera Guild Of Michigan: A Conversation With Tom Petiet
Among the various US-American operetta companies, the Comic Opera Guild continues to draw international attention through recordings that offer a
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Victor Herbert’s Last Operetta “Orange Blossoms” Returns To New York
Four years after Light Opera of New York exhumed Victor Herbert’s last operetta Orange Blossoms (more accurately, a “comedy with
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“Gaiety, Glitz and Glamour — or Dispirited Historical Dregs? A Re-Evaluation of Operetta”: A Conversation with Prof. Derek B. Scott
From 10 to 12 January 2019 the University of Leeds is hosting an international operetta conference entitled Gaiety, Glitz and
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Everyone’s Dancing The Charleston Tonight: “Die Herzogin von Chicago” in Leipzig
On Saturday, October 20, exactly 90 years after its world premiere, the curtain will rise on Emmerich Kálmán’s Die Herzogin
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“Gräfin Mariza” at Theater Magdeburg: With Yvonne Kalman as Guest of Honor
On 20 October, Theater Magdeburg premieres a new production of Kalman’s Gräfin Mariza. The composer’s daughter Yvonne is expected as
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“Lächeln trotz Weh und tausend Schmerzen”: Franz Lehárs Rundfunkaufnahmen im Dritten Reich
Yes, they are very famous and widely known: Lehár’s operettas as recorded by the Nazis, often with stellar casts, offering
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Racism In Operetta? An Overdue Debate About “Land des Lächelns” & Co.
Recently, a review of a new Land des Lächelns production by Guy Montavon at Oper Wuppertal sparked a debate about
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“Sigh By Night”: Katharine Mehrling’s “vive la vie” Program At Bar jeder Vernunft
In the case of an artist of the caliber of Katharine Mehrling it’s obviously worth sticking around until the very
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Berlin Babylon. Or: A New “Die Tote Stadt” at Komische Oper By Robert Carson
Is Korngold’s 1920 psycho thriller Die tote Stadt an operetta? Obviously not, but there are various links to the genre,
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Desert Island Disc? “La Périchole” From Montpellier With Marc Minkowski
So here it is, finally: the live broadcast of Marc Minkowski’s performance of La Périchole with his Les Musiciens du
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Johann Strauss’s “Aschenbrödel” (1899): A Modern-Day Cinderella Story Conducted By Ernst Theis
It’s not exactly a secret that Johann Strauss was a great dance music composer. Before he turned to operetta in
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Hommage Mécanique: Jérôme Collomb’s Tribute to Jacques Offenbach
Before the dawn of the phonographic era and before iTunes came along you had to either go to the theater
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