“Sex in Vienna”: New Exhibition At The Wien Museum Explores Forgotten Aspects Of Operetta History
We admit, in many ways the year 2016 hasn’t exactly been “good news” all around. Yet, from an operetta perspective
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“Every Country Gets The Operetta It Deserves”: Trends, Ideological Wars And New Books
In variation of the famous saying “Every country has the government it deserves” – by 18th century political philosopher Joseph-Marie
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Re-Sampling A Legend: “Ziegfeld And His Follies” By Cynthia And Sara Brideson
Here is a splashy new biography of “Broadway’s Greatest Producer,” Florenz Ziegfeld, written by the team of the Brideson sisters,
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Reviewing The Operetta Aspects In “New York’s Yiddish Theater”
As a companion volume to its recent exhibition on New York’s Yiddish Theater: From the Bowery to Broadway, the Museum
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New York’s Yiddish Theater: From the Bowery to Broadway
Considering that most new books dealing with Broadway history in coffee table format simply recycle what has already been written
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“A Trip to Africa”: Suppé’s Operetta Available At Cambridge Scholars
The enthusiasm is impressive and a role model, no doubt: conductor Dario Salvi got so excited about Franz von Suppé’s
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Victor Hollaender: The Musical Voice of Wilhelmine Berlin
Alan Lareau, Professor of German at the University of Oshkosh and a scholar specialized in the cabaret culture of the
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“A Trip to Africa”: Cambridge Scholars Publish A Critical Edition Of The Libretto
In 1883, three of the masterminds of Viennese operetta collaborated on a new masterpiece; A Trip to Africa – or
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“Operette: hipp oder miefig?” The New Issue Of The Österreichische Musikzeitschrift
It doesn’t happen too often that a musicological magazine dedicates an entire issue to “operetta”: with eight short essays dealing
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“Stars Of David”: The Influence Of Jewish Artists On Popular Music
It’s not every day that you get to see images of Jacques Offenbach, Johann Strauss Jr. and Richard Tauber right
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“Swing tanzen verboten”: A Little Book On Operetta After 1933
It’s a small book, but full of interesting content: Swing tanzen verboten. Unterhaltungsmusik nach 1933 zwischen Widerstand, Propaganda und Vertreibung.
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150 Years Gärtnerplatz Theater: An Illustrated History & Exhibition
Das Gärtnerplatztheater in München ist hundertfünfzig geworden. Gefeiert wurde das Jubiläum jedoch außerhalb, weil das Haus saniert wird. Ein vergrößerter
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Top 10 Hottest Operetta Hunks?
Sometimes you wonder why the opera world – of all possible spaces – can pull off such a stunt, but
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Race And Operetta: The Next Frontier?
It is often interesting to compare how researchers in different parts of the Western world look at art forms in
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Oscar Straus – Ein deutscher Offenbach?
Yes, there’s a new book on Oscar Straus, that often over-looked composer of Ein Walzertraum but also of Die lustigen
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Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
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The Big Operetta “Virgin Cherry Pop”: A New Study By Albert Gier
A great big new academic book on operetta, in German: Professor Albert Gier, renowned libretto researcher at the University of
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Hot Mikados and Swingin’ Pinafores: Stewart F. Lane’s “Black Broadway”
It’s not a new topic, but a brand new book nonetheless: Black Broadway by Stewart F. Lane. According to the
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Walter Felsenstein Revisited: A New Biography
Stage director Walter Felsenstein (1901-1975) is famous for various things: he founded the Komische Oper in East Berlin after WW2
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Arthur Schnitzler And His Operettas
Playwrite and author Arthur Schnitzler had a special relationship with music, not least, because many of his famous texts were
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Rare First Editions of Offenbach & Co.
Getting hold of scores – for operettas – has always been a challenge. Admittedly, the situation has become a lot
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Ethan Mordden’s New American Operetta History
Anyone who has walked into a bookshop in the USA recently will have noticed that Ethan Mordden’s attractively packaged Anything
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Uncool (And Proudly So): Mel Atkey’s “Breaking Into Song”
Mel Atkey’s new book Breaking Into Song has arrived: a collection of articles, essays and interviews from the past 35
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Charell & Bendow: Honored As Great Personalitites In Berlin’s History
Yes, it fills us with joy – and a little bit of pride too – that the brochure entitled Persönlichkeiten
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“In der Bar zum Krokodil”: Schlager-Music Exhibition
The exhibition is not exactly new, but it seems to be so successful that it is being passed around: In
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Glamour For Goebbels. Or: The First Sperm Donor Operetta In History
If you check the International Movie Data Base, you’ll find that the Nazi film operetta Liebespremiere (1943) is an adaptation
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Operation Fledermaus
Yes, it is somewhat unusual: a crime novel that is not directly set in the operetta world, but references that
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“Der Kongress Tanzt”: A New Exhibition At The Belvedere In Vienna
You all know that the Congress of Vienna in 1815 is the historical backdrop to quite a few famous operettas
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“Die schöne Helena” As A WW2 Drama Of Homosexuality
Considering that Offenbach’s La belle Hélène recently received two extremely “gay” interpretations at the opera houses of Hamburg and Berlin
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“Das Verdächtige Saxophon”: Albrecht Dümling’s Classic Re-Published
Finally: Albrecht Dümling’s great big book on music and operetta in Nazi times, Das verdächtige Saxophon, has been re-published. After
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The Man Behind “Die Fledermaus”: New Biography of Richard Genée
As the author of Die Fledermaus (1874) and a whole series of other famous Strauss operettas, Richard Genée is not
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Popular Musical Theatre In London And Berlin: 1890 To 1939
Here is something really yummy: a collection of essays dealing with various aspects of popular musical theater at the beginning
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“Inszenierte Moderne”: A New Study About Operetta, Musical Comedy And Revue
One of the most interesting young German scholars in the field of operetta research and examining the entertainment industry, Tobias
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Vera Kálmán: “Tonkunst” Issue Dedicated to Composer’s Widows
Here it is: the latest issue of Die Tonkunst. After a recent Bluebeard special that included a big essay on
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Two New Ábrahám Biographies
You could call it the battle of the biographers. Who will be first? Who will be better? Who will have
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Who Will Be The Savior of Operetta in the 21st Century: Volker Klotz Or Barrie Kosky?
This week-end, a new production of Offenbach’s La belle Hélène premieres at the Komische Oper Berlin. Its director, Barrie Kosky,
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