New Recording from Graz: Nico Dostal’s “Clivia” on cpo
Nico Dostal scored a hit with his Clivia when it premiered at Berlin’s Theater am Nollendorfplatz in December 1933, after
read moreNico Dostal scored a hit with his Clivia when it premiered at Berlin’s Theater am Nollendorfplatz in December 1933, after
read moreSoprano Ethel Merhaut is part of the “young musical scene of Vienna” and likes to “use lots of charme and
read moreI heard yesterday that Mady Mesplé had died. I have to admit that, to me, she belonged to a past
read moreHow do you solve a problem like – operetta? The question has been asked many times over, especially since so
read moreFinally – and that’s really the only appropriate word for it: finally the updated 1950s movie version of Die Fledermaus,
read moreKurt Gänzl is no stranger to readers of these pages. As the author of The Encyclopedia of the Musical Theatre
read moreIn a 2018 essay entitled Das Webvideo als Flaschenpost, or “the web video as message in a bottle,” Chris Tedjasukmana
read moreIt’s an unusual coupling, to say the very least: Anneliese Rothenberger and Max Hansen in one recording? The hairspray-star of
read moreWe need to talk about Offenbach, seriously and right now. Is it a sign of our gender-queer times that of
read moreIt is often hugely fascinating to see how and where classic operetta recordings get recycled. Take for example the EMI
read moreDutch baritone Peter Bording studied singing with Jan Handerson, graduated from the Sweelinck Conservatorium Amsterdam and concluded his studies at
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