Why oh why oh why oh! Burleycue in Ohio: “The Bandbox Revue” Of 1922
This picture looked to me like a rather nice American girlie entertainment from the Twenties. Wonder what it is, thought
read moreThis picture looked to me like a rather nice American girlie entertainment from the Twenties. Wonder what it is, thought
read moreA burlesque of Longfellow’s poem of the same name, the extravaganza Evangeline followed the trials and tribulations of its heroine
read moreThey are certainly five magnificent cowboys, but with a twist. The fact that they dance an Offenbach pas de deux
read moreI first came seriously in contact with F. C. Burnand’s burlesque, Ixion, when working on my biography of burlesque megastar,
read moreAmy Sheridan was something of a phenomenon. When she died, in 1878, at a Brighton boarding house, aged 39, of
read moreA fortunate series of simultaneous anniversaries—the 300th of the founding of New Orleans, the 75th of the New Orleans Opera,
read moreToday I got led (via my blonde burlesque ladies) into the world of the ‘spectacular theatre’. You know, those shows
read moreLast night, I was researching in ancient texts, trying to track down the history of a burlesque blonde who went
read moreThere is a renewed interest in operetta internationally, not just the French and Austrian variety of the genre, but also
read moreLydia Thompson [Eliza Hodges Thompson] is one of the theatre’s ‘legends’, and as in the case of other such legendary
read moreWe have been talking about burlesque and boylesque a lot here, lately. But have you ever heard of “Berlinesque”? And,
read moreAustralia’s most successful ever international manufacturer of musical plays was born Trinity Bay, Newfoundland, Canada 10 May 1842. The grandson of
read moreThere is a new book by Neil McKenna about “Two Young Men Who Shocked Victorian England“ entitled Fanny & Stella.
read moreIf you like Burlesque – in its historical form – you might enjoy Hostel Hermannstraße as performed by Ades Zabel
read more“Gender Studies” are something on everyone’s lips these days. Yet, somewhat surprisingly, the operetta world has hardly taken note of
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