Okay, Munich has the Gärtnerplatztheater and thus a center of operetta “maintenance” in Germany which competes with Staatsoperette Dresden, Musikalische
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What is arguably Paul Abraham’s musically strongest operetta, Viktoria und ihr Husar (1930), has been given a new production by
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Fans of 1920′s jazz operettas don’t usually consider Kálmán’s Gräfin Mariza a modern syncopated show. Instead, they put this international
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Deutschland, geteiltes Operettenland: In Berlin knistert es an Barrie Koskys Komischer Oper erotisch, in München, wo Josef Köpplinger das Gärtnerplatztheater
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Munich is getting a new Zirkusprinzessin, directed by Josef E. Köpplinger. That is, in itself and without doubt, a reason
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