“Like Rheingold, But With More Tunes”: Stephen Sondheim’s “Follies” At The National Theatre
There are a few ‘musicals’ written in the last seventy years which, because of both the specific quality of their
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Re-Sampling A Legend: “Ziegfeld And His Follies” By Cynthia And Sara Brideson
Here is a splashy new biography of “Broadway’s Greatest Producer,” Florenz Ziegfeld, written by the team of the Brideson sisters,
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Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
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“Mischa, Marlene and Me” At The Neue Galerie In New York
The one and only Steve Ross returns to the Café Sabarsky, that fabelhaft cabaret in New York’s Neue Galerie, 1048
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