The Memoirs of Gerd Natschinski. Or: Whatever Happened To DDR Operettas?
It’s a sad fact that the West-German publishers Schott and Bärenreiter – who took over the performance material for many
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Operette und Musicals in der DDR: Ein Gespräch mit Werner P. Seiferth vom Metropoltheater
Übers Thema Operette in der DDR wird in letzter Zeit wieder mehr gesprochen. 2012 gab es in der Ausstellung Welt
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“Czech Operetta and Its Transnational Context”: A Conference in Prague
In March 2023 there’s a three-day conference in Prague devoted to the question of “Czech Operetta and Its Transnational Context”.
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Ernst Theis Conducts “Tonfilmschlager” from Nazi Times
“Can music be innocent?“ That‘s the first sentence in the booklet to this new CD of the Münchner Rundfunkorchester and
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Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“
Als das Dreimäderlhaus am 15. Januar 1916 im Wiener Raimundtheater in Premiere ging waren die Kritiken gespalten. Denn Komponist Heinrich
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Is The Gold & Silver Terminology Nothing More Than Camouflaged Anti-Semitism?
On 27 January, 1945 the Nazi concentration in Auschwitz was liberated by the Soviet Army. Memorial speeches all over the
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A Revived Interest In “Heiteres Musiktheater der DDR”? It’s Not Just About Nostalgia
Recently, Wolfgang Jansen published a collection of essays dealing with “Popular Music Theater under Socialism,” an aspect of 20th century
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Wolfgang Jansen’s New Book About Musicals Vs. Operetta: An Interview With The Author
Wolfgang Jansen has published many books: on the history of revues and revue operettas in the Weimar Republic, on Broadway
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“Bretter, die die die Welt bedeuten“: The DDR Musical Returns To Musikalische Komödie Leipzig
Is this the start of something like “reparation” after an endless period of neglect? On 18 September 2020 Bretter, die
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The New Online “Musicallexikon”: An Interview with Michael Fischer & Wolfgang Jansen
The University of Freiburg is home of the “Center for Popular Culture and Music.” They recently started the first online
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Watch Out For The Red Fingernails: Two New “Zigeunerbaron” Productions In Magdeburg And Berlin
How do you solve a problem like Zigeunerbaron? Some might ask: is there a problem with this 1885 show? Well,
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Focus On DDR Operetta: “Bretter, die die Welt bedeuten” At Musikalische Komödie Leipzig
Various opera houses in German speaking countries have presented new or adapted programs for their fall season, with productions they
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New Online Encyclopedia On Popular Musical Theater In Germany From 1945 Until Today
More than 300 musicals have already been documented, many more will follow: the University of Freiburg’s Center for Popular Culture
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„Ich reiß mir eine Wimper aus und stech’ dich damit tot!“ Die Entnazifizierung der NS-Operette zwischen 1945 und 2015
Nach der sogenannten „Stunde Null“ am 8. Mai 1945 hatten die Menschen in Deutschland mit hoher Wahrscheinlichkeit andere Sorgen, als sich
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“Arizona Lady” Comes To Arizona Opera In October 2015
The Jewish News reports on the upcoming first performance of the complete Arizona Lady by Emmerich Kalman – in (get
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Operetta From Socialist Germany: A Conference in Freiburg
Today and tomorrow, the Deutsches Musicalarchiv hosts its annual conference in Freiburg. Among the various talks on the history of
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“Ich reiß’ mir eine Wimper aus”: How To Revive Operettas From The Nazi Era
It is an inventive new approach to an old question: how do we deal with the ideological baggage of operettas
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„Zwei Cowboys im 3/4-Takt: Emmerich Kálmáns Arizona Lady, oder wie die Wiener Operette in den Wilden Westen kam“
Zu Weihnachten 2014 schenkt die Komische Oper den Berlinern eine sehr späte – und überfällige – Hauptstadtpremiere von Emmerich Kálmáns
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Another Rainbow Over Berlin?
We have been talking about burlesque and boylesque a lot here, lately. But have you ever heard of “Berlinesque”? And,
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The Very Model of a Modern-Day Burlesque
If you like Burlesque – in its historical form – you might enjoy Hostel Hermannstraße as performed by Ades Zabel
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Kálmán’s “Arizona Lady”: Two Cowboys in 3/4-Time?
An interview with Charles Kálmán, the son of Emmerich Kálmán, on his father’s last operetta, “Arizona Lady”. Most people nowadays
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Vorsätzlich vergessen? Die Operette der DDR
In der Ausstellung “Welt der Operette” wurde jüngst in Wien und München auf das “Heitere Musiktheater” der DDR hingewiesen, aber
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Operette – die aus der Zeit gefallene Kunst?
Als mich vor ein, zwei Jahren eine humanistische Gesellschaft wegen eines Vortrags ansprach, mich gleichzeitig aber darauf aufmerksam machte, dass
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Benatzky’s “Der König mit dem Regenschirm” for Post-Nazi Audiences
When composer Ralph Benatzky (1884-1957) – fresh from his international triumphs with Casanova, The Three Musketeers and White Horse Inn
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