“Mr. Offenbach Writes To Us”: Letters To Le Figaro And Other Texts
In their September newsletter, The Jacques Offenbach Society alerts its readers to a new book edited by Jean-Claude Yon. It’s
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“Offenbach Colorature”: The Award-Winning Solo Album By Jodie Devos
Any solo album that starts off by knocking you on the head with the boisterous couplet of the animal trainer
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Operetta Between The Two World Wars: International Musicological Symposium In Ljubljana
The staging of musical-dramatic works in the late nineteenth century was dominated by operetta, which effectively dictated the programmes of
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Body Shaming In The Operetta World: Or The Cry For Help From Soprano Kathryn Lewek
In his novel Where Angels Fear to Tread, published in 1905, E. M. Forster describes a performance of Lucia di
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Dangerous When Wet: Offenbach’s Rediscovered “Le Royaume de Neptune” From the 1874 “Orphée Aux Enfers”
When Germany’s ultra-conservative Offenbach crusader Peter Hawig – who in a recent Jacques Offenbach Society newsletter remarked that “tying” the
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Offenbach On Arte TV: “Orphée aux enfers” From Salzburg and “Gerolstein” From Cologne
You might wonder whether they are serious – ‘them’ being the French-German Kultursender arte. They are celebrating the 200th birthday
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“Maestro Offenbach – au grand galop!” A Farewell Book For Albert Gier
Prof. Albert Gier is one of the most famous researchers of musical theater text books. He taught at the University
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“The Pa! The Ma! And the Shah!”: Offenbach’s “Island of Tulipatan” As A “Persian Operatic Bouffonerie”
The one-act l‘île de Tulipatan, written by Jacques Offenbach with his librettists Henri Chivot and Alfred Duru in 1868 for
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Diversity Of Questions & Multiplicity Of Approaches: Kaspar Maase’s “Einführung in die Populärkulturforschung”
How do you solve a problem like – operetta? The question has been asked many times over, especially since so
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Sex, Gender Fluidity, Abortion & Operetta in Northern Ireland: The Offenbach Bicentenary Festival
In August 2019, Northern Ireland Opera presents an Offenbach Bicentenary Festival. The choice of shows for this festival is remarkable, because
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Offenbachs “La Créole” And The Exhibition “Le Modèle Noir” At The Orsay Museum In Paris
It is one of the more amazing developments of recent years that suddenly “entertainment” is included in major exhibitions dealing
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Offenbach Double-Treat in London: “La belle Hélène” and “Orpheus in the Underworld”
With the BBC Proms totally ignoring Offenbach’s bicentenary, it has been left to London’s music colleges, small scale opera companies
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“Barbe-Bleue” In Lyon: A Night Of Perfection
It is so easy to rip a performance apart. But what do you do if you see perfection? Alright, if
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Dance in Jacques Offenbach’s Théâtre musical léger – Between Imagination, Improvisation and Choreography
Jacques Offenbach could not have asked for a better way to curry favour for theatre priveleges than by publishing a
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Observations Of A Traveling Operetta Enthusiast
One cannot call them “reviews,” since I don’t read music, and a performance has to be either very good or
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Offenbach At 200: “Madame Favart” At The Opéra-Comique In Paris
Would Brother Jacob have been amused? In any case, the Parisian Opéra-Comique (with a hyphen, meaning the actual opera house,
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“Camp: Notes On Operetta.” Or: Getting Back To The “Filthy” Side Of The Genre?
“More than any other art form, fashion most fully embraces and expresses camp’s exuberant aesthetic, excelling in its ability to
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The Queen of Offenbach’s Bouffes: The Life & Career Of Lise Tautin
The Queen of Offenbach’s Bouffes? Oh, yes, I hear the unenlightened nod. ‘Hortense Schneider. We’ve all heard of her’. I:
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Offenbach’s “König Karotte” In Hannover: Farewell To The Production By Matthias Davids
German regional theatres excel in searching out rarely performed stage works and often breathing new life into them. Le Roi
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The “Voix de Flûte”: Offenbach’s Star Comedian Léonce (1820-1900)
Édouard Théodore Nicole, better known as Léonce (b Paris, 12 January 1820) was a slim, bespectacled (off-stage) low comedian with
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Offenbach’s Superstar Désiré (1823-1873): The Worlds First Jupiter
In 1847 the young comedian known as Désiré asked Hervé for a two-handed musical sketch to play at his benefit.
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“Shooting Star” World-Premiere In Los Angeles: A “Revealing New Musical” by Florian Klein, Thomas Zaufke & Erik Ransom
With an Offenbach conference coming up in June in Cologne that includes a section dedicated to “Discourses and Identities” and
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“La Princesse de Trebizonde”: Revisiting The Offenbach Production In Hildesheim
The World Heritage city of Hildesheim, 20 miles south-east of Hannover, possesses a charming, intimate, 600-seater theatre staging opera, musicals
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How Big Is The Stretch From “Fosse/Verdon” And “Judy” To A TV-Series About Erik Charell And Fritzi Massary?
As I sit watching the current TV series Fosse/Verdon, starring Sam Rockwell and Michelle Williams as two show business legends,
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Fritzi Massary Sings “Csardasfürstin” & “Faschingsfee” In 1916/18
There’s a wonderful interview with Elisabeth Schwarzkopf in which she talks about her student days in Berlin. She mentions that
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Franz von Suppé – das verdrängte Genie: Zum 200. Geburtstag des Komponisten
Franz von Suppé – das sind ein paar wenige Ouverturen, die man heute noch spielt, seltener in Konzerten, wo leider
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The 2019 Season At The Lehár Festival In Bad Ischl: “Im weißen Rössl” & More
The Ischl Lehár Festival has announced what you may expect in 2019 – with the new artistic director Thomas Enzinger.
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Ass-Dur At Bar jeder Vernunft. Or: “Les deux aveugles” Reloaded
In his new book Der Klang von Paris – “The Sound(s) of Paris” – Volker Hagedorn embarkes on “a trip
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Jacques Offenbach’s “Folies symphoniques”: Howard Griffiths & Brandenburgisches Staatsorchester Frankfurt
You’ll forgive me for saying this, but provincial Brandenburg and the city of Frankfurt an der Oder (next to the
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“Orpheus in der Unterwelt” 1860: Johann Nestroy im Carl-Theater Wien
Sie haben wirklich alle Macht und allen Einfluß verloren, die hohen olympischen Herrschaften, die da saßen „auf goldenen Stühlen“, und
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Rediscovered: The Viennese Nestroy/Binder Version of “Orpheus in der Unterwelt” (1860)
The double jubilee of Jacques Offenbach’s and Franz von Suppé’s 200th birthdays in 2019 has prompted the Wienbibliothek in Rathaus
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“Die Prinzessin von Trapezunt” in Hildesheim: Ist das Operette 4.0?
So viel vorweg: Dass in Hildesheim Offenbachs einstiger Sensationserfolg Die Prinzessin von Trapezunt (1869) nach Jahrzehnten des Vergessens wieder auf
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“Zur Geburt der Wiener Operette: Musikalische und historische Wurzeln. Heute – Reminiszenz oder Aktualität?”
For 2019, the Wiener Institut für Strauss-Forschung (WISF) is offering a three-day operetta ‘special‘ that‘s entitled Zur Geburt der Wiener
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“Oyayaye, ou la Reine des Îles” And “Pomme d’api” At Kammerspiele München
The Jewish Chamber Orchestra Munich celebrates the 200th birthday of Jacques Offenbach with a performance of two rarities: Oyayaye, ou
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“Offenbachiades” And Their Context: A New Study By Peter Hawig
Let’s start this review backwards, shall we? The last sentence in Peter Hawig’s new book for the Offenbach bicentenary is:
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The History of Jacques Offenbach’s “La Princesse de Trébizonde”
Originally produced at Baden-Baden during the 1869 summer season, with the young Mdlle Périer in its principal travesty rôle, La
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