“For the Drama”: Strauss’ “Fledermaus” as Real-Life-Fiction on TV
This 3-part German mini-series called For the Drama is remarkable in many ways. It tells the story of two singers
read moreThis 3-part German mini-series called For the Drama is remarkable in many ways. It tells the story of two singers
read moreThe world of science fiction is somewhat underexplored when it comes to operetta. Even though Offenbach famously wrote Le voyage
read more“Welcome to the 20s” says the poster for Lila Lied, “The Queer Cabaret” that was presented in Berlin’s SchwuZ. In
read moreThe “tuttis” are at their exercise again, you might say. The Berlin Collective for Contemporary Operetta is presenting their queer-feminist
read moreAls das Dreimäderlhaus am 15. Januar 1916 im Wiener Raimundtheater in Premiere ging waren die Kritiken gespalten. Denn Komponist Heinrich
read moreThe Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to
read moreOffenbach’s 1857 Vent du soir, ou l’horrible festin is one of his more famous titles in the German speaking theater
read moreSo here it is, the world’s “first gay opera guide,” or so the publisher claims. It’s a small Berlin based
read moreRecently, ORCA received a generous donation in the form of various Gilbert & Sullivan materials that a researcher in the
read moreMy first reaction was: ‘Not another fairy tale musical!’ But after Monday night’s concert at The Ballery in Berlin, where
read moreWhen a production of White Horse Inn starts with a new overture and “Somewhere Over the Rainbow” – segueing into
read moreThere are two truly stunning moments on this new disc by tenor Piotr Beczala devoted to Richard Tauber. And not
read moreNacktes Fleisch, Frivolitäten, feminin-lamboyante Männer, »blasende Hirten«, selbstbewusste Frauen – die Operetten der 1920er und 1930er Jahre haben mit dem
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