Arnold Bennett Discusses Operettas & Musicals: Journal Entries 1897-1928
The English author Arnold Bennett (1867-1931) is best known as a novelist and playwright. He also kept a journal in
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Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent
The history of Die lustige Witwe has fascinated us, here at the Operetta Research Center, immensely over the past months.
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The Incomparable Maudi Darrell: One-Time Darling Of London’s Gaiety Theatre
The story begins almost like a fairy tale: Once upon a time there were three brothers, George, Edward and John.
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Ivan Caryll & The Heyday Of The Gaiety Musical Comedy
Ivan Caryll was the principal composer and conductor for the heyday of the Gaiety musical comedy who encouraged the development
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A Bi-Polar “Merry Widow”: The Life Of Lily Elsie (1886-1962) Revisited
Elsie Hodder was born in a rather squalid theatrical lodging house in Leeds on 8 April, 1886. Her mother was
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The First English Language Danilo in “The Merry Widow”: US-Comedian Joseph Coyne (1867-1941)
Joseph Coyne was a light comedy actor-who-sings who moved from silly-ass rôles in his native America to stardom as Britain’s
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“Ghost Lights: Ivor Novello and His Leading Ladies“ – A Conversation With David Slattery-Christy About His New Play
Most operetta fans will know David Slattery-Christy as the biographer of Ivor Novello (1893-1951) and as a tireless champion of
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“Ball at the Savoy”: An “Alluring Hotch-Potch” At Drury Lane (1933)
It might be imagined by those who underrate the virility of convention that the good old-fashioned musical comedy would not
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Paleophonics: A Journey To The Dawn Of Recorded Sound In Musical Comedy
If you are interested in what original audiences of early 20th century English operetta and musical comedy heard, there is
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Remembering Will Marion Cook, Composer Of “In Dahomey” And The Cakewalk
Will Marion Cook was born inWashington, DC, on 27 January, 1869. The son of a well-off and well-educated family, Cook
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Maury Yeston Meets Julian Slade. Or: “Amélie” At London’s The Other Palace
Amélie is a charming, whimsical, musical, based on a 2001 French Film, which was originally (2015) staged in California, and
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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“Must Close Saturday”: The Decline and Fall of the British Musical Flop
When this heavy, 350 page book, closely but clearly typed and well-illustrated, arrived in the post I thought I would
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