It’s Finally Here: Karin Meesmann’s Biography of Paul Ábrahám
Anyone interested in Paul Ábrahám will have known – or will have heard – that Karin Meesmann has been working
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World Premiere Recording of Ábrahám’s Jazzy 1932 “Ball at the Savoy” In English
Paul Abrahám’s flavorsome jazz operetta, which premiered to great acclaim in 1932 Berlin at Großes Schauspielhaus, only to have its
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Ábrahám’s “Ball at the Savoy” At Drury Lane In A 1933 Oscar Hammerstein Production
Paul Abraham’s Ball im Savoy opened at Berlin’s Großes Schauspielhaus in December 1932 with a superstar cast – and was
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Paul Abraham’s “Dschainah – Das Mädchen aus dem Tanzhaus” Revived After 84 Years
If expectations are exceptionally high for a Paul Abraham operetta at Komische Oper Berlin that’s because, in the past, the
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Bringing Back Abraham: “Märchen Im Grand Hotel” At Staatstheater Hannover
It’s hard to believe, but this is actually only the second fully staged production of Paul Abraham’s Märchen im Grand
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Heymann, Offenbach & Ábrahám: New Albums And Concerts With The Capitol Symphony Orchestra
Here’s something truly special: an album of Werner Richard Heymann’s symphonic music that has not been available acoustically earlier and
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Dagmar Manzel’s New Solo Album “Sehnsucht” – With Three Paul Abraham Tracks
The fact that Dagmar Manzel has been involved in the Weimar Republic operetta revival at Komische Oper Berlin from the
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Ábrahám’s “Märchen im Grand-Hotel” In Hamburg, Hannover, Luzern & Meiningen
After having been forgotten for more than 80 year, new interest in Paul Ábrahám’s Märchen im Grand-Hotel is noticeable. You’ll
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Ábrahám’s “Roxy und ihr Wunderteam” At Komische Oper Berlin: Watch The Live-Stream
At Komische Oper Berlin, Paul Ábrahám’s ‘last’ operetta premiered in a new production by Stefan Huber, with a newly arranged
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Jaromir Weinberger’s “Frühlingsstürme” And Paul Ábrahám’s “Dschainah” At Komische Oper Berlin 2019/20
“We’re not an operetta palace!“ Says Komische Oper intendant Barrie Kosky at the press conference where he announced the new
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Ábrahám’s “Märchen im Grand-Hotel” In Mainz
After having had great success in Berlin with three operettas on a very grand scale – Viktoria und ihr Husar
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Ein Interview mit Henning Hagedorn über die Rekonstruktion (und das Spielen) von Ábraháms Zentralpartituren
Herr Hagedorn, seit Sie mit Ihrem Kollegen Matthias Grimminger angefangen haben für den WDR und die dortige Ábrahám-Aufführungsserie Partituren von
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“Die Blume von Hawaii” beim Lehár-Festival Bad Ischl. Oder: Jonny als alter ego Pál Ábraháms?
Lehár Festival Bad Ischl 2018. Das Konzert- und Kongresshaus gleicht einem Bienenstock, Publikum strömt herbei während das Ensemble sich einstimmt
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“Roxy und ihr Wunderteam”: Abraham’s Football Operetta Finally Comes To Berlin
Why did it take so long, you might ask? And was it worth waiting all this time? In the case
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Abraham’s “Ball im Savoy” In Koblenz: No Lavish Sets But SS Officers
Having hugely enjoyed Barrie Kosky’s 2013 exuberant production of Abraham’s Ball im Savoy several times, I was interested to see
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Paul Abráhám’s “Märchen im Grand Hotel” (1934) At The Komische Oper Berlin
Of course there’ve been chamber operettas long before 1933, just think of the glorious small scale pieces written by Mischa
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“Die Blume von Hawaii”: Paul Abraham’s Tropical Rollercoaster In Pforzheim
Paul Abraham’s 1931 revue-operetta Die Blume von Hawaii has recently been give a highly enjoyable new production at Theatre Pforzheim,
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“Viktoria und ihr Husar”: Abraham-Triumph in Mörbisch
Was für ein Jammer, dass die 1920er Jahre vorbei sind. Und was für ein Jammer, dass Paul Abrahams Operetten noch
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Paul Abraham: An Interview with His First Biographer
The German journalist Klaus Waller has written a 240 pages biography of Paul Abraham: Der tragische König der Operette. It
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Two New Ábrahám Biographies
You could call it the battle of the biographers. Who will be first? Who will be better? Who will have
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“Ball im Savoy”: Ábrahám’s Late American Premiere
Paul Abraham was, without doubt, the most „American“ sounding operetta composer in Europe in the early 1930s. His jazz-operettas, culminating
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“Mein Freund Bunbury” Cancelled: The End of the Operetta Era at Komische Oper?
It came as something of a shock without any pre-warning: At the beginning of the new year the Komische Oper
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“Katharine Mehrling in Berlin” – The Promise of an Operetta Album to Come?
This week, Katharine Mehrling is back at Bar jeder Vernunft in Berlin with a program called 6 Nächte in Berlin,
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“Messeschager Gisela” – Axel Ranisch Stages Gerd Natschinski’s 1960 Hit
It’s the third attempt in Berlin to breathe new life into the forgotten sub-genre “Heiteres Musiktheater der DDR”, i.e. musicals
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Sensationelle Wiederentdeckung von Joseph Beers „Prinz von Schiras“
Von den vielen tragischen Schicksalen jüdischer Operettenkomponisten (verfolgt, vertrieben, ermordet, selbst wenn sie im Exil überlebt haben, bei der Rückkehr
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Hugo Hirsch’s “Der Fürst von Pappenheim“ Revived in Annaberg-Buchholz
It’s announced as a “rarity“ – and it certainly is. The Winterstein Theater in Annaberg-Buchholz in Saxony/Germany will present Hugo
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The “Fake” Disney Princess: Diana Damrau Sings Operetta
So, here it is at last: Diana Damrau’s operetta album dedicated to the “life embracing side” of the genre and
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Volker Klotz: 20. Dezember 1930 – 31. Mai 2023
Volker Klotz, der vor knapp vier Monaten im hohen Alter von 92 Jahren verstarb, war ein außergewöhnlich produktiver und dabei
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Erstmals auf DVD: Benatzkys „Der reichste Mann der Welt“
In der Geschichte der deutschsprachigen Operette bedeutet die sogenannte Machtergreifung der Nationalsozialisten Anfang 1933 einen radikalen Einschnitt: Die bis dahin
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World Premiere Recording: Walter W. Goetze’s “Wenn Männer schwindeln”
The works of German pre-WW1 composers have only recently come back into focus again – as opposed to the better-known
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Aus Perspektive eines Operettennostalgikers: „Rebecca“ und „Glöckner“ in Wien
Operettenfreunde in Österreich haben derzeit einen schweren Stand. Im sogenannten „Mekka der Operette“ in Mörbisch wird, seit Altbeau Alfons Haider
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“Das ist die Berliner Luft”: Paul Lincke Overtures Volume 1
This newly issued 2020 recording from CPO has rarely been out of my CD player since it arrived: it is
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75 Years of Setting Operetta Standards: The Komische Oper Jubilee
When the Komische Oper opened its doors on 23 December 1947 – in the Soviet controlled section of Berlin –
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“Die Rache der Fledermaus” – With Christoph Marti As A Rosalinde In Drag
After a long Corona delay this Fledermaus adaptation by Stefan Huber and Kai Tietje has finally landed in Berlin and
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“The Pleasure Garden“: The LGBT History of the Vauxhall Pleasure Gardens as a Musical
Back in 2004, the Wien Museum presented the exhibition Alt-Wien: Die Stadt, die niemals war. It examined the phenomenon that
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The Magic Returns with a Bright New Star: “Operette für zwei schwule Tenöre”
A modern-day operetta about two gay men and their relationship troubles manages to draw in crowds: Operette für zwei schwule
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