Imagine a world that persistently rewards the rich and powerful while immiserating the masses. Imagine an international paternalist cartel that
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The double jubilee of Jacques Offenbach’s and Franz von Suppé’s 200th birthdays in 2019 has prompted the Wienbibliothek in Rathaus
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“The Gay Hussars”? I admit, the title of the 1909 Broadway version of Emmerich Kalman’s first operetta hit Tatájárás caught
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Austrian-Jewish composer Joseph Beer’s operetta Polnische Hochzeit (‘Polish Wedding’) received its premiere in Zurich in 1937: it was quickly translated
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“Shake your banana!” At the table in front of me, six women screamed this internally even when Pasquale Aleardi was
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First, I learned that Michael and Nan Miller had bequeathed their extraordinary Operetta Archive to the University of California at
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New York Gilbert & Sullivan Players’s inspired pairing of two Victorian one-act comic operas – Ages Ago and Mr. Jericho
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VHRP Live’s love-themed concert may have been the company’s best yet, not forgetting such earlier gems as Son of Dublin
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So viel vorweg: Dass in Hildesheim Offenbachs einstiger Sensationserfolg Die Prinzessin von Trapezunt (1869) nach Jahrzehnten des Vergessens wieder auf
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For 2019, the Wiener Institut für Strauss-Forschung (WISF) is offering a three-day operetta ‘special‘ that‘s entitled Zur Geburt der Wiener
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Tea might be the only simple pleasure left to us, as Oscar Wilde once remarked. But you need to be
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The Operetta Research Centre was, this week, undergoing technical maintenance, in the course of which supremo Kevin Clarke came up
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Ah yes, the Weimar Republic. Again? While the Museum für Fotografie in Berlin is currently showing a marvelous exhibition on
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The Jewish Chamber Orchestra Munich celebrates the 200th birthday of Jacques Offenbach with a performance of two rarities: Oyayaye, ou
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Be careful what you wish for, says the old adage. You may get it … and in spades! Forty years
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It’s a brief moment, but it is pure magic. And it elevates an already magical evening to an outstanding event
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Let’s start this review backwards, shall we? The last sentence in Peter Hawig’s new book for the Offenbach bicentenary is:
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He was six years younger than Jacques Offenbach and survived him by eleven years. And just like Offenbach, he can
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Ivor Novello’s World War 2 hit The Dancing Years has finally been made available in a ‘first complete recording’ by
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Before the building of railways into London from the rest of south-east England in the third quarter of the nineteenth
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Mind the apostrophes! The recent revival of Paul Lincke’s Frau Luna at Tipi am Kanzleramt is a firm reference point
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Last week the international operetta research world gathered in Leeds for a conference which was – nothing short of remarkable!
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Nature or nurture – that’s the central question in this charming social experiment operetta in three acts by André Messager.
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After having had great success in Berlin with three operettas on a very grand scale – Viktoria und ihr Husar
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Originally produced at Baden-Baden during the 1869 summer season, with the young Mdlle Périer in its principal travesty rôle, La
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To mark the occasion, the city of Cologne and the local Gürzenich Orchestra inaugurate the festivities for Offenbach’s 200th birthday
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Does the world really need another Fledermaus recording? Absolutely, yes! There are many glorious versions available already with singularly good
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Sometimes you read an operetta essay that deeply disturbs you – not because it is badly written or full of
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For the 2019 Offenbach celebrations the city of Cologne has set up a special committee to organize an “Offenbach Year”
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No, it wasn’t public, and yes, it was only a one-off performance with a preceding dress rehearsal. There were invited
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Große Ereignisse werfen ihre Schatten voraus, und so sind im Vorfeld des 200. Offenbach-Geburtstags 2019 mehrere neue Bücher auf den
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Kálmán composed Kaiserin Josephine after his ‘regular’ first night theater, the Theater an der Wien, had gone bankrupt as a
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You know it’s Korngold alright from the very first bars: it’s an explosion of sound, hyper-intense like the opening of
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“The Offenbach bi-centenary is being virtually ignored by opera companies in the United Kingdom, so all credit to the Royal
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The effect of Ivor Novello’s music on me was immediate: I remember the first time I heard his songs on
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They now call themselves “Bouffes de Bru Zane,” and they are taking up the operetta torch at the Théâtre Marigny
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