“Katharine Mehrling in Berlin” – The Promise of an Operetta Album to Come?
This week, Katharine Mehrling is back at Bar jeder Vernunft in Berlin with a program called 6 Nächte in Berlin,
read moreThis week, Katharine Mehrling is back at Bar jeder Vernunft in Berlin with a program called 6 Nächte in Berlin,
read moreAt the end of July 2024, operetta collectors around the world lost a point of reference: Ernesto G. Oppicelli passed
read moreIn the decade or so that I’ve been attending Ohio Light Opera’s summer season of operettas and musicals, I continue
read moreDie Werke von Robert Stolz stehen derzeit nicht gerade hoch im Kurs. Manche zitieren Richard Strauss‘ Dictum, er sei ein
read moreIrgendwie stehen die in Amerika entstandenen Werke emigrierter Komponisten (ob Korngold, Weill oder Kálmán etc.) in unseren Landen immer noch
read moreÜbers Thema Operette in der DDR wird in letzter Zeit wieder mehr gesprochen. 2012 gab es in der Ausstellung Welt
read moreAnyone interested in Paul Ábrahám will have known – or will have heard – that Karin Meesmann has been working
read moreFor the first time in four years, Ohio Light Opera has returned for a full indoor season of shows (though
read moreKálmáns Gräfin Mariza ist (neben der Csardasfürstin) eine seiner perfektesten, beliebtesten und daher zu Recht jahrein jahraus, landauf landab, im
read moreThis updated version of the classic Kálmán operetta premiered on 25 November in Norwegian with English subtitles. “Nothing is lost,
read moreThe 1926 Kálmán hit Die Zirkusprinzessin – with a libretto by Julius Brammer and Alfred Grünwald and the memorable song
read moreBack in 2004, the Wien Museum presented the exhibition Alt-Wien: Die Stadt, die niemals war. It examined the phenomenon that
read moreIt’s the end of an era. For ten years Barrie Kosky made it his mission to revive forgotten Weimar Republic
read moreDid it really take until 2021 for a complete Countess Mariza recording to come out? Of course, there have been
read more“Another opening, another show…” But not in Philly or Boston, as Cole Porter once rhymed for Kiss Me, Kate, but
read moreRejoice greatly! There’s another big English language book on operetta, following last year’s Cambridge Companion to Operetta. This new publication
read moreOperetta goes online? That’s not exactly news, after more than a year of Corona lockdowns and closed theaters, when there
read moreThe repertoire Tyrolean tenor Martin Mitterrutzner presents on his new album Heut’ ist der schönste Tag was made popular in
read moreOn 27 January, 1945 the Nazi concentration in Auschwitz was liberated by the Soviet Army. Memorial speeches all over the
read moreWolfgang Jansen has published many books: on the history of revues and revue operettas in the Weimar Republic, on Broadway
read moreIn 2013 and 2016 the University of British Columbia performed two of Emmerich Kálmán’s early symphonic poems, Saturnalia and Endre
read moreThe Austrian newspaper Der Standard has added a forgotten film operetta to their DVD series “Der österreichische Film”, a movie
read moreThe 2nd wave Corona lockdown has made operetta performances virtually impossible in many countries, and it looks like it might
read moreDevotees of classic Hollywood musicals – the sort that are the staple of Turner Classic Movies – will know Hungarian
read moreThere’s a lot happening in the world of theater right now, not just because of Corona and the ongoing lockdown
read moreThe Zurich Opera presented its new Csardasfürstin on Friday, after a long Corona delay. As compensation for the waiting, the
read moreHarvard-educated Henry Wilson Savage was born in New Durham (New Hampshire) on 21 March 1859 and well established as a
read moreThere’s an increasingly firece discussion about supposed “racism” in operetta. Recently, a production of Franz Lehár’s Land des Lächelns at
read moreIt’s going to happen: Berlin will get an “Exilmuseum,” a museum dedicated to the stories of those who went into
read moreThe other day I had a long transatlantic phone conversation with an US-American operetta researcher I greatly admire for his
read moreIn 1924 Betty Fischer created one of the greatest operetta roles of the 20th century: Gräfin Mariza in Emmerich Kálmán’s
read moreIt doesn’t happen often that an operetta composer gets that much attention in the general media, certainly the Germany language
read moreThe Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to
read moreKálmán’s 1920 Viennese hit Das Hollandweibchen is a special work that marks a turning point in the composer’s long career.
read moreEmmerich Kálmáns Graf Tassilo (Gräfin Mariza, Buch Julius Brammer / Alfred Grünwald) verkörpert einen Typus, den das Publikum der Uraufführung
read moreThere’s exciting news coming from Wiesbaden, Germany. The local Hessisches Staatstheater is presenting a new Gräfin Mariza production, directed by
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