Hahn Meets “Hairspray,” Or: Some Very Queer Operetta Offerings
Just as the season in Germany is about to close, two new operetta productions hit the stage that give cause
read moreJust as the season in Germany is about to close, two new operetta productions hit the stage that give cause
read moreZu Beginn seiner Amtszeit hatte der neue Intendant des Musiktheaters an der Wien, Stefan Herheim, programmatisch verkündet, dass er jedes
read moreOperette hat Konjunktur. In den letzten Jahren sind (meist beim Label cpo) rund zwei Dutzend Aufnahmen auf CD erschienen, meist
read moreOkay, Munich has the Gärtnerplatztheater and thus a center of operetta “maintenance” in Germany which competes with Staatsoperette Dresden, Musikalische
read moreOne of the things that irritates me about Richard Traubner’s book Operetta: A Theatrical History is the way he dismisses
read moreAfter rumors had already started circulating, it’s now official: Komische Oper Berlin has cancelled its live stream of Paul Abraham’s
read moreYeehaw! Komische Oper Berlin has finally awoken from its Sleeping Beauty Corona mode; the company has decided to offer something
read morePutting on Eduard Künneke’s 1920 hit Der Vetter aus Dingsda seemed like a good idea in times of Corona restrictions:
read moreIt seems that the operetta scene is finally awaking to the possibilities of the internet as a chance to overcome
read moreThe 2nd wave Corona lockdown has made operetta performances virtually impossible in many countries, and it looks like it might
read moreYou could say it’s a bitter irony: ever since theaters in Germany re-opened after the summer, Barrie Kosky has said
read moreKálmán’s Faschingsfee started her phenomenal career abroad, to be exact: in Budapest and New York City. First the show premiered
read moreIf you’re following the Operetta Research Center news feeds you will have heard of tenor Maximilian Mayer before: he was
read moreMunich’s recently renovated and re-opened Gärtnerplatz Theater just offered a brand-new staging of The Chocolate Soldier, in the original German
read moreThe nomadic company of Staatstheater am Gärtnerplatz has staged a rare, highly successful and most enjoyable revival of Kalman’s 1917
read moreWhat is arguably Paul Abraham’s musically strongest operetta, Viktoria und ihr Husar (1930), has been given a new production by
read moreGerman tenor Philip Lüsebrink studied at Hamburg’s Johannes Brahms Conservatory; and built quite a career for himself singing and directing
read moreDas Gärtnerplatztheater in München ist hundertfünfzig geworden. Gefeiert wurde das Jubiläum jedoch außerhalb, weil das Haus saniert wird. Ein vergrößerter
read moreMephisto warned us right at the beginning of tonight’s performance that we wouldn’t leave weeping over Marguerite’s fate. I sincerely
read more