Lehár’s “Giuditta”: The Splendour and Misery of the Exchangeable
To speak of the genre of Viennese operetta as having a kind of Hegelian spirit, with a life course from
read moreTo speak of the genre of Viennese operetta as having a kind of Hegelian spirit, with a life course from
read moreDid it really take until 2021 for a complete Countess Mariza recording to come out? Of course, there have been
read moreThe repertoire Tyrolean tenor Martin Mitterrutzner presents on his new album Heut’ ist der schönste Tag was made popular in
read moreObviously, there are many ways to present history, including musical history. At the moment, you can watch the amazing Viola
read moreThis new recording starts overwhelmingly: with gongs, whole tone scales, rhythmic oriental rattling, bouncing horn passages à la Richard Strauss.
read moreOperetta “live” in Austria? Bühne Baden is one of the few places where you can actually experience the genre on
read moreThe only way I can describe my reaction to this attractively packaged new Franz Lehár reader, published to coincide with
read moreIt’s Franz Lehár’s 150th birthday coming up in April, and various authors and publishing houses are getting ready to celebrate
read moreIm Jahr 2005 profilierte sich die Staatsoperette Dresden mit einer überregional vielbeachteten Konferenz, die den Titel Operette unterm Hakenkreuz trug.
read moreYes, they are very famous and widely known: Lehár’s operettas as recorded by the Nazis, often with stellar casts, offering
read moreEnterprising Ohio Light Opera, ever devoted to ‘authentic’ productions from the world of musical comedy and operetta, seems to go
read moreEveryone knows that Lehár had a not-so-secret longing for the ‘grand operatic’ and devoted the latter part of his long
read moreLeo Fall’s one-act operetta Brüderlein fein premiered in the notorious basement cabaret of the Theater an der Wien, called “Die
read moreViennese operetta at the beginning of the 20th century was a genre in transition, claims Stefan Frey in an essay
read moreIf you grew up as a kid in Germany, you probably learned early from a famous TV program to always
read moreFor many operetta fans, Offenbach’s Orpheus in the Underword is the masterpiece with which it all began, back in 1858.
read moreThe art of the suggestive song is not restricted to any particular historic era; it is, however, limited to a
read moreDas Gärtnerplatztheater in München ist hundertfünfzig geworden. Gefeiert wurde das Jubiläum jedoch außerhalb, weil das Haus saniert wird. Ein vergrößerter
read moreThis week-end, a new production of Offenbach’s La belle Hélène premieres at the Komische Oper Berlin. Its director, Barrie Kosky,
read moreA soprano with a bomb in her handbag, with which she intends to blow up the male lead? That’s certainly
read moreLovers of operetta and musicals had the rare opportunity for a week-long wallow in their favorite sport during the Ohio
read moreIn 2003, Henschel Verlag of Berlin published Unter Tränen lachen, a German-language “operetta biography” of composer Emmerich Kálmán. The author,
read moreFor the last five days, I’ve been in Ohio. Yes, Ohio, USA. Yes, I know I said, years ago, that
read moreNext week, the Ohio Light Opera is starting its 36th season – with 7 (in writing: seven!) productions on offer
read moreIt’s always a good time to pay attention to Leo Fall (1873-1925) because his operettas – Der fidele Bauer, Die
read moreFresh off the press: the Edition Steinbauer in Vienna published a new and illustrated biography of Leo Fall (1873-1925), beloved
read more