“Swapping The Canon” To Dismantle Racism & Hetero-Cis-Patriarchy? Proposals For Higher Education In The USA
There’s a lot happening in the world of theater right now, not just because of Corona and the ongoing lockdown
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Lorenzo Viotti Wants To Overcome The “Stiffness” Of The Classical Music World: “Csardasfürstin” From Zurich
The Zurich Opera presented its new Csardasfürstin on Friday, after a long Corona delay. As compensation for the waiting, the
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Broadway Producer Henry W. Savage (1859-1927): “Merry Widow” and “Sari” Were His Greatest Hits
Harvard-educated Henry Wilson Savage was born in New Durham (New Hampshire) on 21 March 1859 and well established as a
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How Is Our “Woke-Ass Culture” Dealing With The Supposed Racism Of “Zigeunerbaron”?
There’s an increasingly firece discussion about supposed “racism” in operetta. Recently, a production of Franz Lehár’s Land des Lächelns at
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A New “Exilmuseum” In Berlin – Will It Include The Entertainment World?
It’s going to happen: Berlin will get an “Exilmuseum,” a museum dedicated to the stories of those who went into
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Daddy Issues At Ohio Light Opera: How Could “Constructive” Critcism Work With Lehár’s “Cloclo”?
The other day I had a long transatlantic phone conversation with an US-American operetta researcher I greatly admire for his
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The Royal Voice of Betty Fischer On Truesound Transfers
In 1924 Betty Fischer created one of the greatest operetta roles of the 20th century: Gräfin Mariza in Emmerich Kálmán’s
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The Father Of The “Silver Operetta” Age? Happy Birthday, Franz Lehár
It doesn’t happen often that an operetta composer gets that much attention in the general media, certainly the Germany language
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“One Long Gender-Bender”: Berlin’s Queer Operetta Revolution In The Years 2010-2020
The Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to
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Kálmán’s “Hollandweibchen” Comes To You As “The Little Dutch Girl” On DVD
Kálmán’s 1920 Viennese hit Das Hollandweibchen is a special work that marks a turning point in the composer’s long career.
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Die feinen Unterschiede in der französischen Operette der Zwischenkriegszeit: Henri Christiné – Maurice Yvain – Raoul Moretti
Emmerich Kálmáns Graf Tassilo (Gräfin Mariza, Buch Julius Brammer / Alfred Grünwald) verkörpert einen Typus, den das Publikum der Uraufführung
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Ready For Her Close-Up: Desirée Nick In “Gräfin Mariza” At Staatstheater Wiesbaden
There’s exciting news coming from Wiesbaden, Germany. The local Hessisches Staatstheater is presenting a new Gräfin Mariza production, directed by
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The 2020 Seasons At Léhar Festival In Bad Ischl And In Mörbisch
The operetta festival in Bad Ischl has ended its 2019 summer season with an 8 percent increase in audience numbers,
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Operetta Between The Two World Wars: International Musicological Symposium In Ljubljana
The staging of musical-dramatic works in the late nineteenth century was dominated by operetta, which effectively dictated the programmes of
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Ohio Light Opera: Offering Rarities From Kálmán’s “Teufelsreiter” to Novello’s “Perchance to Dream”
Fans of musical theater and operetta will not find a richer, more concentrated banquet of their favorite entertainment than that
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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Fritzi Massary Sings “Csardasfürstin” & “Faschingsfee” In 1916/18
There’s a wonderful interview with Elisabeth Schwarzkopf in which she talks about her student days in Berlin. She mentions that
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Kálmán’s “Faschingsfee” Live From Gärtnerplatz Theater Munich
Kálmán’s Faschingsfee started her phenomenal career abroad, to be exact: in Budapest and New York City. First the show premiered
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Emmerich Kálmán’s “Ein Herbstmanöver” From Gießen With Michael Hofstetter
“The Gay Hussars”? I admit, the title of the 1909 Broadway version of Emmerich Kalman’s first operetta hit Tatájárás caught
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“Frau Luna” And The Budapester Luft: The Berlin ‘National’ Operetta Vs. The Hungarian National Operetta
Mind the apostrophes! The recent revival of Paul Lincke’s Frau Luna at Tipi am Kanzleramt is a firm reference point
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Kálmán’s “Kaiserin Josephine” (1936) On CPO: Live From The Léhar Festival in Ischl
Kálmán composed Kaiserin Josephine after his ‘regular’ first night theater, the Theater an der Wien, had gone bankrupt as a
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Everyone’s Dancing The Charleston Tonight: “Die Herzogin von Chicago” in Leipzig
On Saturday, October 20, exactly 90 years after its world premiere, the curtain will rise on Emmerich Kálmán’s Die Herzogin
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“Gräfin Mariza” at Theater Magdeburg: With Yvonne Kalman as Guest of Honor
On 20 October, Theater Magdeburg premieres a new production of Kalman’s Gräfin Mariza. The composer’s daughter Yvonne is expected as
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Racism In Operetta? An Overdue Debate About “Land des Lächelns” & Co.
Recently, a review of a new Land des Lächelns production by Guy Montavon at Oper Wuppertal sparked a debate about
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“Sigh By Night”: Katharine Mehrling’s “vive la vie” Program At Bar jeder Vernunft
In the case of an artist of the caliber of Katharine Mehrling it’s obviously worth sticking around until the very
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Updating “Die Csardasfürstin” For Vienna: Peter Lund’s New Volksoper Production
It can be exciting to re-imagine and re-interpret beloved shows: we are witnessing this, again and again, in modern musical
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‘Authentic’ Operetta Productions At Ohio Light Opera? Plus A Festival Symposium
Enterprising Ohio Light Opera, ever devoted to ‘authentic’ productions from the world of musical comedy and operetta, seems to go
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A Season Full Of Surprises: New Productions in 2018/19 Of Strauss, Offenbach, Beer And Jessel
It’s this time of year when theaters around Germany and Austria are advertising their upcoming productions for the 2018/19 season.
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“Csardasfürstin” At Staatsoperette Dresden: With A Right-Wing Chancellor Of Austria Deporting Gypsys
Every self-respecting operetta company needs a production of one of the 20th century’s greatest operettas: Kalman’s Die Csardasfürstin. Whether Dresden
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Message In A Bottle? YouTube As Global Popular Home-Archive For Operetta
In a 2018 essay entitled Das Webvideo als Flaschenpost, or “the web video as message in a bottle,” Chris Tedjasukmana
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Sugar-Free Chocolate: Kálmán’s “Die Faschingsfee” In Möchengladbach-Krefeld
Emmerich Kálmán’s Die Faschingsfee had a very chequered history in its first few years. It was first seen in Budapest
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A Trip To The Moon With Geschwister Pfister: Talking About “Frau Luna” and Queer-Feminism In Operetta
The Geschwister Pfister – a German-Swiss-Croatian comedy trio – have written operetta history, many times over. Yes, they were the
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The Gay Hussars, Or: Kálmán’s “Ein Herbstmanöver” At Theater Giessen
The unpretentious German city of Giessen has a population of 78,000 and boasts two fine buildings: the railway station and
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Die Operette mit “Herzton” als musikdramatisches Modell der Moderne. Edmund Eyslers “Künstlerblut” (1906)
Back in June 2012, Marion Linhardt from the University of Bayreuth presented a paper on the Eysler operetta Künstlerblut in
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Csárdás Interruptus: Three Kálmán CDs With Historical Recordings From The USA
Back in 1997, Michael Miller, the chair of the Ohio Light Opera Board of Directors, and president of the Operetta
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Barbara Denscher: Der Operettenlibrettist Victor Léon
Victor Léon (1858-1940) hat im Lauf seiner mehr als fünfzigjährigen Theater-Karriere über hundert Bühnenstücke geschrieben, knapp die Hälfte davon wird
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