“The Pleasure Garden“: The LGBT History of the Vauxhall Pleasure Gardens as a Musical
Back in 2004, the Wien Museum presented the exhibition Alt-Wien: Die Stadt, die niemals war. It examined the phenomenon that
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On the Air: “Blume von Hawaii” Comes to Deutschlandradio Kultur
It’s the end of an era. For ten years Barrie Kosky made it his mission to revive forgotten Weimar Republic
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The First Truly “Complete” Recording Of Kálmán’s “Gräfin Mariza” On CPO
Did it really take until 2021 for a complete Countess Mariza recording to come out? Of course, there have been
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A New Dawn In Leipzig? Musikalische Komödie Reopens With A “Gräfin Mariza” Stream
“Another opening, another show…” But not in Philly or Boston, as Cole Porter once rhymed for Kiss Me, Kate, but
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“The Operetta Empire”: A New Book By Micaela Baranello
Rejoice greatly! There’s another big English language book on operetta, following last year’s Cambridge Companion to Operetta. This new publication
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Refreshing & Modern: Musikalische Komödie Starts Collaboration with Young Filmmakers
Operetta goes online? That’s not exactly news, after more than a year of Corona lockdowns and closed theaters, when there
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Big Bang Moments: Martin Mitterrutzner Sings Tenor Hits Of The 1930s
The repertoire Tyrolean tenor Martin Mitterrutzner presents on his new album Heut’ ist der schönste Tag was made popular in
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Operette und Musicals in der DDR: Ein Gespräch mit Werner P. Seiferth vom Metropoltheater
Übers Thema Operette in der DDR wird in letzter Zeit wieder mehr gesprochen. 2012 gab es in der Ausstellung Welt
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Is The Gold & Silver Terminology Nothing More Than Camouflaged Anti-Semitism?
On 27 January, 1945 the Nazi concentration in Auschwitz was liberated by the Soviet Army. Memorial speeches all over the
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Wolfgang Jansen’s New Book About Musicals Vs. Operetta: An Interview With The Author
Wolfgang Jansen has published many books: on the history of revues and revue operettas in the Weimar Republic, on Broadway
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World Premiere Recording Of Kálmán’s Symphonic Poems “Saturnalia” & “Endre és Johanna”
In 2013 and 2016 the University of British Columbia performed two of Emmerich Kálmán’s early symphonic poems, Saturnalia and Endre
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“Sehnsucht 202” On DVD: A Very Queer Version Of Vienna With Fritz Schulz & Paul Kemp
The Austrian newspaper Der Standard has added a forgotten film operetta to their DVD series “Der österreichische Film”, a movie
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When Theaters Stay Closed, Operettas Go Online – Not Just In Budapest
The 2nd wave Corona lockdown has made operetta performances virtually impossible in many countries, and it looks like it might
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“My Song For You”: A Marta Eggerth & Jan Kiepura Exhibition In Vienna
Devotees of classic Hollywood musicals – the sort that are the staple of Turner Classic Movies – will know Hungarian
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“Swapping The Canon” To Dismantle Racism & Hetero-Cis-Patriarchy? Proposals For Higher Education In The USA
There’s a lot happening in the world of theater right now, not just because of Corona and the ongoing lockdown
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Lorenzo Viotti Wants To Overcome The “Stiffness” Of The Classical Music World: “Csardasfürstin” From Zurich
The Zurich Opera presented its new Csardasfürstin on Friday, after a long Corona delay. As compensation for the waiting, the
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Broadway Producer Henry W. Savage (1859-1927): “Merry Widow” and “Sari” Were His Greatest Hits
Harvard-educated Henry Wilson Savage was born in New Durham (New Hampshire) on 21 March 1859 and well established as a
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How Is Our “Woke-Ass Culture” Dealing With The Supposed Racism Of “Zigeunerbaron”?
There’s an increasingly firece discussion about supposed “racism” in operetta. Recently, a production of Franz Lehár’s Land des Lächelns at
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A New “Exilmuseum” In Berlin – Will It Include The Entertainment World?
It’s going to happen: Berlin will get an “Exilmuseum,” a museum dedicated to the stories of those who went into
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Daddy Issues At Ohio Light Opera: How Could “Constructive” Critcism Work With Lehár’s “Cloclo”?
The other day I had a long transatlantic phone conversation with an US-American operetta researcher I greatly admire for his
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The Royal Voice of Betty Fischer On Truesound Transfers
In 1924 Betty Fischer created one of the greatest operetta roles of the 20th century: Gräfin Mariza in Emmerich Kálmán’s
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The Father Of The “Silver Operetta” Age? Happy Birthday, Franz Lehár
It doesn’t happen often that an operetta composer gets that much attention in the general media, certainly the Germany language
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“One Long Gender-Bender”: Berlin’s Queer Operetta Revolution In The Years 2010-2020
The Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to
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Kálmán’s “Hollandweibchen” Comes To You As “The Little Dutch Girl” On DVD
Kálmán’s 1920 Viennese hit Das Hollandweibchen is a special work that marks a turning point in the composer’s long career.
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Die feinen Unterschiede in der französischen Operette der Zwischenkriegszeit: Henri Christiné – Maurice Yvain – Raoul Moretti
Emmerich Kálmáns Graf Tassilo (Gräfin Mariza, Buch Julius Brammer / Alfred Grünwald) verkörpert einen Typus, den das Publikum der Uraufführung
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Ready For Her Close-Up: Desirée Nick In “Gräfin Mariza” At Staatstheater Wiesbaden
There’s exciting news coming from Wiesbaden, Germany. The local Hessisches Staatstheater is presenting a new Gräfin Mariza production, directed by
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The 2020 Seasons At Léhar Festival In Bad Ischl And In Mörbisch
The operetta festival in Bad Ischl has ended its 2019 summer season with an 8 percent increase in audience numbers,
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Operetta Between The Two World Wars: International Musicological Symposium In Ljubljana
The staging of musical-dramatic works in the late nineteenth century was dominated by operetta, which effectively dictated the programmes of
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Ohio Light Opera: Offering Rarities From Kálmán’s “Teufelsreiter” to Novello’s “Perchance to Dream”
Fans of musical theater and operetta will not find a richer, more concentrated banquet of their favorite entertainment than that
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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Fritzi Massary Sings “Csardasfürstin” & “Faschingsfee” In 1916/18
There’s a wonderful interview with Elisabeth Schwarzkopf in which she talks about her student days in Berlin. She mentions that
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Kálmán’s “Faschingsfee” Live From Gärtnerplatz Theater Munich
Kálmán’s Faschingsfee started her phenomenal career abroad, to be exact: in Budapest and New York City. First the show premiered
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Emmerich Kálmán’s “Ein Herbstmanöver” From Gießen With Michael Hofstetter
“The Gay Hussars”? I admit, the title of the 1909 Broadway version of Emmerich Kalman’s first operetta hit Tatájárás caught
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“Frau Luna” And The Budapester Luft: The Berlin ‘National’ Operetta Vs. The Hungarian National Operetta
Mind the apostrophes! The recent revival of Paul Lincke’s Frau Luna at Tipi am Kanzleramt is a firm reference point
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Kálmán’s “Kaiserin Josephine” (1936) On CPO: Live From The Léhar Festival in Ischl
Kálmán composed Kaiserin Josephine after his ‘regular’ first night theater, the Theater an der Wien, had gone bankrupt as a
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Everyone’s Dancing The Charleston Tonight: “Die Herzogin von Chicago” in Leipzig
On Saturday, October 20, exactly 90 years after its world premiere, the curtain will rise on Emmerich Kálmán’s Die Herzogin
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