“Lustige Witwe”: Barrie Kosky Tackles the “Führer’s” Favorite Operetta in Zurich
In the past, Barrie Kosky has shunned the works of Franz Lehár. His operetta focus has been on works by
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“I Am What I Am”: New Productions at Komische Oper after Barrie Kosky
Quo vadis, Komische Oper? That’s what many have been wondering. How will the new artistic directors continue the now world-famous
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Barrie Kosky’s All-Singing, All-Dancing Yiddish Revue – Plus Other Farewell-Highlights
Of course he wasn’t going to present his last season as intendant of Komische Oper Berlin via Zoom or only
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World Premiere Recording of Ábrahám’s Jazzy 1932 “Ball at the Savoy” In English
Paul Abrahám’s flavorsome jazz operetta, which premiered to great acclaim in 1932 Berlin at Großes Schauspielhaus, only to have its
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Too Many New Covid-19 Infections: Komische Oper Berlin Cancels Its “Blume von Hawaii” Live Stream
After rumors had already started circulating, it’s now official: Komische Oper Berlin has cancelled its live stream of Paul Abraham’s
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Here Comes “Blume von Hawaii” As A Live Stream From Komische Oper Berlin
Yeehaw! Komische Oper Berlin has finally awoken from its Sleeping Beauty Corona mode; the company has decided to offer something
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Lotte de Beer: The Future Of Operetta At Volksoper Wien Is Female
The future of operetta in Vienna is female: Lotte de Beer was presented this week as new artistic director of
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The Show Will Go On, Or: A New “Großherzogin von Gerolstein” At Komische Oper
“344 Menschen, that‘s besser wie nix!” That’s what intendant Barrie Kosky said when he presented his brand new schedule for
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“Kunst der Oberfläche. Operette zwischen Bravour und Banalität”
Unter ihrem Intendanten Barrie Kosky hat die Komische Oper Berlin seit 2012 einen eigenen, unverwechselbaren Operettenstil gefunden: sehr bunt und
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A Man And His Shadow: “Jonas Kaufmann Wien”
No, this is not scheduled as a mid-summer treat to coincide with the various operetta festival productions in Austria: the
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Thank You For The Music! Duophon Records Founder Alfred Wagner Has Died
It’s with great sadness that we heard about the death of Alfred Wagner this morning. He was the man behind
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Jaromir Weinberger’s “Frühlingsstürme” And Paul Ábrahám’s “Dschainah” At Komische Oper Berlin 2019/20
“We’re not an operetta palace!“ Says Komische Oper intendant Barrie Kosky at the press conference where he announced the new
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“Sigh By Night”: Katharine Mehrling’s “vive la vie” Program At Bar jeder Vernunft
In the case of an artist of the caliber of Katharine Mehrling it’s obviously worth sticking around until the very
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The Problem With Thielemann’s Dresden New Year’s Concert
Yes, it’s that time of year again when New Year’s concerts are unavoidable. It’s also the time when those in
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The First Charles Kálmán Chanson Prize At Bundeswettbewerb Gesang 2017
At the beginning of December, the winners of this year’s Bundeswettbewerb Gesang presented themselves at the Friedrichstadt Palast in Berlin,
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Kálmán As Premature Ejaculation? “Die Zirkusprinzessin” In Berlin
Yes, it comes as a bit of a surprise to hear Yvonne Kálmán – of all people – say about
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Operetta Stars Make Berlin’s New “My Fair Lady” Sparkle
Should anyone be surprised? The new production of My Fair Lady at the Komische Oper Berlin is sold out to
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Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
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The Hungarian Connection: Reclaiming The Repertoire
Vienna and Budapest: those are two important fixtures in the operetta universe. And two highly profitable marketing terms. There are
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Mixing Pop And Opera: Triumph Or Trouble?
In the music world, sometimes the concept of mixing vocal genres in the same performance works well, and sometimes it
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A Kálmán Bonanza For Christmas: “Mariza”, “Arizona Lady” & “Csárdásfürstin”
It’s a real Kálmán bonanza this holiday season. Wherever you turn, there is Kálmán, and more Kálmán. In St. Gallen
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“Ball im Savoy”: Ábrahám’s Late American Premiere
Paul Abraham was, without doubt, the most „American“ sounding operetta composer in Europe in the early 1930s. His jazz-operettas, culminating
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