Roger’s “Joséphine Vendue Par Ses Soeurs” Returns to Paris
In January 2025 the Compagnie Fortunio is bringing the opéra-bouffe Joséphine Vendue Par Ses Soeurs back to Paris, for a
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Routlegde’s “Genre Beyond Borders: Reassessing Operetta”
Back in the year 2019, the University of Leeds hosted an conference put together by Derek B. Scott and Anastasia
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“Social Evil”: The Girards and Offenbach’s “Princess of Trebizonde” in Melbourne
Recently, Offenbach researchers have started looking a little beyond the usual boundaries of “established” source material, one of them is
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Carl Millöcker (b. Vienna, 29 April 1842; d. Baden bei Wien, 31 December 1899)
Carl Millöcker was one of the trio of Viennese composers who were responsible for the bulk of the outstanding Operetten
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“Der arme Jonathan”: Operette in 3 acts by Carl Millöker
Hugo Wittmann and Julius Bauer based their libretto on Les Deux Anglais by P-F Merville, Carl Millöcker wrote the music. Their show, Der
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First Full Cast Recording of Gustave Kerker’s “The Belle of New York”
As everyone who’s currently watching season 2 of The Gilded Age knows: marriage in New York City among the super-rich
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“Camelot” Returns With A New Broadway Cast Album
I have always liked 90 percent of Camelot. And 100 percent of its delicious source material. I am, yes, too
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Rodgers & Hammerstein Revisited: “The King and I” & “South Pacific” on Jay Records
This morning I had an interesting package on my desktop. Complete recordings of The King and I (1994) and South
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“Offenbach, Musicien Européen” Or, Put Away the Sellotape
In the summer of 2019 researchers from all around the world gathered for a double conference in Cologne and Paris,
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Blackface and Crossdressing: The Great Minstrel ‘Prima Donnas’
In the 21st century, when it is considered oh-so-trendy for boys to dress up as girls, the trendy ones (and
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First Full Recording of Suppé’s “Reise um die Erde in 80 Tagen“ on Naxos
In recent years we have seen a splendid series of recordings brought forth – in England, France, Italy – of
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Quirky and Esoteric: Sandy Wilson’s 1958 “Valmouth”
The show was commissioned from Sandy Wilson, the author-composer of The Boy Friend, by Oscar Lewenstein and the Royal Court Theatre as
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Revisiting the Emily Soldene Biography. Or: the Postscripta of Publication
When you have spent more than 20 years researching and writing a book, when you have lived and breathed the
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John Philip Sousa’s “El Capitan” (1896)
One of the earliest successful comic operas to come out of America, El Capitan was also the one successful attempt
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Revisting “Au Dahomey” (1892). Or: A Blackface King Béhazin?
I came upon this grand 1892 poster this week… I didn’t know anything about the show, my experience of the
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Fly Me To The Moon: Kurt Kurt Gänzl reviews the new “Le Voyage dans la lune”
A new recording from Bru Zane? After their tremendous job with La Fille de Madame Angot, I am all agog.
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“Le Voyage Dans La Lune”: Offenbach’s 1875 Sci-Fi Spectacle
Three years and eight major shows after the splenditious production of Le Roi Carotte, Offenbach returned to the world of
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“Die Kino-Königin”: Operette in 3 Acts by Jean Gilbert
Jean Gilbert’s operetta with the original libretto by Georg Okonkowski premiered on 22 November 1912 at Deutsches Operettentheater, Hamburg, as
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“Lachende Erben“, Or: Another Weinberger?
Carl [Rudolf Michael] Weinberger was born in Vienna on 3 April, 1861, and he died there on 1 November, 1939.
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42nd Street: The First Complete Recording
I have just been on a very, very happy trip down memory boulevard. For a couple of years of my
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Remembering Musical Theater Historian David Hummel
This isn’t an obituary. No facts. I never met Dave, though we have been in touch for half a century.
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Kurt Gänzl’s “The Musical: A Concise History” Revisited & Revised
The original edition of Kurt Gänzl’s The Musical came out in 1997, as a “Concise History” published by Northeastern University
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“Nanon, die Wirtin vom Goldenen Lamm“: Richard Genée‘s 1877 Hit Revisited
This operette in 3 acts by F Zell is based on the comédie-vaudeville Nanon, Ninon et Madame de Maintenon by
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Kurt Gänzl’s “Gilbert and Sullivan: The Players and the Plays”
I feel very honoured and flattered to have been asked to write about the most important book to be written
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“La Fille de Madame Angot” On Palazzetto Bru Zane: A Recording Of Reference From Now On
Once upon a time, not so very long ago, a young lady radio or TV ‘interviewer’ asked me: what was
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Offenbach’s “Ein Ehemann vor der Tür”: A New Student Production In Leipzig
The students of Leipzig’s Felix Mendelssohn Bartholdy Hochschule had planned to put on Offenbach’sUn Mari à la Porte / Ein
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CIBOULETTE: Opérette in 3 acts by Reynaldo Hahn
The most successful stage musical work of Reynaldo Hahn, Ciboulette was written to a text by two of the most
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“Bitte Britisch”: Wenn Frankensteins Monster die Hose runterlässt
Vermutlich kennen Fans der Mel-Brooks-Filme den ekstatischen Liebesschrei „A Sweet Mystery of Life“ besser als die meisten Operettenfans hierzulande. Denn
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“Bitte Britisch”: Staatsoperette Dresden Takes Us On A Musical Journey
I was surprised, and delighted, to hear that the Staatsoperette Dresden are to give an all-“Britisch” concert, taking in a
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Fancy A Slice Of Gänzl? “Gilbert & Sullivan: The Players And The Plays”
I’m the oldest standing member of the Operetta Research Center. I was one of the fairies who presided at its
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What A Voyage! Historic “La Fille de Madame Angot” Recordings In English, French & Italian
The sky is blue, the sun is shining, the waves are tinkling on the shore a hundred metres from me
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Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent
The history of Die lustige Witwe has fascinated us, here at the Operetta Research Center, immensely over the past months.
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“V’lan dans l’oeil”: Folie musicale in 3 acts by Hervé
Hervé’s second attempt, after Les Chevaliers de la table ronde (1866), to produce a full-length burlesque opérette to challenge the
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Hervé’s “L’œil crevé” (1867) On YouTube: Live From L’Opéra de Bordeaux
Hervé’s 1867 opéra bouffe L’œil crevé (literally “The pierced eye” or “It hit me right in the eye”) was first
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Offenbach’s Singing Cannibals On The Radio As “Das gräuliche Festmahl” For Easter
The Berlin based “collective for contemporary operette*” which calls itself Tutti d*Amore presented their take on Offenbach’s 1857 one-acter Vent-du-soir
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Reynaldo Hahn (1874-1947): Only One Enduring Score?.
Born in Caracas, Venezuela, on 9 August, 1874, Reynaldo Hahn was the elegant, soigné composer whose work for the French
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