Kinky Boots? Kurt Gänzl Talks About 19th Century Operetta
Kurt Gänzl is no stranger to readers of these pages. As the author of The Encyclopedia of the Musical Theatre
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Theatrical Mythology, or The Best Thing About Her Singing Was Her Looks: Blanche Roosevelt
Theatrical mythology has been curiously and undeservedly kind to some folk. Miss Tucker from Ohio went from failure to failure
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Offenbach And Opera Rara. Or: Waiting For A Recording Of The Original French “Robinson Crusoé”
It’s interesting how you can have a full cast recording sitting on your CD shelf for decades, and it never
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Offenbach’s “Robinson Crusoe”: Bring On The Cannibals
Daniel Defoe’s shipwrecked hero (1719) and his man Friday seem to have made their first appearance on the musical stage
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Stephen Storace’s “The Cherokee” (1794): First Representation Of Native Americans?
Turn the page. Item two in my volume is a 1794 show tune. And there’s another from the same musical,
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“The Greek Slave”: Musical Comedy In 2 Acts With Music By Sidney Jones
Musical comedy in 2 acts by Owen Hall. Lyrics by Harry Greenbank and Adrian Ross. Music by Sidney Jones. Additional
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Bring On The (1860s) Dancing Girls
Today I got led (via my blonde burlesque ladies) into the world of the ‘spectacular theatre’. You know, those shows
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Oozing Sex: Julia Baron, Opéra-Bouffe Star And Top Paris Courtesan
When I lived in St Paul de Vence, my partner Ian and I took a weekly bus jaunt down to
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Racist Minstrel Magic? The Story of the George Mitchell Choirs
A seventy-one year old man, a little crippled these days, lying in the too-scorching sun by the Australian seaside, reading
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The History Of A Burlesque Blonde: Belle Land
Last night, I was researching in ancient texts, trying to track down the history of a burlesque blonde who went
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Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924)
Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924). The grandson of Samuel Lover, the novelist,
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“Eine Nacht in Venedig” At The Pforzheim Theater
The industrial town of Pforzheim boasts a population of under 121,000, yet has an intimate 507 seat modern theatre which
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BABES IN TOYLAND: Musical extravaganza by Victor Herbert
Commissioned by producers Julian Mitchell and Fred Hamlin to follow up their 1902 success with the fairytale spectacular The Wizard
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The Demystification Of “The Black Crook”
One thing leads to another … Answering various queries, after my 15 years old article on The Black Crook, which
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THE PIRATES OF PENZANCE, or The Slave of Duty: Comic opera in 2 acts by Gilbert & Sullivan
Gilbert and Sullivan’s successor to the phenomenal HMS Pinafore proved to be another enormous international opéra-bouffe hit. Where the former
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Double Treat: “The Black Crook” From New York and London
Often, in earlier times, quoted as “the first landmark in the history of the American musical theatre”, the 1866 extravaganza
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Stanley Potter (1819-1894): A Seventy Year Old Chorus Boy!
When Stanley Potter died in 1894, his – paid – death notice said he was ‘of the Carl Rosa’. So
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Mystery Solved: The Truth About Gilbert & Sullivan’s Star Lilian LaRue
Lilian La Rue? Oh heavens, that name sounds like something out of a New Orleans drag show. Lily Street, maybe?
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Adolf Philipp (1864-1936): “Deutsch-Amerikanisches Theater” In New York
Adolf Philipp (b Lübeck, 29 January 1864; d New York, 30 July 1936) was the eclectic leading light of the
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From Operetta To The Russian Hit Parades: Paul Hankinson & Fiora
Not so very many years ago, two young students, already laurelled, each one, with considerable success, entered the Queensland Conservatorium
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CHU CHIN CHOW Musical Tale of the East In 3 Acts, Music By Frederic Norton
Chu Chin Chow was a version of the Arabian Nights’ Ali Baba and the 40 Thieves tale, put together by
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GIUDITTA: Musical play in 5 scenes by Paul Knepler and Fritz Löhner-Beda. Music by Franz Lehár
Giuditta was the last of the series of darkly coloured romantic operettas (this one purposely titled ‘musikalische Komödie’) composed by
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Michael Colby’s “Charlotte Sweet” Or: When Musicals Were Fun
More years ago than I care to count, I was staying at New York’s Algonquin Hotel, in my capacity as
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A Major Star Of 19th Century French Musical Theatre: Jean-François Philibert Berthelier
Jean-François Philibert Berthelier (b Panissières, Loire, 14 December 1828; d Paris, 29 September 1888) was a comic actor and singer
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A Noel Coward 4-CD Box: The Complete HMV Recordings
Noel Coward. His name has become a kind of cliché, in the decades since his death, as the epitome of
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THE FORTUNE TELLER: Comic opera in 3 acts by Victor Herbert
When the ambitious young soprano of the famed Bostonians company, Alice Nielsen, decided to break away from the group and
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Michael W. Balfe’s “Satanella,” Plus: A Contemporary Cantata And “Merman’s Apprentice”
It is not often that I write about recordings. Since my massive listening-writing effort of The Musical Theatre on Record,
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Happy Birthday, Barrie Kosky And Kurt Gänzl!
Astrologically speaking, we’re still living under an Aquarian moon. And this week, we are celebrating the birthdays of two of
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L’OEIL CREVÉ: Folie musicale in 3 acts by Hervé
Hervé’s second attempt, after Les Chevaliers de la table ronde (1866), to produce a full-length burlesque opérette to challenge the
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Puccini’s Operetta “La Rondine” At The Deutsche Oper Berlin
When I was very young, I had a book called something like The Operas of Puccini. I can’t remember –
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Offenbach’s sexy medieval spoof “Geneviève de Brabant”
Of the great opéras-bouffes of Offenbach’s early years, the one which has suffered the most inexplicable eclipse in the 20th
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Ethan Mordden’s New American Operetta History
Anyone who has walked into a bookshop in the USA recently will have noticed that Ethan Mordden’s attractively packaged Anything
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Grimm!, or Who’s Afraid of the Big, Dancing Wolf?
Last year, while in Berlin, I went to see the musical produced by the UDK musical-theatre school and its graduating
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Have You Heard Of Henri Christine’s “Phi-Phi” (1918)?
Do you know Phi-Phi? Unless you are French or Hungarian and over 90 years of age, you won’t ever have
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Popular Musical Theatre In London And Berlin: 1890 To 1939
Here is something really yummy: a collection of essays dealing with various aspects of popular musical theater at the beginning
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SHOW BOAT: Musical Play in 2 Acts
One of the most successful romantic musical plays of the 1920s, Show Boat (Ziegfeld Theater, New York, 27 December 1927)
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