Erik Charell (April 8, 1894 – July 15, 1974)
Charell was born as Erich Karl Löwenberg in Breslau. He was the first child of Markus Löwenberg and Ida Korach.
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THE STUDENT PRINCE Musical play in 2 acts
The Student Prince was not the first musical to be based on Meyer-Förster’s 1901 Studentenstück Alt Heidelberg (Berliner Theater 22
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HERVÉ: Florimond Ronger (b Houdain, 30 June 1825; d Paris, 3 November 1892)
Florimond Ronger, known to the musical and theatrical world simply as Hervé, was one of the great characters in,
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The 19th century’s most popular musical-theatre composer: Jacques Offenbach
The son of a German bookbinder, music-teacher and cantor called Eberst, but known as Offenbach, the young Jacob was given
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“Song of Norway,” or: Edvard Grieg’s Return to Broadway
The operetta fashioned by Robert Wright and George Forrest from the melodies of Norwegian composer Edvard Grieg – hugely popular
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ORPHÉE AUX ENFERS Opéra-bouffon in 2 acts
Orphée aux enfers was Offenbach’s first venture into mounting a full-scale opéra-bouffe at his blossoming little Théâtre des Bouffes-Parisiens, where
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Das Osmanische Reich als Vorbild wider Willen in Leo Falls “Rose von Stambul”
Als sich am Abend des 2. Dezember 1916, mit wenigen Tagen zeitbedingter Verspätung, der Vorhang im eleganten Theater an der
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Rudolf Friml (b Prague, 8 December 1879; d Hollywood, Calif, 12 November 1972)
The Prague-born Friml studied music in his native city from a young age, and made his early career principally as
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“Der Krimi geht weiter. Noch immer lässt die Offenbach-Philologie viele Fragen offen”
Gehört Offenbach nicht allen? Auch Jean-Christophe Kecks Offenbach-Edition lässt Fragen offen. Ein Versuch, einige zu klären. Die Offenbach-Philologie ist eine
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Nächster Halt: La-La-Land: Bemerkungen zum “Weißen Rössl”
Die Revue-Operette Im Weißen Rößl, 1930 im Großen Schauspielhaus Berlin unter Erik Charell uraufgeführt, war einer der größten Theatererfolge der
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DER BETTELSTUDENT Komische Operette in 4 acts
Millöcker’s most successful Operette and, indeed, one of the very few 19th-century Viennese pieces which do not have the fashionable
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BOCCACCIO Operette in 3 acts
Franz von Suppé followed up his first great success with a full-length Operette, Fatinitza, with a second, three years later.
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GOING UP Musical comedy in 3 acts
James Montgomery’s 1910 play The Aviator was put to musical use seven years on by its author and the now
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DAS SCHWARZWALDMÄDEL Operette in drei Akten
Léon Jessels Operette Schwarzwaldmädel wurde am 25. August 1917 in der Komischen Oper Berlin uraufgeführt. Das war natürlich nicht die
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THE DESERT SONG Musical play in 3 acts
The most internationally successful and the most enduring of Sigmund Romberg’s long line of romantic musical plays, The Desert Song
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DAS DREIMÄDERLHAUS Singspiel in 3 acts
The most widely successful, and also one of the most enduring, of all pasticcio musical plays, from The Beggar’s Opera
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LA BELLE HÉLÈNE Opéra-bouffe in 3 acts
The fourth of Offenbach’s great opéras-bouffes burlesqueing ancient historical legend or mythology (after Orphée aux enfers, Geneviève de Brabant and
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Francis Lopez (b Montbéliard, 15 June 1916, d Paris, 5 January 1995)
The brightest musical star of the postwar years in France, whose output frittered away into embarrassing imitations of himself after
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DIE FLEDERMAUS Comic Operetta in 3 acts
The greatest theatrical success of composer Johann Strauss, and the most internationally enduring of all 19th-century Viennese Operetten — the
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FATINITZA Operette in 3 acts
Suppé had been writing theatre music ranging from songs for Singspiele, burlesque, farce and spectaculars to short and medium-sized Operetten
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DER LUSTIGE KRIEG Operette in 3 acts
The eighth in Strauss’s list of Operetten, Der lustige Krieg followed behind the disastrous Blindekuh and the rather more successful
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Korngolds Operetten(bearbeitungen)
Korngold und die Operette – das ist ein faszinierendes Thema, weil es den Komponisten im Spannungsfeld von ideologischen Widersprüchen der
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Carl Zeller und sein “Vogelhändler”
Am 10. Jänner 1891 wurde Carl Zellers Operette Der Vogelhändler am Theater an der Wien uraufgeführt. Die Zeitungen vermelden, dass
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Offenbach, the Opéra-Comique and “Vert-Vert”
In 1867, the year of the extravagant Paris Exposition Universelle , Offenbach’s success reached its apogee. His new opera bouffes,
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DIE LUSTIGE WITWE Operette in 3 acts
Henri Meilhac’s play L’Attaché d’ambassade, produced at Paris’s Théâtre du Vaudeville in 1861, was not a success. It was played
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DAS LAND DES LÄCHELNS Romantic Operette in 3 acts
Die gelbe Jacke, written to a libretto by the partner of Lehár’s earliest success, Der Rastelbinder (1902), and of his
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Virgilio RANZATO (b Venice, 7 May 1883; d Como, 20 April 1937)
One of the handful of Italian composers who made a significant contribution to a brief flowering of musical plays in
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L’ACQUA CHETA Operetta in 3 acts
One of the most successful Italian operettas of its period, L’acqua cheta was adapted by Novelli from his successful 1908
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THE RED WIDOW Musical play in 3 acts
Colonel Savage’s enormously successful novel His Official Wife was leaped upon by a horde of theatrical adapters, filmed by Hollywood
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LA FILLE DE MADAME ANGOT Opéra-comique in 3 acts
Along with Planquette’s Les Cloches de Corneville, La Fille de Madame Angot (Théâtre des Fantaisies-Parisiennes, Brussels, 4 December 1872) was
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Charles Lecoq (b Paris, 3 June 1832; d Paris, 24 October 1918)
The most potent musician in the development of the French opérette tradition in the 1870s, and for a decade the
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ROSE MARIE Musical play in 2 acts
Although the Broadway musical theatre had established itself worldwide with its light-handed song-and-dance shows – Going Up, Irene, Mercenary Mary,
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LE PETIT FAUST Opéra-bouffe in 3 acts
Of Hervé’s three most successful full-scale opéras-bouffes, it was Le Petit Faust, the only one of the three to parody
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Sigmund Romberg (b Nagykanizsa, Hungary, 29 July 1887; d New York, 9 November 1951)
Romberg studied the violin in his youthful years in Hungary, but he was set at first towards an adult career
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The most successful composer of the English opéra-bouffe and -comique stage: Arthur Sullivan
Arthur Seymour Sullivan (b London, 13 May 1842; d London, 22 November 1900). Educated at the Chapel Royal, the Royal
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The most talented librettist and lyricist for the 19th-century English-language theatre: W. S. Gilbert
William Schwenk Gilbert (b London, 18 November 1836; d Harrow Weald, 29 May 1911). The most talented librettist and lyricist
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