Daddy Issues At Ohio Light Opera: How Could “Constructive” Critcism Work With Lehár’s “Cloclo”?
The other day I had a long transatlantic phone conversation with an US-American operetta researcher I greatly admire for his
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Lehár’s “Cloclo” On DVD: A 2018 Live Performance From Ohio Light Opera
A performance of Lehár’s Clo-Clo from the Ohio Light Opera – filmed live at the theater in Wooster – has
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From Pula to the World: Franz Lehár’s Early Career in Croatia
It’s Franz Lehár’s 150th birthday – and after the first round of publications to celebrate the event (click here for
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Paleophonics: A Journey To The Dawn Of Recorded Sound In Musical Comedy
If you are interested in what original audiences of early 20th century English operetta and musical comedy heard, there is
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Boys Will Be Boys, Or: “Die blaue Mazur” At Bühne Baden
Operetta “live” in Austria? Bühne Baden is one of the few places where you can actually experience the genre on
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Lehár’s “Cloclo” (1924) On CD & DVD From The Ischl Festival And Ohio Light Opera
Franz Lehár’s 1924 operetta Cloclo is not one of his more famous titles, and it hasn’t stayed in the repertoire
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“Die lustige Witwe”: First CD Release Of The Original 1907 Berlin Cast
It wouldn’t be an exaggeration to say that this first ever CD release of Die lustige Witwe with the 1906/7
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The Father Of The “Silver Operetta” Age? Happy Birthday, Franz Lehár
It doesn’t happen often that an operetta composer gets that much attention in the general media, certainly the Germany language
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Embarrassment of Riches? A New Franz Lehár Reader At Böhlau Publishing
The only way I can describe my reaction to this attractively packaged new Franz Lehár reader, published to coincide with
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Celebrating Franz Lehár’s 150th Birthday With New Books At Böhlau
It’s Franz Lehár’s 150th birthday coming up in April, and various authors and publishing houses are getting ready to celebrate
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“Ich wollt’ ich wär’ ein Huhn “: Tackling Toxic Nazi Era Material At Komische Oper Berlin
It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin
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Jeanette MacDonald & Nelson Eddy: The Glory of Hollywood Operetta in Jeanine Basinger’s “The Movie Musical”
One of the more joyous things about recent new studies on musicals is the fact that they include operettas, without
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Fritz & Alfred Rotter: A Life Between Theatrical Glamour And Death In Exile
The Rotter brothers, Fritz and Alfred, were the most prominent private theater directors during the Weimar Republic before losing everything
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The 2020 Seasons At Léhar Festival In Bad Ischl And In Mörbisch
The operetta festival in Bad Ischl has ended its 2019 summer season with an 8 percent increase in audience numbers,
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The Walking Dead? “Operetta Made In Austria” With Ildiko Raimondi and Herbert Lippert
It’s a pretty grand claim to make: “With their multi-media stage show Operetta Made in Austria stage stars Ildiko Raimondi
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Operetta Between The Two World Wars: International Musicological Symposium In Ljubljana
The staging of musical-dramatic works in the late nineteenth century was dominated by operetta, which effectively dictated the programmes of
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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Sex, Gender Fluidity, Abortion & Operetta in Northern Ireland: The Offenbach Bicentenary Festival
In August 2019, Northern Ireland Opera presents an Offenbach Bicentenary Festival. The choice of shows for this festival is remarkable, because
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Ethnic Exoticism & Chinese Stereotypes. Or: Lehár’s “Das Land des Lächelns” At The Mörbisch Summer Festival 2019
Bigger is not automatically better, some claim, and that’s especially true for operetta, or operetta festivals. So just because the
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“Die lustige Witwe” With Marlis Petersen And Iurii Samoilov – Live From Oper Frankfurt
The original composer chosen für Die lustige Witwe by authors Leo Stein and Victor Léon was: Richard Heuberger. After he
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The 2019 Season At The Lehár Festival In Bad Ischl: “Im weißen Rössl” & More
The Ischl Lehár Festival has announced what you may expect in 2019 – with the new artistic director Thomas Enzinger.
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Lehár’s “Juxheirat” Or: “The Mock Marriage” In Santa Barbara
First, I learned that Michael and Nan Miller had bequeathed their extraordinary Operetta Archive to the University of California at
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“A Re-Evaluation of Operetta”: A Conference At The University Of Leeds
Last week the international operetta research world gathered in Leeds for a conference which was – nothing short of remarkable!
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Kálmán’s “Kaiserin Josephine” (1936) On CPO: Live From The Léhar Festival in Ischl
Kálmán composed Kaiserin Josephine after his ‘regular’ first night theater, the Theater an der Wien, had gone bankrupt as a
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Erich Wolfgang Korngold’s “Das Lied der Liebe” From Leipzig
You know it’s Korngold alright from the very first bars: it’s an explosion of sound, hyper-intense like the opening of
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Operetta and Modernity: A New Book By Ethel Matala de Mazza
When I first heard of this book I got really excited: the famous S. Fischer publishing house would release a
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“Höfisch ist das Menuett, höflich die Gavotte”
Eine der bekanntesten und weit verbreiteten Gavotten ist die „Stephanie-Gavotte“, op. 312 von Alfons Czibulka. Diese wurde 1880 der Prinzessin
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“Lächeln trotz Weh und tausend Schmerzen”: Franz Lehárs Rundfunkaufnahmen im Dritten Reich
Yes, they are very famous and widely known: Lehár’s operettas as recorded by the Nazis, often with stellar casts, offering
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Racism In Operetta? An Overdue Debate About “Land des Lächelns” & Co.
Recently, a review of a new Land des Lächelns production by Guy Montavon at Oper Wuppertal sparked a debate about
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‘Authentic’ Operetta Productions At Ohio Light Opera? Plus A Festival Symposium
Enterprising Ohio Light Opera, ever devoted to ‘authentic’ productions from the world of musical comedy and operetta, seems to go
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Team Spirit, The Importance Of Good Looks, And Singing Tauber Roles: A Conversation With Tenor Maximilian Mayer
If you’re following the Operetta Research Center news feeds you will have heard of tenor Maximilian Mayer before: he was
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Andreas Homoki’s “Land des Lächelns” From Zurich: Starring Piotr Beczala
Everyone knows that Lehár had a not-so-secret longing for the ‘grand operatic’ and devoted the latter part of his long
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A Critical Quotebook: Marion Linhardt’s “Stimmen zur Unterhaltung” Revisited
This is one of those publications that should have made a big splash – but didn’t. Back in 2009, Marion
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Alberto Spadolini: The Nude Spy & Dancer From “Die lustige Witwe” 1940
We recently ran an article on “Operetta in the Third Reich,” reporting on the new book of the same title
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Barbara Denscher: Der Operettenlibrettist Victor Léon
Victor Léon (1858-1940) hat im Lauf seiner mehr als fünfzigjährigen Theater-Karriere über hundert Bühnenstücke geschrieben, knapp die Hälfte davon wird
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Gaiety, Glitz & Glamour: Reawakening the “Silver Age” of 20th Century Operetta
Last weekend, the Royal Musical Association devoted one of its study days to what has controversially been described as the
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