Watch Out For The Red Fingernails: Two New “Zigeunerbaron” Productions In Magdeburg And Berlin
How do you solve a problem like Zigeunerbaron? Some might ask: is there a problem with this 1885 show? Well,
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Embarrassment of Riches? A New Franz Lehár Reader At Böhlau Publishing
The only way I can describe my reaction to this attractively packaged new Franz Lehár reader, published to coincide with
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Celebrating Franz Lehár’s 150th Birthday With New Books At Böhlau
It’s Franz Lehár’s 150th birthday coming up in April, and various authors and publishing houses are getting ready to celebrate
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Wolfgang Jansen’s New Biography Of Willi Kollo (1904-1988): How Much Nazi History Will He Adress?
It took Berlin based musical theater researcher Wolfgang Jansen a while, and it took the various legal departments even more
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“Ich wollt’ ich wär’ ein Huhn “: Tackling Toxic Nazi Era Material At Komische Oper Berlin
It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin
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De-Nazifying The “Radetzky March” At The 2020 Vienna New Year’s Concert
The New Year’s concert from Vienna, with the Vienna Philharmonic, is a beloved tradition for many. It rarely has anything
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Fritz & Alfred Rotter: A Life Between Theatrical Glamour And Death In Exile
The Rotter brothers, Fritz and Alfred, were the most prominent private theater directors during the Weimar Republic before losing everything
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“The Cambridge Companion to Operetta”: Taking A New Look At The Genre In English
It was about bloody time, you might say, that someone published a new English language reference book on the history
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Bringing Back Abraham: “Märchen Im Grand Hotel” At Staatstheater Hannover
It’s hard to believe, but this is actually only the second fully staged production of Paul Abraham’s Märchen im Grand
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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Diversity Of Questions & Multiplicity Of Approaches: Kaspar Maase’s “Einführung in die Populärkulturforschung”
How do you solve a problem like – operetta? The question has been asked many times over, especially since so
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“…was verloren ging”: A New Book About Operetta Before & After 1933
Im Jahr 2005 profilierte sich die Staatsoperette Dresden mit einer überregional vielbeachteten Konferenz, die den Titel Operette unterm Hakenkreuz trug.
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“Grüezi” As A Swiss Exile Answer To “Im Weissen Rössl” – An Interview With Melanie Gehrig Walthert & Reimar Walthert
First you’ve never heard of Grüezi at all, even though the artists who created it are all artists you’ve known
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“Grüezi” In Burgäschi & Zurich. Or: The Swiss Answer To “Im weißen Rössl”
Just when you think there cannot, possibly, be any more Im weißen Rössl stuff coming your way – there is!
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“The Dancing Years”: A Converation with David Slattery-Christy About Ivor Novello, Nazi History And New Recordings
Ivor Novello’s World War 2 hit The Dancing Years has finally been made available in a ‘first complete recording’ by
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Ivor Novello’s “The Dancing Years”: The First Complete Recording
The effect of Ivor Novello’s music on me was immediate: I remember the first time I heard his songs on
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“Gaiety, Glitz and Glamour — or Dispirited Historical Dregs? A Re-Evaluation of Operetta”: A Conversation with Prof. Derek B. Scott
From 10 to 12 January 2019 the University of Leeds is hosting an international operetta conference entitled Gaiety, Glitz and
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“Lächeln trotz Weh und tausend Schmerzen”: Franz Lehárs Rundfunkaufnahmen im Dritten Reich
Yes, they are very famous and widely known: Lehár’s operettas as recorded by the Nazis, often with stellar casts, offering
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Andreas Homoki’s “Land des Lächelns” From Zurich: Starring Piotr Beczala
Everyone knows that Lehár had a not-so-secret longing for the ‘grand operatic’ and devoted the latter part of his long
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“Wie einst im Mai” At The Summer Festival in Neustrelitz
Neustrelitz is a small, historic, beautiful, charming, quiet town, set amidst the lakes north of Berlin. For British readers: can
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Gaiety, Glitz and Glamour? Conference at the University of Leeds 2019
British researchers are continuing their conference series Gaiety, Glitz and Glamour. For the next installment at the School of Music,
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“Don’t Forget, Goebbels Was A Ladies’ Man”: Memories Of The Hiller Girls
Sitting in her tidy Munich apartment, as snowflakes swirl outside, Jenny Hiller is far away as she watches her younger
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The First Sperm-Donor Operetta: How “Axel an der Himmelstür” Became “Liebespremiere” In 1943
The Hollywood spoof Axel an der Himmelstür, with music by Ralph Benatzky, premiered at the Theater an der Wien in
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Abraham’s “Ball im Savoy” In Koblenz: No Lavish Sets But SS Officers
Having hugely enjoyed Barrie Kosky’s 2013 exuberant production of Abraham’s Ball im Savoy several times, I was interested to see
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Re-Writing “Roxy und ihr Wunderteam” As A Gay Football Farce In Augsburg
Theater Augsburg is in the midst of refurbishment, so the various ensembles have decamped to several venues around the city.
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Berlin Letter: Major Revival Of Forgotten Weimar-Era Operetta Is Proving A Hit
For a city so rich in culture, and drowning in history, it is surprising to experience first-hand Berlin’s long cultural
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Alberto Spadolini: The Nude Spy & Dancer From “Die lustige Witwe” 1940
We recently ran an article on “Operetta in the Third Reich,” reporting on the new book of the same title
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“Maske in Blau” In Baden: With Uli Scherbel As A Tap-Dancing Hero
The small spa town of Baden-bei-Wien, 26 kilometers south-west of Vienna and with a population of 26,000, boasts a 500
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“Die große Sünderin”: Gorgeous Künneke Melodies, Sumptuously Orchestrated
Kevin Clarke has recently penned a fascinating article concerning the background to the composition of Die große Sünderin, first produced
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Kismet Meets Operetta: Nico Dostal’s “Prinzessin Nofretete” From Leipzig
If you like your operettas exotic, grand, over-the-top and as a total blast, you will probably love the overture to
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Künneke’s “Die große Sünderin” In Leipzig: Bringing Back Aryan Operetta Today
You might recall that back in the 1990s a renewed interest in so called ‘degenerate’ operettas spread around the world.
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Sensationell: Sophia Euskirchen als Sally Bowles
Ja, dieser Auftritt der neuen Sally-Bowles-Darstellerin im Berliner Tipi-Zelt am Kanzleramt ist vergleichbar mit einem Blitzeinschlag – der mit gleißendem
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Barbara Denscher’s Victor Léon Biography & Matthias Kauffmann’s “Operette im Dritten Reich”
Has operetta research shifted gear? One could think so, considering that there are finally in-depth academic studies coming out that
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How Do You Solve A Problem Like “Saison in Salzburg”? The New Production In Ischl
The Lehár Festival in Ischl just presented a new production of Fred Raymond’s Saison in Salzburg – as a colorful
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Lehár’s New “Graf von Luxemburg” On OEHMS Classics
If you grew up as a kid in Germany, you probably learned early from a famous TV program to always
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A History Of Popular Musical Theater In Dresden, 1844 Until Today
The Staatsoperette Dresden has been – for many years – one of the few theaters in Germany, before and after
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