Ernst Theis Conducts “Tonfilmschlager” from Nazi Times
“Can music be innocent?“ That‘s the first sentence in the booklet to this new CD of the Münchner Rundfunkorchester and
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“When the Music Stopped…Willy Rosen’s Holocaust”: A New Book By Casey J. Hayes
He was Weimar Germany’s answer to Barry Manilow, the most popular entertainer and songwriter of his generation, writing hit after
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„Ganz großer Kitsch, aber gigantisch gekonnt“: Benatzkys „Der reichste Mann der Welt“ in Annaberg
In der Geschichte der deutschsprachigen Operette bedeutet die sogenannte Machtergreifung der Nationalsozialisten Anfang 1933 einen radikalen Einschnitt: Die bis dahin
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Benatzky’s “Der reichste Mann der Welt“ In Annaberg-Buchholz
With the discovery of the opera Leonce and Lena by Erich Zeisl and, now, the first production of Ralph Benatzky’s
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Ersan Mondtag’s Over-The-Top Gay Production Of “Der Silbersee”
Kurt Weill’s “Wintermärchen” Der Silbersee is not exactly an operetta, more of a fairy tale “with music” that tells the
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Paul O’Montis: Biography Of A “Vortragskünstler” Adored By Elderly Ladies & Young Gentlemen
Most operetta fans will know Paul O’Montis because he made a famous recording of “Was kann der Sigismund dafür, dass
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“The Operetta Empire”: A New Book By Micaela Baranello
Rejoice greatly! There’s another big English language book on operetta, following last year’s Cambridge Companion to Operetta. This new publication
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Ethel Merhaut Sings “Bittersweet” Operetta For Sony Masterworks
It’s astonishing that Sony Masterworks is releasing an album of operetta songs – in jazz arrangements! Presented by the young
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Big Bang Moments: Martin Mitterrutzner Sings Tenor Hits Of The 1930s
The repertoire Tyrolean tenor Martin Mitterrutzner presents on his new album Heut’ ist der schönste Tag was made popular in
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Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“
Als das Dreimäderlhaus am 15. Januar 1916 im Wiener Raimundtheater in Premiere ging waren die Kritiken gespalten. Denn Komponist Heinrich
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Operette und Musicals in der DDR: Ein Gespräch mit Werner P. Seiferth vom Metropoltheater
Übers Thema Operette in der DDR wird in letzter Zeit wieder mehr gesprochen. 2012 gab es in der Ausstellung Welt
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Is The Gold & Silver Terminology Nothing More Than Camouflaged Anti-Semitism?
On 27 January, 1945 the Nazi concentration in Auschwitz was liberated by the Soviet Army. Memorial speeches all over the
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“Swapping The Canon” To Dismantle Racism & Hetero-Cis-Patriarchy? Proposals For Higher Education In The USA
There’s a lot happening in the world of theater right now, not just because of Corona and the ongoing lockdown
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Cancel Culture Reaches “Land des Lächelns” At Manhattan School Of Music
Here’s the curious case of Dona D. Vaughn and the state of operetta in 2020. As artistic director of opera
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A New “Exilmuseum” In Berlin – Will It Include The Entertainment World?
It’s going to happen: Berlin will get an “Exilmuseum,” a museum dedicated to the stories of those who went into
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Watch Out For The Red Fingernails: Two New “Zigeunerbaron” Productions In Magdeburg And Berlin
How do you solve a problem like Zigeunerbaron? Some might ask: is there a problem with this 1885 show? Well,
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Embarrassment of Riches? A New Franz Lehár Reader At Böhlau Publishing
The only way I can describe my reaction to this attractively packaged new Franz Lehár reader, published to coincide with
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Celebrating Franz Lehár’s 150th Birthday With New Books At Böhlau
It’s Franz Lehár’s 150th birthday coming up in April, and various authors and publishing houses are getting ready to celebrate
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Wolfgang Jansen’s New Biography Of Willi Kollo (1904-1988): How Much Nazi History Will He Adress?
It took Berlin based musical theater researcher Wolfgang Jansen a while, and it took the various legal departments even more
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“Ich wollt’ ich wär’ ein Huhn “: Tackling Toxic Nazi Era Material At Komische Oper Berlin
It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin
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De-Nazifying The “Radetzky March” At The 2020 Vienna New Year’s Concert
The New Year’s concert from Vienna, with the Vienna Philharmonic, is a beloved tradition for many. It rarely has anything
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Fritz & Alfred Rotter: A Life Between Theatrical Glamour And Death In Exile
The Rotter brothers, Fritz and Alfred, were the most prominent private theater directors during the Weimar Republic before losing everything
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“The Cambridge Companion to Operetta”: Taking A New Look At The Genre In English
It was about bloody time, you might say, that someone published a new English language reference book on the history
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Bringing Back Abraham: “Märchen Im Grand Hotel” At Staatstheater Hannover
It’s hard to believe, but this is actually only the second fully staged production of Paul Abraham’s Märchen im Grand
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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Diversity Of Questions & Multiplicity Of Approaches: Kaspar Maase’s “Einführung in die Populärkulturforschung”
How do you solve a problem like – operetta? The question has been asked many times over, especially since so
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“…was verloren ging”: A New Book About Operetta Before & After 1933
Im Jahr 2005 profilierte sich die Staatsoperette Dresden mit einer überregional vielbeachteten Konferenz, die den Titel Operette unterm Hakenkreuz trug.
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“Grüezi” As A Swiss Exile Answer To “Im Weissen Rössl” – An Interview With Melanie Gehrig Walthert & Reimar Walthert
First you’ve never heard of Grüezi at all, even though the artists who created it are all artists you’ve known
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“Grüezi” In Burgäschi & Zurich. Or: The Swiss Answer To “Im weißen Rössl”
Just when you think there cannot, possibly, be any more Im weißen Rössl stuff coming your way – there is!
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“The Dancing Years”: A Converation with David Slattery-Christy About Ivor Novello, Nazi History And New Recordings
Ivor Novello’s World War 2 hit The Dancing Years has finally been made available in a ‘first complete recording’ by
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Ivor Novello’s “The Dancing Years”: The First Complete Recording
The effect of Ivor Novello’s music on me was immediate: I remember the first time I heard his songs on
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“Gaiety, Glitz and Glamour — or Dispirited Historical Dregs? A Re-Evaluation of Operetta”: A Conversation with Prof. Derek B. Scott
From 10 to 12 January 2019 the University of Leeds is hosting an international operetta conference entitled Gaiety, Glitz and
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“Lächeln trotz Weh und tausend Schmerzen”: Franz Lehárs Rundfunkaufnahmen im Dritten Reich
Yes, they are very famous and widely known: Lehár’s operettas as recorded by the Nazis, often with stellar casts, offering
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Andreas Homoki’s “Land des Lächelns” From Zurich: Starring Piotr Beczala
Everyone knows that Lehár had a not-so-secret longing for the ‘grand operatic’ and devoted the latter part of his long
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“Wie einst im Mai” At The Summer Festival in Neustrelitz
Neustrelitz is a small, historic, beautiful, charming, quiet town, set amidst the lakes north of Berlin. For British readers: can
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Gaiety, Glitz and Glamour? Conference at the University of Leeds 2019
British researchers are continuing their conference series Gaiety, Glitz and Glamour. For the next installment at the School of Music,
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