“Kunst der Oberfläche. Operette zwischen Bravour und Banalität”
Unter ihrem Intendanten Barrie Kosky hat die Komische Oper Berlin seit 2012 einen eigenen, unverwechselbaren Operettenstil gefunden: sehr bunt und
read moreAll posts by kevin
Remembering Mady Mesplé – France’s “Madame Opérette”
I heard yesterday that Mady Mesplé had died. I have to admit that, to me, she belonged to a past
read more
Adolf Wohlbrück or Anton Walbrook? A Retrospective In Berlin & A New Book From Vienna
Wohlbrück or Walbrook? Adolf or Anton? Whatever you choose to call him, the actor known under two names was one
read more
Listening To The Berlin Recordings Of Josef Josephi. Or: The “Elitekorps der Operette”
I’ve been on a bit of a Truesound Transfers trip these past few days. You know, that small Berlin based
read more
The First Oscar Hammerstein and New York’s Golden Age of Theater and Music
With such an irresistible title as this, anyone with an interest in early American musical theater would want to read this newly
read more
Opéra-Comique Overtures By Lecocq, Offenbach & Co.
The record label Naxos has just released a fascinating CD containing French 19th century overtures. One of these is the
read more
Interview With Mr. Barihunks: The Beefcake Side Of Oper(ett)a
In 2007, a music manager in the US started a blog called Barihunks, dedicated to hunky baritones. Over the years,
read more
The Father Of The “Silver Operetta” Age? Happy Birthday, Franz Lehár
It doesn’t happen often that an operetta composer gets that much attention in the general media, certainly the Germany language
read more
Robert Stolz At The Vatican. Or: 68 Versions Of “Ave Maria”
Soprano and producer Andrea Chudak has been working with settings of the “Ave Maria” for over 15 years. During this
read more
“Trafalgar sur un volcan”: An(other) Operetta About Terrorists?
The German record label cpo has recently released a CD of two short operettas. One of them is a real
read more
Embarrassment of Riches? A New Franz Lehár Reader At Böhlau Publishing
The only way I can describe my reaction to this attractively packaged new Franz Lehár reader, published to coincide with
read more
“One Long Gender-Bender”: Berlin’s Queer Operetta Revolution In The Years 2010-2020
The Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to
read more
„…der Offenbachstil unserer Zeit…“: Offenbach und die „avancierte“ Regie im frühen 20. Jahrhundert
Karl Kraus und Felix Salten haben 1909 bzw. 1906 Diagnosen zur Situation des musikalischen Unterhaltungstheaters und seiner Rezeption in Wien
read more
Lillian Russell (1860-1922) Revisited: The Amazing Life Of A “Scandalous” Operetta Diva
With all this free time at home right now I’ve started working my way through various DVD boxes I’ve had
read more
Reading “The Cambridge Companion To Operetta” In Times Of Self-Isolation
The paperback edition of this fascinating, useful and, on the whole, well researched book sells for about 20 Euros on
read more
90 Years Ago “Der blaue Engel” Premiered – With Operetta Star Marlene Dietrich
Today, 90 years ago on 1 April 1930, the famous film Der blaue Engel premiered in Berlin’s Gloria Palace. It
read more
World-Premiere Recording of Strauss’ “Blindekuh” (1878) On Naxos
When it comes to Naxos and operetta, and Johann Strauss shows in particular, the famous budget label has a rather
read more
Catch Him If You Can? A New Biography Of Willi Kollo (1904-1988) Discussing His Nazi History
You could be surprised: here’s a brand new Willi Kollo (1904-1988) biography, and the only picture you’ll find anywhere in
read more
Four “Legendary Recordings” Of Richard Genée Shows, Including “Seekadett” & “Nanon”
On a sunny summer afternoon last year I had a long inspiring conversation about Richard Genée (1823-1895) with two operetta
read more
Mörbisch Festival 2020 Cancelled – Bad Ischl Plans To Go On
There’s a certain irony at play here: the world’s largest operetta festival in Mörbisch kicked out their old director, Dagmar
read more
Focussing On Kurt Weill And Johann Strauss: Komische Oper In 2020/21
So here it is: the new season at Komische Oper, presented in the midst of the Corona crisis in digital
read more
Sullivan, Cellier & Ford: “Haddon Hall,” “Captain Billy” And “Mr Jericho” On CD For The First Time
In 2018 the National Gilbert and Sullivan Opera Company staged the first professional revival of Haddon Hall for about one
read more
Kálmán’s “Hollandweibchen” Comes To You As “The Little Dutch Girl” On DVD
Kálmán’s 1920 Viennese hit Das Hollandweibchen is a special work that marks a turning point in the composer’s long career.
read more
Die feinen Unterschiede in der französischen Operette der Zwischenkriegszeit: Henri Christiné – Maurice Yvain – Raoul Moretti
Emmerich Kálmáns Graf Tassilo (Gräfin Mariza, Buch Julius Brammer / Alfred Grünwald) verkörpert einen Typus, den das Publikum der Uraufführung
read more
What The Nasty Old Lady Said. Or: “Zigeunerbaron” At Volksoper Vienna
I had really been looking forward to seeing the new production of Der Zigeunerbaron in Vienna because I had enjoyed
read more
Offenbach’s Final Farewell: “Die Schöne Lurette” (1880) In Two DDR Versions
As the times of self-isolation continue, so does the catching up on old and new operetta releases that I’ve been
read more
The Glory Of Offenbach: 2 1/2 Historical “Die Banditen” Recordings From Germany
When the world is under quarantine and everything is shut down because of a new virus – you have lots
read more
Celebrating Franz Lehár’s 150th Birthday With New Books At Böhlau
It’s Franz Lehár’s 150th birthday coming up in April, and various authors and publishing houses are getting ready to celebrate
read more
Wolfgang Jansen’s New Biography Of Willi Kollo (1904-1988): How Much Nazi History Will He Adress?
It took Berlin based musical theater researcher Wolfgang Jansen a while, and it took the various legal departments even more
read more
Who Was The Great Opéra-Bouffe Tenor “Potel” – Also Known As “Le Bel Armand”?
The folk who created the musical works of Meilhac, Halévy, Crémieux, Hervé and their colleagues, and of the parallel composers,
read more
Victor Herbert’s Tune-Free Opera “Madeleine” (1914) Revived
Alyce Mott’s enterprising company Victor Herbert Renaissance Project Live! dedicated to all things Victor Herbert risked alienating the operetta regulars
read more
“Ich wollt’ ich wär’ ein Huhn “: Tackling Toxic Nazi Era Material At Komische Oper Berlin
It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin
read more
Offenbach’s “Häuptling Abendwind” Or: Queer Operetta For The Price Of A Hawaiian Pizza
Offenbach’s 1857 Vent du soir, ou l’horrible festin is one of his more famous titles in the German speaking theater
read more
“Gisela, Frisco, Bunbury”: Rediscovering “Heiteres Musiktheater” From The DDR
It’s mind boggling that the entire operetta repertoire created and performed in the former DDR between 1949 and 1990 has
read more
Dario Salvi: Recording Johann Strauss’ “Blindekuh” (1878) For Naxos In Sofia
“Blindekuh”, literally “blind cow”, is the German term for the “blind man’s buff” game – and it is the title
read more
Anton Henseler’s “Jacques Offenbach” (1930) In A First-Ever English Translation
The Offenbach bicentenary might be over – but there are still fascinating things coming out to celebrate the composer. One
read more