Offenbach’s “Oyayïae, ou La Reine des îles” At Cologne’s New Year’s Concert
To mark the occasion, the city of Cologne and the local Gürzenich Orchestra inaugurate the festivities for Offenbach’s 200th birthday
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An “Offenbach Family Album” and “Esther, Queen of Persia”: Interview With Ralf-Olivier Schwarz
For the 2019 Offenbach celebrations the city of Cologne has set up a special committee to organize an “Offenbach Year”
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A Certain Disco Feeling: Offenbach’s “Die Schöne Helena” With UdK Students In Berlin
No, it wasn’t public, and yes, it was only a one-off performance with a preceding dress rehearsal. There were invited
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Offenbach’s “Robinson Crusoe” At The Royal College Of Music
“The Offenbach bi-centenary is being virtually ignored by opera companies in the United Kingdom, so all credit to the Royal
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Paris Finally Has An Operetta Season: 2019 With Palazzetto Bru Zane
They now call themselves “Bouffes de Bru Zane,” and they are taking up the operetta torch at the Théâtre Marigny
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Meeting With The Comic Opera Guild Of Michigan: A Conversation With Tom Petiet
Among the various US-American operetta companies, the Comic Opera Guild continues to draw international attention through recordings that offer a
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“Gaiety, Glitz and Glamour — or Dispirited Historical Dregs? A Re-Evaluation of Operetta”: A Conversation with Prof. Derek B. Scott
From 10 to 12 January 2019 the University of Leeds is hosting an international operetta conference entitled Gaiety, Glitz and
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Everyone’s Dancing The Charleston Tonight: “Die Herzogin von Chicago” in Leipzig
On Saturday, October 20, exactly 90 years after its world premiere, the curtain will rise on Emmerich Kálmán’s Die Herzogin
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“Gräfin Mariza” at Theater Magdeburg: With Yvonne Kalman as Guest of Honor
On 20 October, Theater Magdeburg premieres a new production of Kalman’s Gräfin Mariza. The composer’s daughter Yvonne is expected as
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Racism In Operetta? An Overdue Debate About “Land des Lächelns” & Co.
Recently, a review of a new Land des Lächelns production by Guy Montavon at Oper Wuppertal sparked a debate about
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Spoliansky’s “Alles Schwindel” Returns To Berlin’s Gorki Theater Next Season
The good news is: Mischa Spoliansky’s modern-dating-chaos operetta Alles Schwindel (1931) is returning to Berlin’s Gorki Theater for the 2018/19
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Magic Mike Live. Or: What About The Objectification Of Men In Operetta?
In a recent article for The Times, Jamie Stoker reported on casting for London’s Magic Mike Live. The headline says
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Ein Interview mit Henning Hagedorn über die Rekonstruktion (und das Spielen) von Ábraháms Zentralpartituren
Herr Hagedorn, seit Sie mit Ihrem Kollegen Matthias Grimminger angefangen haben für den WDR und die dortige Ábrahám-Aufführungsserie Partituren von
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Team Spirit, The Importance Of Good Looks, And Singing Tauber Roles: A Conversation With Tenor Maximilian Mayer
If you’re following the Operetta Research Center news feeds you will have heard of tenor Maximilian Mayer before: he was
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A Season Full Of Surprises: New Productions in 2018/19 Of Strauss, Offenbach, Beer And Jessel
It’s this time of year when theaters around Germany and Austria are advertising their upcoming productions for the 2018/19 season.
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“Operette für zwei schwule Tenöre”: Reviving the Genre for Today’s LGBT Community
It started out as a small concert performance at Schwules Museum in Berlin in the context of a Siegfried Wagner
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“Shooting Star”: A Romantic Musical Comedy About The Gay Porn Industry? Interview With Composer Thomas Zaufke
A few weeks ago, the new musical Shooting Star was presented in New York City in the form of an
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Revisiting G. B. Shaw And Oscar Straus: Bravo Munich!
I’ve got a book and a CD to review, plus family arriving in a few days, and a bottle of
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Dance: The Secret Star Of Operetta? Giorgio Madia’s Two New Strauss Productions
It is astonishing that one of the main elements of almost every operetta – dance! – is so undervalued today.
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Selling Operetta To The Next Generation: Felix Seiler And Danny Costello Talk About “Die Blume von Hawaii”
This spring, stage director Felix Seiler and choreographer Danny Costello staged Paul Abraham’s Die Blume von Hawaii with students in
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Willard G. Day’s “Lovely Galatea”: Ageing Disgracefully
Recently, conductor Dario Salvi performed Franz von Suppé’s one-act Die schöne Galathée (1865) in the UK, in English. It was
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Gaiety, Glitz and Glamour? Conference at the University of Leeds 2019
British researchers are continuing their conference series Gaiety, Glitz and Glamour. For the next installment at the School of Music,
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Adonises Of Silver Operetta? Or: A Re-Encounter With Adolf Wohlbrück
There is a Facebook group out there called Adonises of the Silver Screen. It offers amazing photos of and anecdotes
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Offenbach Heaven At The Théâtre de l’Odéon In Marseille: An Endless Stream Of Titles
It’s that time of year again when theaters release their programs for next season. One of the most striking programs
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“Der Vetter aus Dingsda” At Moosegg Open-Air Festival 2018
After a successful 2017 season, the team working with young Emmental director Simon Burkhalter is once again relying on last
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“Roxy und ihr Wunderteam”: Abraham’s Football Operetta Finally Comes To Berlin
Why did it take so long, you might ask? And was it worth waiting all this time? In the case
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Who’s Got The Last Laugh Now? Wolfgang Schaller’s Farewell At Staatsoperette Dresden
The Staatsoperette Dresden has a new home, you might recall. The operetta company in Saxony has moved from the outskirts
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A Trip To The Moon With Geschwister Pfister: Talking About “Frau Luna” and Queer-Feminism In Operetta
The Geschwister Pfister – a German-Swiss-Croatian comedy trio – have written operetta history, many times over. Yes, they were the
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“Pretty little China girl, velly, velly nice”: How Do You Revive Kerker’s “Belle of New York” Today?
As a conductor and operetta researcher, I have been working, for the last month or so, on restoring the orchestral
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From Persia to Performing German Schlager From the 1920s: Atrin Madani
It’s always a special treat to see new – and interesting – people coming to musical material that some consider
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A Star Is Born: Jonas Dassler In Spoliansky’s “Alles Schwindel” At Gorki Theater
In a way, it’s what every operetta fan secretly dreams of: you go to a performance with new unknown singers,
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The First Charles Kálmán Chanson Prize At Bundeswettbewerb Gesang 2017
At the beginning of December, the winners of this year’s Bundeswettbewerb Gesang presented themselves at the Friedrichstadt Palast in Berlin,
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Victor Herbert’s “The Red Mill” Returns To New York City
The Victor Herbert Renaissance Project LIVE! is launching its fourth season with The Red Mill, Broadway’s longest running success by
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Joseph Rumshinsky’s “The Broken Violin”: Call For Help
In 1916 two of the leading exponents of the Yiddish Theater of New York got together to work on one
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Gaiety, Glitz & Glamour: Reawakening the “Silver Age” of 20th Century Operetta
Last weekend, the Royal Musical Association devoted one of its study days to what has controversially been described as the
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Künneke’s “Die große Sünderin” In Leipzig: Bringing Back Aryan Operetta Today
You might recall that back in the 1990s a renewed interest in so called ‘degenerate’ operettas spread around the world.
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