John Koegel: Music in German Immigrant Theater, New York City, 1840-1940
John Koegel reminds us, early on in this broadly conceived, superbly researched, and elegantly written study, that the population of
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World Premiere Recording: Kalman’s “Dryad’s Kiss”
One of Emmerich Kalman’s great musical idols was George Gershwin whom he entertained in Vienna in 1928, after they both
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BABES IN TOYLAND: Musical extravaganza by Victor Herbert
Commissioned by producers Julian Mitchell and Fred Hamlin to follow up their 1902 success with the fairytale spectacular The Wizard
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“Eileen” At The Victor Herbert Renaissance Projekt Live!
The third time was most definitely the charm for VHRP’s Artistic Director Alyce Mott’s revision of Victor Herbert and lyricist/book
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Kelli O’Hara Stars In “Babes In Toyland” Performance At Carnegie Hall
MasterVoices’ semi-staged concert version of Victor Herbert’s 1903 extravaganza Babes in Toyland – written originally as a follow-up to the
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The Unveiling Of The Imre Kálmán Theater With “The Riviera Girl”
On Nagymezó, the historic theatre street of Budapest, a bronze statue of operetta composer Emmerich Kálmán sits on the end
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“Son of Dublin”: An Irish-American Victor Herbert Concert
The “All Irish” season of the Victor Herbert Renaissance Project Live! continues with a concert of music by Victor Herbert
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Kalman’s “Die Bajadere”: Radio Recording From Cologne
With Die Bajadere, Emmerich Kalman embarked on a new path as a composer in 1921: he changed his librettist team
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Rediscovering The 1945 Broadway Hit “Marinka”
Writing from the point of view as an American visiting Berlin, the Komische Oper’s second concert performance of Emmerich Kálmán’s
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Sigmund Romberg’s 1933 “Melody”: First Complete Cast Album
Romberg’s Broadway operettas have not been revived professionally in the UK since matinee idol John Hanson – he of the
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Victor Hollaender and Milwaukee’s Pabst Theater: A Transatlantic Affair (Part 2)
Victor Hollaender described his first American sojourn and the German-American scene of Milwaukee in his memoirs, which were published in
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“Popular Musical Theatre Under Socialism”: A Conference In Freiburg In 2017
In February 2017, theater historian Dr. Wolfgang Jansen is organizing a conference on the topic of “Popular musical theatre under
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Emmerich Kalman’s “Marinka” At The Komische Oper Berlin
It’s a special treat, that’s for sure: the Komische Oper Berlin is ending its Emmerich Kalman cycle of Christmas operettas
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Re-Sampling A Legend: “Ziegfeld And His Follies” By Cynthia And Sara Brideson
Here is a splashy new biography of “Broadway’s Greatest Producer,” Florenz Ziegfeld, written by the team of the Brideson sisters,
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Butchering Irving Berlin: The Screen-To-Stage Adaptation of “Holiday Inn”
When was the last time you saw a new 1947 musical for the first time? Roundabout Theatre Company and Universal
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Reviewing The Operetta Aspects In “New York’s Yiddish Theater”
As a companion volume to its recent exhibition on New York’s Yiddish Theater: From the Bowery to Broadway, the Museum
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The Demystification Of “The Black Crook”
One thing leads to another … Answering various queries, after my 15 years old article on The Black Crook, which
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New York’s Yiddish Theater: From the Bowery to Broadway
Considering that most new books dealing with Broadway history in coffee table format simply recycle what has already been written
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THE PIRATES OF PENZANCE, or The Slave of Duty: Comic opera in 2 acts by Gilbert & Sullivan
Gilbert and Sullivan’s successor to the phenomenal HMS Pinafore proved to be another enormous international opéra-bouffe hit. Where the former
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Double Treat: “The Black Crook” From New York and London
Often, in earlier times, quoted as “the first landmark in the history of the American musical theatre”, the 1866 extravaganza
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Talking With Joshua William Gelb About “The Black Crook” In 2016
In 2016, The Black Crook celebrates its 150th anniversary, marking 150 years of the American Musical. To commemorate the sesquicentennial,
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Second-Rate “American Idol” Superficiality: “Cats” Returns To Broadway
Apart from the disorienting novelty of Cats taking up residence at the Neil Simon Theatre when, for a record-breaking 7485
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Wooden Cut-Outs & Selfies: The Revival Of “Cats” On Broadway
It’s “business as usual” at the Neil Simon Theater, where I caught up with the new revival of Andrew Lloyd
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“The Black Crook” Returns To New York For Its 150th Anniversary
You might truly hold your breath for a second: the famous show The Black Crook is being revived in New
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Adolf Philipp (1864-1936): “Deutsch-Amerikanisches Theater” In New York
Adolf Philipp (b Lübeck, 29 January 1864; d New York, 30 July 1936) was the eclectic leading light of the
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“The White Horse Inn At Central Park”: Rediscovering The Jimmy Berg Adaptations
The White Horse Inn at the Central Park – an Austrian operetta staged in New York in the 1940s? Yes,
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Slay It With Music: A Conversation With Michael Colby
Librettist and lyricist Michael Colby has written musicals such as Charlotte Sweet and Tales Of Tinseltown, both have just been
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Ghostlight Records New Lerner & Loewe “Paint Your Wagon”: Starring Keith Carradine
In November 1951, composer Frederick Loewe and librettist Alan Jay Lerner premiered Paint Your Wagon, their homage to the American
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UdK Berlin: “Ich meine, es geht ja doch darum, ein Leben zu führen, das einem keine Qual ist”
It is always refreshing to see new and awe-inspiring talent. The so called “collages” at the Universität der Künste (UdK)
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Light Opera of New York: Jerome Kern’s “Sally”
Charm was in abundance at Light Opera of New York’s semi-staged concert reading of Jerome Kern’s 1920 musical smash Sally,
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“Stars Of David”: The Influence Of Jewish Artists On Popular Music
It’s not every day that you get to see images of Jacques Offenbach, Johann Strauss Jr. and Richard Tauber right
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“Shuffle Along”: The Making of the 1921 Musical Sensation
Deep among the indelible memories of my theatergoing life are singer Lynnie Godfrey sprawled on a piano suggestively growling “Daddy”
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“Die Herzogin von Chicago”: Teaching Budapest The Charleston Again
Wenn man seine Dissertation über ein Werk wie Die Herzogin von Chicago geschrieben hat, wenn man all die Aufnahmen von
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“American Psycho”: Benjamin Walker Stars As Patrick Bateman
Bret Easton Ellis’ once – and perhaps still – notorious novel about an affluent Wall Street investment banker/serial killer, the
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„Emerging From The Closet Of Representation“: Homosexuality And Same-Sex Marriage On The Musical Theater Stage
The genre operetta was invented around 1850 in Paris, as a new and independent musical theater form in the modern
read more![Albert SZIRMAI [aka SIRMAY]: b Budapest, 2 July 1880; d New York, 15 January 1967](http://operetta-research-center.org/wp-content/uploads/2015/09/Sirmay-436x291.jpg "Albert SZIRMAI [aka SIRMAY]: b Budapest, 2 July 1880; d New York, 15 January 1967")
Albert SZIRMAI [aka SIRMAY]: b Budapest, 2 July 1880; d New York, 15 January 1967
Szirmai was a top-flight Hungarian composer whose career faded when he left home. He studied at the Budapest Zeneakadémia and
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