The First Oscar Hammerstein and New York’s Golden Age of Theater and Music
With such an irresistible title as this, anyone with an interest in early American musical theater would want to read this newly
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Lillian Russell (1860-1922) Revisited: The Amazing Life Of A “Scandalous” Operetta Diva
With all this free time at home right now I’ve started working my way through various DVD boxes I’ve had
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THE NEW MOON: A Romantic musical play by Oscar Hammerstein & Sigmund Romberg
The team responsible for that overwhelming hit of 1926, The Desert Song, mined a similar vein for their next collaboration,
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“Babes In Toyland” In Zwickau-Plauen. Or: Performing Victor Herbert In Germany
The small theater in Zwickau-Plauen (Germany) presented Victor Herbert’s much-loved Babes in Toyland as their Christmas spectacle and gave the
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Composer Jerry Herman Dies At Age 88 In Miami
Some will claim that Hello Dolly, Mame or La Cage aux Folles are among the greatest modern operettas in the
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Francesca Zambello’s Version of “Showboat” At Glimmerglass Festival
Showboats gave the theatre-starved people along the Mississippi from the 1880s into the 1920s what they most wanted: melodrama and
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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Herbert’s “Babes in Toyland” At Theater Plauen-Zwickau: First German Production
The show title Abenteuer im Spielzeugland might not directly ring a bell. But if you translate it into Babes in
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Kurt Weill’s “Lady in the Dark” Revived At City Center in New York
Gertrude Lawrence’s 1941 megahit, Lady in the Dark, groundbreaking in its day for its then novel use of psychoanalysis in
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“Broadway Sampler: 1915.” Twenty-Five Musicals And Twenty-Six Songs
You might remember the CD series The Broadway Musicals of… created, written and hosted by Scott Siegel. They started, thematically,
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The English Language Adventures of “Im weißen Rössl”
The overwhelming and instant success of Erik Charell’s operetta spectacle Im weißen Rössl at Berlin’s Großes Schauspielhaus (the so-called “Theater
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Dorothy Without Toto. Or: “Der Zauberer von Oz” In Magdeburg
„The most magical adventure of them all …“ That’s how Andrew Lloyd Webber announced ‘his’ Wizard of Oz version at
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It’s Eliza’s Show: A “My Fair Lady” For The 21st Century
It’s Eliza’s show; My Fair Lady for the 21st century opens at Lincoln Center’s Vivian Beaumont Theatre, 62 years after
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Theatrical Mythology, or The Best Thing About Her Singing Was Her Looks: Blanche Roosevelt
Theatrical mythology has been curiously and undeservedly kind to some folk. Miss Tucker from Ohio went from failure to failure
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Rombergs “Blossom Time”: Deutsche Erstaufführung in Annaberg-Buchholz
Das Dreimäderlhaus von Heinrich Berté, eine Pasticcio-Operette mit Musik von Franz Schubert (1916), war ein Welterfolg. Nicht nur im deutschen
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“Pretty little China girl, velly, velly nice”: How Do You Revive Kerker’s “Belle of New York” Today?
As a conductor and operetta researcher, I have been working, for the last month or so, on restoring the orchestral
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Csárdás Interruptus: Three Kálmán CDs With Historical Recordings From The USA
Back in 1997, Michael Miller, the chair of the Ohio Light Opera Board of Directors, and president of the Operetta
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Victor Herbert’s “The Red Mill”: Holland Mania Sweeps New York Once Again
The third major Manhattan outing in recent years of Victor Herbert’s once hugely popular Broadway operetta The Red Mill proved
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Victor Herbert’s “The Red Mill” Returns To New York City
The Victor Herbert Renaissance Project LIVE! is launching its fourth season with The Red Mill, Broadway’s longest running success by
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“Sunset Boulevard” in Altenburg: Mit Angelika Milster als Norma Desmond
Es gibt in Deutschland eine nicht unwesentliche Gruppe von Intellektuellen – in Forschung und Journalistik – die sogenannte Mega-Musicals für
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The Kern-Wodehouse-Bolton Musical “Have a Heart” (1917)
Although they worked together as a trio on only five shows over seven years, the influence of “Bolton, Wodehouse, and
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Jerome Kern’s “Have A Heart” From The Ohio Light Opera
If we go back in time 100 years and look at Broadway, we witness a change: the US entertainment market
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Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924)
Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924). The grandson of Samuel Lover, the novelist,
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John Koegel: Music in German Immigrant Theater, New York City, 1840-1940
John Koegel reminds us, early on in this broadly conceived, superbly researched, and elegantly written study, that the population of
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World Premiere Recording: Kalman’s “Dryad’s Kiss”
One of Emmerich Kalman’s great musical idols was George Gershwin whom he entertained in Vienna in 1928, after they both
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BABES IN TOYLAND: Musical extravaganza by Victor Herbert
Commissioned by producers Julian Mitchell and Fred Hamlin to follow up their 1902 success with the fairytale spectacular The Wizard
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“Eileen” At The Victor Herbert Renaissance Projekt Live!
The third time was most definitely the charm for VHRP’s Artistic Director Alyce Mott’s revision of Victor Herbert and lyricist/book
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Kelli O’Hara Stars In “Babes In Toyland” Performance At Carnegie Hall
MasterVoices’ semi-staged concert version of Victor Herbert’s 1903 extravaganza Babes in Toyland – written originally as a follow-up to the
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The Unveiling Of The Imre Kálmán Theater With “The Riviera Girl”
On Nagymezó, the historic theatre street of Budapest, a bronze statue of operetta composer Emmerich Kálmán sits on the end
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“Son of Dublin”: An Irish-American Victor Herbert Concert
The “All Irish” season of the Victor Herbert Renaissance Project Live! continues with a concert of music by Victor Herbert
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Kalman’s “Die Bajadere”: Radio Recording From Cologne
With Die Bajadere, Emmerich Kalman embarked on a new path as a composer in 1921: he changed his librettist team
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Rediscovering The 1945 Broadway Hit “Marinka”
Writing from the point of view as an American visiting Berlin, the Komische Oper’s second concert performance of Emmerich Kálmán’s
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Sigmund Romberg’s 1933 “Melody”: First Complete Cast Album
Romberg’s Broadway operettas have not been revived professionally in the UK since matinee idol John Hanson – he of the
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Victor Hollaender and Milwaukee’s Pabst Theater: A Transatlantic Affair (Part 2)
Victor Hollaender described his first American sojourn and the German-American scene of Milwaukee in his memoirs, which were published in
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“Popular Musical Theatre Under Socialism”: A Conference In Freiburg In 2017
In February 2017, theater historian Dr. Wolfgang Jansen is organizing a conference on the topic of “Popular musical theatre under
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Emmerich Kalman’s “Marinka” At The Komische Oper Berlin
It’s a special treat, that’s for sure: the Komische Oper Berlin is ending its Emmerich Kalman cycle of Christmas operettas
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