Leo Fall’s “Brüderlein fein”: The Problem With The Cologne Broadcasts
Leo Fall’s one-act operetta Brüderlein fein premiered in the notorious basement cabaret of the Theater an der Wien, called “Die
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Daring To Be Different: Lehár’s “Die Juxheirat” On CPO
Viennese operetta at the beginning of the 20th century was a genre in transition, claims Stefan Frey in an essay
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A New “Student Prince” With John Mauceri
This CD could probably only be released for a German market and for German operetta fans who have no idea
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Kalman’s “Die Bajadere”: Radio Recording From Cologne
With Die Bajadere, Emmerich Kalman embarked on a new path as a composer in 1921: he changed his librettist team
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Dostal’s “Ungarische Hochzeit” (1939): First Complete Recording Of “Lebensraum” Operetta
Here is a new and first complete recording of Nico Dostal’s 1939 operetta Ungarische Hochzeit – premiered at the opera
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“Viktoria und ihr Husar”: The 2016 Cast Album From Mörbisch
Paul Abraham’s Viktoria und ihr Husar conquered the German language operetta scene in 1930 – and pretty much swept away
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Lehár’s “Giuditta” With Christiane Libor On cpo
Giuditta spielt in Süditalien und Libyen. Aktueller können Orte von Handlungen nicht sein. Mit einen gewichtigen Unterschied zur Gegenwart. Damals
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Lehár’s “Giuditta”: A New Recording From Munich With Ulf Schirmer
There are many reasons why one can fall head-over-heels for Lehar’s “musikalische Komödie” Giuditta, first produced in January 1934 at
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Ein roter Liebesluftballon unter der Zirkuskuppel
Deutschland, geteiltes Operettenland: In Berlin knistert es an Barrie Koskys Komischer Oper erotisch, in München, wo Josef Köpplinger das Gärtnerplatztheater
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Burning to Sing: Gustave Kerker’s Operetta Rediscovered
It’s good to know that German operetta aficionados are busy rediscovering gems from the vaults of the genre’s history. And,
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