Benatzky’s “Liebe im Schnee” With The Kammeroperette Münster
The so called Kammeroperette Münster specialises in staging “minimalist” productions of neglected operettas: this year one of Benatzky’s first full-length
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Shades Of Grey: “Axel an der Himmelstür” In Vienna
Considering the continuing number of revivals of Im weißen Rössl one could be forgiven for thinking that Benatzky composed nothing
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Re-Sampling A Legend: “Ziegfeld And His Follies” By Cynthia And Sara Brideson
Here is a splashy new biography of “Broadway’s Greatest Producer,” Florenz Ziegfeld, written by the team of the Brideson sisters,
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“Axel an der Himmelstür” in Vienna: Take Your Clothes Off, Beautfiful Operetta Lady!
The Volksoper Vienna has revived the 1936 hit Axel an der Himmeltür, originally written for Zarah Leander and Max Hansen.
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Helga Benatzky: “The Dead Live Longer!”
To call this a strange mix of emotions would be an understatement. Yesterday, we here at the Operetta Research Center
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“The White Horse Inn At Central Park”: Rediscovering The Jimmy Berg Adaptations
The White Horse Inn at the Central Park – an Austrian operetta staged in New York in the 1940s? Yes,
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On The Road With John Groves: “Im weißen Rössl” In Neustrelitz
To tell the truth: Im weißen Rössl at the Neustrelitz open air operetta festival was fascinating! For a start, I
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“Al cavallino bianco”: The 1954 Italian Film Version Starring Rosy Barsony
As everyone knows, by now, there are many White Horse Inn incarnations out there, and it seems more and more
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Reviewing The Swiss Operetta Scene: A Conversation With Simon Burkhalter
Young stage director Simon Burkhalter is busy putting Im weißen Rössl on in Bern, Switzerland, where the “slowest people in
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The White Horse Rides Again: Jimmy Berg’s “Rössl” 1940s Adaptations
Das Weiße Rössl am Central Park – eine österreichische Kultoperette im New York der 40er Jahre? 1941 und 1947 war
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Benatzky’s “Bezauberndes Fräulein” In Switzerland
Ralph Benatzky’s “Musikalisches Lustspiel” Bezauberndes Fräulein (1933) is a true delight. As anyone knows who has ever heard the wonderful
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Two “Im weißen Rössl” Exhibtions In Neustrelitz
It is one man’s enthusiasm that made this possible: the hotel owner Jürgen Haase from Neustrelitz – a picturesque town
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“Männe, hak’ mir mal die Taille auf!”: Erotic Cabaret Songs
The art of the suggestive song is not restricted to any particular historic era; it is, however, limited to a
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“She Loves Me”: Miklos Laszlo’s Hungarian Play As A Modern Broadway-Operetta?
Many great operetta things come from Hungary; and you might add, many great musical comedy things too. Emmerich Kalman wanted
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Oscar Straus – Ein deutscher Offenbach?
Yes, there’s a new book on Oscar Straus, that often over-looked composer of Ein Walzertraum but also of Die lustigen
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Desirée Nick: “Ich bin die größte Diva von allen!”
Die singende Entertainerin und TV-Phänomen Desirée Nick ist derzeit in der Sat1-Show Promi Big Brother zu bestaunen (und so ziemlich
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“I Want To Be A Primadonna”: Christoph Marti Turns 50 Today
It’s a ultra-pink birthday today, and a reason for the operetta world to celebrate one of its greatest divas of
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“Im Weißen Rössl” Re-Examined: A Conference In St. Wolfgang
Yes, there is more: more White Horse Inn. (Hooray!) The Paris-Lodron Univeristy Salzburg, together with the Leopold-Franzens University Innsbruck, is
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Operetta for Generation LGBTQIA: “White Horse Inn” in Bremen
When a production of White Horse Inn starts with a new overture and “Somewhere Over the Rainbow” – segueing into
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Can Critics Get Away With Anything? Reading Michael Cerha and “Der Standard”
The Austrian newspaper Der Standard was founded in 1988 and is known, if you believe Wikipedia, as a “left-liberal” and
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The “Dancing Conductor” Joseph R. Olefirowicz In Munich
If you’re watching this space, you might have registered some recent frustration with current operetta conductors who were not quite
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Five Year Plan: Glorious Rarities At The Festival In Ischl
Yes, it might be true that the Austrian operetta festival in Bad Ischl is fighting for “pure survival,” as director
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The “White Horse Inn” of Saxony
Yes, there is going to be another one: The Musikalische Komödie will present the Ralph Benatzky/Erik Charell “Singspiel” Im weißen
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An Academic Symposium on “White Horse Inn” in 2015
Hold your breath: There’s going to be an „interdisciplinary symposium“ on White Horse Inn, examining „new cultural-historical perspectives 1930-2015.“ When?
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Galgenhumor: An Interview About Nostalgia & World War 1
Two researchers from the Austrian Cabaret Archive (ÖKA), Iris Fink and Hans Veigl, have just published a 275 page book
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A Vienna Heart in the Star-Spangled Banner: Bruno Granichstaedten
The Austrian music historian, film director and author Ernst Kaufmann has written a biography of his uncle – composer Bruno
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Vienna’s Merry Apocalypse
A little book dealing with the entertainment industry during the Great War: Galgenhumor. Kleine Kunst im Großen Krieg. Ein Beitrag
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Reviving “Axel an der Himmelstür” For Russia
You can call it amazing, it’s certainly reason enough for all operetta fans to listen up: In St. Petersburg a
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Zwischen Aufsässigkeit und Anpassung: Ralph Benatzky
“Was wird bleiben?” Kann bei der „leichten Muse“ überhaupt so hochgestochen gefragt werden? Immerhin wird hier von „Evergreens“ gesprochen! Das
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Exporting Operette: The World Is Not Enough
What became eventually known as “operetta” or “opérette” didn’t start its life under that name. The earliest works of the
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“Im weißen Rössl” Revisited
Most Germans are familiar-very familiar-with the White Horse Inn. That’s because the film version starring Peter Alexander and Waltraud Haas
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The English Language Adventures of “Im weißen Rössl”
The overwhelming and instant success of Erik Charell’s operetta spectacle Im weißen Rössl at Berlin’s Großes Schauspielhaus (the so-called “Theater
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“Ich heiße ganz bescheiden…Max Hansen”
It’s about time, you might say, that someone remembered the great Max Hansen and made him the center of a
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Nächster Halt: La-La-Land: Bemerkungen zum “Weißen Rössl”
Die Revue-Operette Im Weißen Rößl, 1930 im Großen Schauspielhaus Berlin unter Erik Charell uraufgeführt, war einer der größten Theatererfolge der
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Gefährliches Gift: Die „authentische“ Operette und was aus ihr nach 1933 wurde
Wie konnte das geschehen? Wie konnte aus der aktuellen, witzigen, frivolen und vor allem internationalen Kunstform Operette, die speziell in
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“Der König mit dem Regenschirm” mit Erik Ode: RIAS 1948
Um der Wahrheit die Ehre zu geben: Ich kannte von der Operette Der König mit dem Regenschirm mal gerade den
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