“Strike Up the Band”: Gershwin Mixed with Gilbert & Sullivan
Director/conductor Ted Sperling has again done George and Ira Gershwin proud with his one-night performance of the first of the
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Ohio Light Opera: The 2024 Saison in Wooster
In the decade or so that I’ve been attending Ohio Light Opera’s summer season of operettas and musicals, I continue
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Routlegde’s “Genre Beyond Borders: Reassessing Operetta”
Back in the year 2019, the University of Leeds hosted an conference put together by Derek B. Scott and Anastasia
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“The Sorcerer” at Wilton’s Music Hall in London
Gilbert and Sullivan’s ‘comic opera’ The Sorcerer is a comparatively early work, coming between Trial By Jury and HMS Pinafore and
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“Iolanthe”: Betting Dollars to Donuts on These Fairies At Carnegie Hall
It’s only May, but I’m betting dollars to donuts that this starry production of Gilbert and Sullivan’s seventh comic opera
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Stanislavsky and “The Mikado”
Operetta was one of the most successful forms of theatre to go transglobal in the 19th and early 20th century.
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Gilbert & Sullivan: Is Sexual Innuendo Imbedded in “HMS Pinafore”?
It is an accepted notion that Gilbert and Sullivan were careful to exclude anything in their comic operas that could
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Welcome to the Fifties: “The Yeomen of the Guard” at ENO
Forever branded as Gilbert and Sullivan’s “serious” comic opera, The Yeomen of the Guard is in fact a skilful blend
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G&S’s “Patience” Presented by Charles Court Opera in an Updated Version
Charles Court Opera has been described as one of the leading and most versatile chamber music theatre companies in the
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Revisiting the Emily Soldene Biography. Or: the Postscripta of Publication
When you have spent more than 20 years researching and writing a book, when you have lived and breathed the
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“The Grand Duke of Gerolstein”: A Milanese Byblow of the Grand Duchess
La Grande Duchesse de Gérolstein was, arguably, Offenbach’s first truly transglobal success. It benefitted from opening during the Exposition universelle
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The Winter Opera of Saint Louis & “The Gondoliers”
Online auditions; canceled flights; efforts to keep cast, orchestra and tech crew members healthy and protected; a scant five days
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An 18th Century Operetta Composer? First Recording Of Charles Dibdin’s “The Wags”
Charles Dibdin is often thought of, assuming he is thought of at all, as one of the links between the
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Kurt Gänzl’s “Gilbert and Sullivan: The Players and the Plays”
I feel very honoured and flattered to have been asked to write about the most important book to be written
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“Bitte Britisch”: Staatsoperette Dresden Takes Us On A Musical Journey
I was surprised, and delighted, to hear that the Staatsoperette Dresden are to give an all-“Britisch” concert, taking in a
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Fancy A Slice Of Gänzl? “Gilbert & Sullivan: The Players And The Plays”
I’m the oldest standing member of the Operetta Research Center. I was one of the fairies who presided at its
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Live In Buxton: The 27th International Gilbert & Sullivan Festival
The 27th International Gilbert & Sullivan Festival takes place at Buxton every year, before moving on to Harrogate. International even
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Arnold Bennett Discusses Operettas & Musicals: Journal Entries 1897-1928
The English author Arnold Bennett (1867-1931) is best known as a novelist and playwright. He also kept a journal in
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A Murderous Musical Mystery Tour: “Express G & S” In London
Express G&S was conceived during lockdown, and is the well nigh perfect post-lockdown entertainment, especially for Gilbert & Sullivan aficionados,
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Post-Lockdown: An Unusual Feast Of Operetta For The United Kingdom
The various ‘lockdowns’ that we, in the UK, have lived under for the last 18 months have meant that several productions
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“HMS Pinafore” As Post-Covid Premiere At English National Opera
English National Opera has just announced its plans for the season starting in October 2021. There will be only 67
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Free Streaming: National G&S Company’s “Pirates of Penzance” From Buxton
Having had to cancel the 2020 festival owing to Covid restrictions, this year’s Gilbert and Sullivan Festival, taking place at
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March of the Falsettos: Streaming Sasha Regan’s “Pirates of Penzance” From The Palace Theatre
The gimmick with which the West End revival of Sasha Regan’s Pirates of Penzance at the Palace Theatre was recently
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A Christmas Marathon Of Operetta Streams: From “Frau Luna” To “Cinderella” And Offenbach
It seems that the operetta scene is finally awaking to the possibilities of the internet as a chance to overcome
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Lillian Russell (1860-1922) Revisited: The Amazing Life Of A “Scandalous” Operetta Diva
With all this free time at home right now I’ve started working my way through various DVD boxes I’ve had
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Sullivan, Cellier & Ford: “Haddon Hall,” “Captain Billy” And “Mr Jericho” On CD For The First Time
In 2018 the National Gilbert and Sullivan Opera Company staged the first professional revival of Haddon Hall for about one
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“Casta Diva”: The World’s First Gay Opera Guide With Two Operettas And Some Hidden Porn
So here it is, the world’s “first gay opera guide,” or so the publisher claims. It’s a small Berlin based
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The New York Gilbert & Sullivan Players Give “Iolanthe” A Top Notch Performance
New York’s longest running professional Gilbert & Sullivan company returned to the Kaye Playhouse at Hunter College (near Lexington Avenue)
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Gilbert & Sullivan At Wilton’s Music Hall: An “HMS Pinafore” Performance To Remember
Wilton’s Music Hall is “the most important surviving early music hall to be seen anywhere” (says the Theatres Trust) and
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Ohio Light Opera: Offering Rarities From Kálmán’s “Teufelsreiter” to Novello’s “Perchance to Dream”
Fans of musical theater and operetta will not find a richer, more concentrated banquet of their favorite entertainment than that
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Kurt Weill’s “Lady in the Dark” Revived At City Center in New York
Gertrude Lawrence’s 1941 megahit, Lady in the Dark, groundbreaking in its day for its then novel use of psychoanalysis in
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New York Gilbert & Sullivan Players: “Ages Ago” & “Mr. Jericho”
New York Gilbert & Sullivan Players’s inspired pairing of two Victorian one-act comic operas – Ages Ago and Mr. Jericho
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Google Search: “What is Operetta?” And “Is The Phantom of the Opera an Operetta?”
The Operetta Research Centre was, this week, undergoing technical maintenance, in the course of which supremo Kevin Clarke came up
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“La comédie musicale britannique XIXème et XXème siècle”: A New Collection Of Essays In English, French And German
Just out is a large-size almost catalogue-like publication in English, French and German in the Revue Musicorum series, no. 20/2018.
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Cross-Dressed Military Operetta In World War 1 And 2: An Exhibition In Meiningen And A New Book
Back in 2014, corresponding with the centenary of the outbreak of World War 1, the Schwules Museum in Berlin offered
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Meeting With The Comic Opera Guild Of Michigan: A Conversation With Tom Petiet
Among the various US-American operetta companies, the Comic Opera Guild continues to draw international attention through recordings that offer a
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