Gilbert & Sullivan At Wilton’s Music Hall: An “HMS Pinafore” Performance To Remember
Wilton’s Music Hall is “the most important surviving early music hall to be seen anywhere” (says the Theatres Trust) and
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Ohio Light Opera: Offering Rarities From Kálmán’s “Teufelsreiter” to Novello’s “Perchance to Dream”
Fans of musical theater and operetta will not find a richer, more concentrated banquet of their favorite entertainment than that
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Kurt Weill’s “Lady in the Dark” Revived At City Center in New York
Gertrude Lawrence’s 1941 megahit, Lady in the Dark, groundbreaking in its day for its then novel use of psychoanalysis in
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New York Gilbert & Sullivan Players: “Ages Ago” & “Mr. Jericho”
New York Gilbert & Sullivan Players’s inspired pairing of two Victorian one-act comic operas – Ages Ago and Mr. Jericho
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Google Search: “What is Operetta?” And “Is The Phantom of the Opera an Operetta?”
The Operetta Research Centre was, this week, undergoing technical maintenance, in the course of which supremo Kevin Clarke came up
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“La comédie musicale britannique XIXème et XXème siècle”: A New Collection Of Essays In English, French And German
Just out is a large-size almost catalogue-like publication in English, French and German in the Revue Musicorum series, no. 20/2018.
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Cross-Dressed Military Operetta In World War 1 And 2: An Exhibition In Meiningen And A New Book
Back in 2014, corresponding with the centenary of the outbreak of World War 1, the Schwules Museum in Berlin offered
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Meeting With The Comic Opera Guild Of Michigan: A Conversation With Tom Petiet
Among the various US-American operetta companies, the Comic Opera Guild continues to draw international attention through recordings that offer a
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National Gilbert & Sullivan Opera Company: “Ruddigore” At Buxton Opera House
This summer the historic Frank Matcham designed Buxton Opera House, built in 1903 and seating 902, was host to the
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National Gilbert & Sullivan Opera Company: “The Sorcerer” & “Trial By Jury”
This year the National G & S Opera Company celebrates its silver jubilee with six new productions. I was invited
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National Gilbert & Sullivan Opera Company: “The Pirates of Penzance”
The Pirates of Penzance must be Gilbert and Sullivan’s most staged operetta and, as a director, it must be difficult
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“The Mountebanks” By Gilbert And Cellier: A New BBC Recording
After the success of The Gondoliers in December 1889, D’Oyly Carte, Gilbert and Sullivan had a well-publicised disagreement because Gilbert
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Theatrical Mythology, or The Best Thing About Her Singing Was Her Looks: Blanche Roosevelt
Theatrical mythology has been curiously and undeservedly kind to some folk. Miss Tucker from Ohio went from failure to failure
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Hojotoho: Gilbert & Sullivan’s “Iolanthe” At English National Opera
Iolanthe is W S Gilbert’s most satirical opera. His libretto continually pokes fun at the British hereditary system, the law
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“Darwinian Man, Though Well Behaved, At Best Is Only A Monkey Shaved”: G&S’s “Princess Ida”
Great Malvern is an attractive spa town of 30,000 souls, nestling in the English Midlands and surrounded by the Malvern
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24th International Gilbert & Sullivan Festival
The 860 seat Theatre Royal, in the shadow of Windsor Castle, is the third one on the site: built in
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Sasha Regan’s All-Male “The Mikado” Touring The UK
Sasha Regan has been director of the Union Theatre in London for 19 years. It is a small space, seating
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Gilbert & Sullivan’s “Patience” At English Touring Opera
The ‘comic opera’ Patience (or ‘Bunthorne’s Bride’) has an important place in theatrical history. It was the first stage production
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THE PIRATES OF PENZANCE, or The Slave of Duty: Comic opera in 2 acts by Gilbert & Sullivan
Gilbert and Sullivan’s successor to the phenomenal HMS Pinafore proved to be another enormous international opéra-bouffe hit. Where the former
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