Double Treat: “The Black Crook” From New York and London
Often, in earlier times, quoted as “the first landmark in the history of the American musical theatre”, the 1866 extravaganza
read moreOften, in earlier times, quoted as “the first landmark in the history of the American musical theatre”, the 1866 extravaganza
read moreThe Theater Vorpommern / Haus Stralsund will open its new season with Künneke’s Der Vetter aus Dingsda on October 8.
read moreIn 2016, The Black Crook celebrates its 150th anniversary, marking 150 years of the American Musical. To commemorate the sesquicentennial,
read moreWhen Stanley Potter died in 1894, his – paid – death notice said he was ‘of the Carl Rosa’. So
read moreThe Volksoper Vienna has revived the 1936 hit Axel an der Himmeltür, originally written for Zarah Leander and Max Hansen.
read moreJeff Clarke has been the Artistic Director of UK’s Opera della Luna since 1994. With that company, he has made
read moreSome years ago I was asked by the former Dutch Film Museum (renamed Eye Film Institute today) to accompany The
read moreApart from the disorienting novelty of Cats taking up residence at the Neil Simon Theatre when, for a record-breaking 7485
read moreLilian La Rue? Oh heavens, that name sounds like something out of a New Orleans drag show. Lily Street, maybe?
read moreIt’s “business as usual” at the Neil Simon Theater, where I caught up with the new revival of Andrew Lloyd
read moreYou might truly hold your breath for a second: the famous show The Black Crook is being revived in New
read moreAdolf Philipp (b Lübeck, 29 January 1864; d New York, 30 July 1936) was the eclectic leading light of the
read moreBecause of popular demand – and there obviously is much demand in New York City right now – the production
read moreThe statistics are out for the number of musical theater performances in Germany during the 2014/15 season. They were published
read moreThe enthusiasm is impressive and a role model, no doubt: conductor Dario Salvi got so excited about Franz von Suppé’s
read moreYes, someone finally had the great idea to bring back the 1932 smash-hit Sissy, written by Ernst and Hubert Marischka,
read moreThe White Horse Inn at the Central Park – an Austrian operetta staged in New York in the 1940s? Yes,
read moreThe Ohio Light Opera – that lovably enduring shrine to operetta and musical theater – just gets better and better
read moreNot so very many years ago, two young students, already laurelled, each one, with considerable success, entered the Queensland Conservatorium
read moreTo tell the truth: Im weißen Rössl at the Neustrelitz open air operetta festival was fascinating! For a start, I
read moreAlan Lareau, Professor of German at the University of Oshkosh and a scholar specialized in the cabaret culture of the
read morePaul Abraham’s Viktoria und ihr Husar conquered the German language operetta scene in 1930 – and pretty much swept away
read moreAs everyone knows, by now, there are many White Horse Inn incarnations out there, and it seems more and more
read moreNot too long ago, Berlin’s operetta pioneer Barrie Kosky stated in the Österreichische Musikzeitschrift, that he considers the performers of
read moreYoung stage director Simon Burkhalter is busy putting Im weißen Rössl on in Bern, Switzerland, where the “slowest people in
read moreDas Weiße Rössl am Central Park – eine österreichische Kultoperette im New York der 40er Jahre? 1941 und 1947 war
read moreOperetta in East-Germany has turned into a topic I have become more and more fascinated with. Maybe because my first
read moreLibrettist and lyricist Michael Colby has written musicals such as Charlotte Sweet and Tales Of Tinseltown, both have just been
read moreIt’s rare, these days, to encounter such personal enthusiasm for operetta history as is demonstrated in the picturesque town of
read moreChu Chin Chow was a version of the Arabian Nights’ Ali Baba and the 40 Thieves tale, put together by
read morePaul Abraham’s 1931 revue-operetta Die Blume von Hawaii has recently been give a highly enjoyable new production at Theatre Pforzheim,
read moreWas für ein Jammer, dass die 1920er Jahre vorbei sind. Und was für ein Jammer, dass Paul Abrahams Operetten noch
read moreIn 1883, three of the masterminds of Viennese operetta collaborated on a new masterpiece; A Trip to Africa – or
read moreGiuditta spielt in Süditalien und Libyen. Aktueller können Orte von Handlungen nicht sein. Mit einen gewichtigen Unterschied zur Gegenwart. Damals
read moreDie erste moderne Ábrahám-Aufnahme auf Basis einer rekonstruierten Originalpartitur von Hagedorn & Grimminger: mit einer elegischen Dagmar Schellenberger in der
read moreIt seems there is a new and inspiring wave of “history musicals,” with Hamilton on Broadway leading the way: a
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