“Mein Freund Bunbury” Cancelled: The End of the Operetta Era at Komische Oper?
It came as something of a shock without any pre-warning: At the beginning of the new year the Komische Oper
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“For the Drama”: Strauss’ “Fledermaus” as Real-Life-Fiction on TV
This 3-part German mini-series called For the Drama is remarkable in many ways. It tells the story of two singers
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“Messeschager Gisela” – Axel Ranisch Stages Gerd Natschinski’s 1960 Hit
It’s the third attempt in Berlin to breathe new life into the forgotten sub-genre “Heiteres Musiktheater der DDR”, i.e. musicals
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Kálmáns „Marinka“ in Schrumpffassung an der Oper Graz
Irgendwie stehen die in Amerika entstandenen Werke emigrierter Komponisten (ob Korngold, Weill oder Kálmán etc.) in unseren Landen immer noch
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The “Fake” Disney Princess: Diana Damrau Sings Operetta
So, here it is at last: Diana Damrau’s operetta album dedicated to the “life embracing side” of the genre and
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“Linie 1”: Revising Berlin’s Legendary Subway Musical at GRIPS Theater
When Linie 1 premiered in West-Berlin back in 1986, three years before the wall came down and East and West
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“Lustige Witwe”: Barrie Kosky Tackles the “Führer’s” Favorite Operetta in Zurich
In the past, Barrie Kosky has shunned the works of Franz Lehár. His operetta focus has been on works by
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75 Years of Setting Operetta Standards: The Komische Oper Jubilee
When the Komische Oper opened its doors on 23 December 1947 – in the Soviet controlled section of Berlin –
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“I Am What I Am”: New Productions at Komische Oper after Barrie Kosky
Quo vadis, Komische Oper? That’s what many have been wondering. How will the new artistic directors continue the now world-famous
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Reviving Jean Gilbert’s “Kinokönigin” (1913) à la Bob Fosse in Leipzig?
Let’s start with the positive side of this: Musikalische Komödie has put forgotten composer Jean Gilbert (1879-1942) back on stage
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Barrie Kosky Will Direct “La Cage aux Folles” at Komische Oper Berlin
Many people have wondered what Barrie Kosky will do next in terms of popular musical theater at Komische Oper, once
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Young, Versatile & Hungry: James Gaffigan New Music Director At Komische Oper Berlin
So, now it’s official: James Gaffigan will be the new music director of Komische Oper Berlin. The 43 year old
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Glitzy Genitalia & A New Cast: Kosky’s “Orpheus in der Unterwelt“ Arrives In Berlin
After a very (very!) long wait, Barrie Kosky’s vision of Offenbach’s Orphée aux enfers has finally arrived at Berlin’s Komische
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Glitter And Be Gay: Marin Alsop’s New “Candide“ From London
Finding the best of all possible Candide recordings is hard. Because Leonard Bernstein’s eclectic work from 1956 – his only
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On the Air: “Blume von Hawaii” Comes to Deutschlandradio Kultur
It’s the end of an era. For ten years Barrie Kosky made it his mission to revive forgotten Weimar Republic
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Kosky macht Kopfkino: Minimalistisches Mahagonny
Kurz nachdem im Spätsommer die lang erwartete (und mehrfach verschobene) Dreigroschenoper am Berliner Ensemble herauskam und ekstatische Reaktionen hervorrief, ging
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Berliner Ensemble: “Dreigroschenoper” As Cellblock Tango Without Fosse
It’s not unusual for Barrie Kosky to stage something outside of Komische Oper, but usually he doesn’t do it in
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Adam Benzwi Discusses “Dreigroschenoper” & Singing Brecht/Weill Today
Pianist and musical director Adam Benzwi was slated to premiere “his” Dreigroschenoper interpretation – in collaboration with stage director Barrie
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Barrie Kosky’s All-Singing, All-Dancing Yiddish Revue – Plus Other Farewell-Highlights
Of course he wasn’t going to present his last season as intendant of Komische Oper Berlin via Zoom or only
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World Premiere Recording of Ábrahám’s Jazzy 1932 “Ball at the Savoy” In English
Paul Abrahám’s flavorsome jazz operetta, which premiered to great acclaim in 1932 Berlin at Großes Schauspielhaus, only to have its
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Koskys “Orphée aux enferns”: Swarovski-Genitalien auf der Suche nach der Hölle
Zum Offenbach-Jubiläum 2019 spielten die Salzburger Festspiele erstmals eine Offenbach-Operette und übertrugen die Regie Barrie Kosky. Leider gaben sie ihm
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“Ball im Savoy” From Estonia, Arranged & Sung By Mart Sander
When I visited Tallinn in 2016 and saw that they were playing Ball im Savoy at the Estonian National Opera,
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Too Many New Covid-19 Infections: Komische Oper Berlin Cancels Its “Blume von Hawaii” Live Stream
After rumors had already started circulating, it’s now official: Komische Oper Berlin has cancelled its live stream of Paul Abraham’s
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Like Emma Kirkby Singing Wagner: “The Art Of Operetta” As A “Gramophone” December Special
“The Art of Operetta“ is the headline on the cover of the December issue of Gramophone magazine from the UK.
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Here Comes “Blume von Hawaii” As A Live Stream From Komische Oper Berlin
Yeehaw! Komische Oper Berlin has finally awoken from its Sleeping Beauty Corona mode; the company has decided to offer something
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Jaromir Weinberger’s Last Weimar Operetta “Frühlingsstürme” On DVD
You might be as baffled by this new release as I am: the recent production of Jaromir Weinberger’s “last Weimar
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Waiting For Offenbach In Times Of A New Corona Lockdown: So What Happens Now?
You could say it’s a bitter irony: ever since theaters in Germany re-opened after the summer, Barrie Kosky has said
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Lotte de Beer: The Future Of Operetta At Volksoper Wien Is Female
The future of operetta in Vienna is female: Lotte de Beer was presented this week as new artistic director of
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A New “Exilmuseum” In Berlin – Will It Include The Entertainment World?
It’s going to happen: Berlin will get an “Exilmuseum,” a museum dedicated to the stories of those who went into
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Post-Corona Operetta In Berlin. Or: Here’s Barrie Kosky’s Chancelled “Orpheus In The Underworld”
Has the long waiting finally come to an end, is post-Corona operetta back? After the somewhat problematic “Jewish and Gay”
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The Show Will Go On, Or: A New “Großherzogin von Gerolstein” At Komische Oper
“344 Menschen, that‘s besser wie nix!” That’s what intendant Barrie Kosky said when he presented his brand new schedule for
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“Kunst der Oberfläche. Operette zwischen Bravour und Banalität”
Unter ihrem Intendanten Barrie Kosky hat die Komische Oper Berlin seit 2012 einen eigenen, unverwechselbaren Operettenstil gefunden: sehr bunt und
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“One Long Gender-Bender”: Berlin’s Queer Operetta Revolution In The Years 2010-2020
The Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to
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“Ich wollt’ ich wär’ ein Huhn “: Tackling Toxic Nazi Era Material At Komische Oper Berlin
It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin
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Fritz & Alfred Rotter: A Life Between Theatrical Glamour And Death In Exile
The Rotter brothers, Fritz and Alfred, were the most prominent private theater directors during the Weimar Republic before losing everything
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“Casta Diva”: The World’s First Gay Opera Guide With Two Operettas And Some Hidden Porn
So here it is, the world’s “first gay opera guide,” or so the publisher claims. It’s a small Berlin based
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