Jaromir Weinberger’s “Frühlingsstürme” And Paul Ábrahám’s “Dschainah” At Komische Oper Berlin 2019/20
“We’re not an operetta palace!“ Says Komische Oper intendant Barrie Kosky at the press conference where he announced the new
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“Nothing More Than This?”: Bernstein’s “Candide” as Existential Vaudeville in Barrie Kosky’s Berlin Production
Imagine a world that persistently rewards the rich and powerful while immiserating the masses. Imagine an international paternalist cartel that
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Ábrahám’s “Märchen im Grand-Hotel” In Mainz
After having had great success in Berlin with three operettas on a very grand scale – Viktoria und ihr Husar
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“Jacques Offenbach – Meister des Vergnügens”: Ein Interview mit Heiko Schon
Große Ereignisse werfen ihre Schatten voraus, und so sind im Vorfeld des 200. Offenbach-Geburtstags 2019 mehrere neue Bücher auf den
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The Bernstein/Kosky “Candide” At Komische Oper Berlin: “A Really Spectacular Disaster”?
Writing an operetta in the 1950s for Broadway was certainly – a bit eccentric! The grand operetta hits had all
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Racism In Operetta? An Overdue Debate About “Land des Lächelns” & Co.
Recently, a review of a new Land des Lächelns production by Guy Montavon at Oper Wuppertal sparked a debate about
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Berlin Babylon. Or: A New “Die Tote Stadt” at Komische Oper By Robert Carson
Is Korngold’s 1920 psycho thriller Die tote Stadt an operetta? Obviously not, but there are various links to the genre,
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Ein Interview mit Henning Hagedorn über die Rekonstruktion (und das Spielen) von Ábraháms Zentralpartituren
Herr Hagedorn, seit Sie mit Ihrem Kollegen Matthias Grimminger angefangen haben für den WDR und die dortige Ábrahám-Aufführungsserie Partituren von
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A Queer Alternative To Football: Barbra Streisand’s “Nose” At Komische Oper Berlin
What do you do when all the world is abuzz with football, and you don’t give as f*** about ballgames?
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“Roxy und ihr Wunderteam”: Abraham’s Football Operetta Finally Comes To Berlin
Why did it take so long, you might ask? And was it worth waiting all this time? In the case
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Abraham’s “Ball im Savoy” In Koblenz: No Lavish Sets But SS Officers
Having hugely enjoyed Barrie Kosky’s 2013 exuberant production of Abraham’s Ball im Savoy several times, I was interested to see
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“Ritter Blaubart” At Komische Oper: Stefan Herheim’s Varieté Vanitas
Yes, it was a good idea to bring back Offenbach’s murderous Barbe-Bleue to Berlin at Komische Oper where, you will
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Berlin Letter: Major Revival Of Forgotten Weimar-Era Operetta Is Proving A Hit
For a city so rich in culture, and drowning in history, it is surprising to experience first-hand Berlin’s long cultural
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A Trip To The Moon With Geschwister Pfister: Talking About “Frau Luna” and Queer-Feminism In Operetta
The Geschwister Pfister – a German-Swiss-Croatian comedy trio – have written operetta history, many times over. Yes, they were the
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“Csardasfürstin” In Magdeburg With A New “Killer Ending”
Perhaps it was only a matter of time before someone hired choreographer Otto Pichler to stage an operetta all by
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Offenbach’s “Ritter Blaubart” Returns: The New Operetta Season At Komische Oper
Berlin’s Komische Oper and its artistic director Barrie Kosky are always good for a surprise, most certainly when it comes
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An Overdose Of Nostalgia: The Arthaus TV Operetta Series
Can this really be happening, is Arthaus-Unitel seriously re-issuing all of these old TV operetta adaptations from the early 1970s
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“Die Perlen der Cleopatra”: Updating Oscar Straus For Berlin
It has arrived: the 2016 pull-out-all-the-stops operetta spectacle at the Komische Oper Berlin. The title of choice is Oscar Straus’
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The Talk Of The Town: “Frau Luna” At The Tipi In Berlin
Strolling westwards from the Bundestag, across the parkland which occupies much of this part of Berlin, one would be forgiven
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Emmerich Kalman’s “Marinka” At The Komische Oper Berlin
It’s a special treat, that’s for sure: the Komische Oper Berlin is ending its Emmerich Kalman cycle of Christmas operettas
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“Every Country Gets The Operetta It Deserves”: Trends, Ideological Wars And New Books
In variation of the famous saying “Every country has the government it deserves” – by 18th century political philosopher Joseph-Marie
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András Szentpéteri: Exporting Hungarian Operetta And Bringing Broadway To Budapest
András Szentpéteri is the head of Pentaton Concert and Artist Management, the company in charge of organising the international tours
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New York’s Yiddish Theater: From the Bowery to Broadway
Considering that most new books dealing with Broadway history in coffee table format simply recycle what has already been written
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International Operetta Singing Competition of Franz Lehár
Not too long ago, Berlin’s operetta pioneer Barrie Kosky stated in the Österreichische Musikzeitschrift, that he considers the performers of
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Reviewing The Swiss Operetta Scene: A Conversation With Simon Burkhalter
Young stage director Simon Burkhalter is busy putting Im weißen Rössl on in Bern, Switzerland, where the “slowest people in
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“Operette: hipp oder miefig?” The New Issue Of The Österreichische Musikzeitschrift
It doesn’t happen too often that a musicological magazine dedicates an entire issue to “operetta”: with eight short essays dealing
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Andreas Homoki Will Stage “Das Land des Lächelns” With Piotr Beczala In Zurich
What the Opera House Zurich and the Komische Oper Berlin have in common are their architects: both were built by
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Talking With “Schwarzwaldmädel” Star Philip Lüsebrink
German tenor Philip Lüsebrink studied at Hamburg’s Johannes Brahms Conservatory; and built quite a career for himself singing and directing
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Oscar Straus’ “Perlen der Cleopatra” & Kálmán’s “Marinka” Next Season
Now it’s official: the Komische Oper Berlin has announced that next season the world will have a close encounter of
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Happy Birthday, Barrie Kosky And Kurt Gänzl!
Astrologically speaking, we’re still living under an Aquarian moon. And this week, we are celebrating the birthdays of two of
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An Offenbach Festival in Berlin: Four Shows in Seven Days
So this time round it is going to be: Offenbach. The Komische Oper is dedicating its 2016 operetta festival in
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The Gayest Show in Berlin: “Kiss Me, Kate” At The Komische Oper
Barrie Kosky’s first foray into the Broadway musical at the Komische Oper was Cole Porter’s Kiss Me, Kate in 2008,
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Putting Operetta Back On The A-List: The Top 5 Productions 2015
Berlin’s ultra-hip and queer urban magazine Siegessäule has published a hot list of the top 5 films and stage productions
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Kálmán As Premature Ejaculation? “Die Zirkusprinzessin” In Berlin
Yes, it comes as a bit of a surprise to hear Yvonne Kálmán – of all people – say about
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Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
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Desirée Nick: “Ich bin die größte Diva von allen!”
Die singende Entertainerin und TV-Phänomen Desirée Nick ist derzeit in der Sat1-Show Promi Big Brother zu bestaunen (und so ziemlich
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