A Queer Alternative To Football: Barbra Streisand’s “Nose” At Komische Oper Berlin
What do you do when all the world is abuzz with football, and you don’t give as f*** about ballgames?
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“Roxy und ihr Wunderteam”: Abraham’s Football Operetta Finally Comes To Berlin
Why did it take so long, you might ask? And was it worth waiting all this time? In the case
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Abraham’s “Ball im Savoy” In Koblenz: No Lavish Sets But SS Officers
Having hugely enjoyed Barrie Kosky’s 2013 exuberant production of Abraham’s Ball im Savoy several times, I was interested to see
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“Ritter Blaubart” At Komische Oper: Stefan Herheim’s Varieté Vanitas
Yes, it was a good idea to bring back Offenbach’s murderous Barbe-Bleue to Berlin at Komische Oper where, you will
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Berlin Letter: Major Revival Of Forgotten Weimar-Era Operetta Is Proving A Hit
For a city so rich in culture, and drowning in history, it is surprising to experience first-hand Berlin’s long cultural
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A Trip To The Moon With Geschwister Pfister: Talking About “Frau Luna” and Queer-Feminism In Operetta
The Geschwister Pfister – a German-Swiss-Croatian comedy trio – have written operetta history, many times over. Yes, they were the
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“Csardasfürstin” In Magdeburg With A New “Killer Ending”
Perhaps it was only a matter of time before someone hired choreographer Otto Pichler to stage an operetta all by
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Offenbach’s “Ritter Blaubart” Returns: The New Operetta Season At Komische Oper
Berlin’s Komische Oper and its artistic director Barrie Kosky are always good for a surprise, most certainly when it comes
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An Overdose Of Nostalgia: The Arthaus TV Operetta Series
Can this really be happening, is Arthaus-Unitel seriously re-issuing all of these old TV operetta adaptations from the early 1970s
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“Die Perlen der Cleopatra”: Updating Oscar Straus For Berlin
It has arrived: the 2016 pull-out-all-the-stops operetta spectacle at the Komische Oper Berlin. The title of choice is Oscar Straus’
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The Talk Of The Town: “Frau Luna” At The Tipi In Berlin
Strolling westwards from the Bundestag, across the parkland which occupies much of this part of Berlin, one would be forgiven
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Emmerich Kalman’s “Marinka” At The Komische Oper Berlin
It’s a special treat, that’s for sure: the Komische Oper Berlin is ending its Emmerich Kalman cycle of Christmas operettas
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“Every Country Gets The Operetta It Deserves”: Trends, Ideological Wars And New Books
In variation of the famous saying “Every country has the government it deserves” – by 18th century political philosopher Joseph-Marie
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András Szentpéteri: Exporting Hungarian Operetta And Bringing Broadway To Budapest
András Szentpéteri is the head of Pentaton Concert and Artist Management, the company in charge of organising the international tours
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New York’s Yiddish Theater: From the Bowery to Broadway
Considering that most new books dealing with Broadway history in coffee table format simply recycle what has already been written
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International Operetta Singing Competition of Franz Lehár
Not too long ago, Berlin’s operetta pioneer Barrie Kosky stated in the Österreichische Musikzeitschrift, that he considers the performers of
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Reviewing The Swiss Operetta Scene: A Conversation With Simon Burkhalter
Young stage director Simon Burkhalter is busy putting Im weißen Rössl on in Bern, Switzerland, where the “slowest people in
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“Operette: hipp oder miefig?” The New Issue Of The Österreichische Musikzeitschrift
It doesn’t happen too often that a musicological magazine dedicates an entire issue to “operetta”: with eight short essays dealing
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Andreas Homoki Will Stage “Das Land des Lächelns” With Piotr Beczala In Zurich
What the Opera House Zurich and the Komische Oper Berlin have in common are their architects: both were built by
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Talking With “Schwarzwaldmädel” Star Philip Lüsebrink
German tenor Philip Lüsebrink studied at Hamburg’s Johannes Brahms Conservatory; and built quite a career for himself singing and directing
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Oscar Straus’ “Perlen der Cleopatra” & Kálmán’s “Marinka” Next Season
Now it’s official: the Komische Oper Berlin has announced that next season the world will have a close encounter of
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Happy Birthday, Barrie Kosky And Kurt Gänzl!
Astrologically speaking, we’re still living under an Aquarian moon. And this week, we are celebrating the birthdays of two of
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An Offenbach Festival in Berlin: Four Shows in Seven Days
So this time round it is going to be: Offenbach. The Komische Oper is dedicating its 2016 operetta festival in
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The Gayest Show in Berlin: “Kiss Me, Kate” At The Komische Oper
Barrie Kosky’s first foray into the Broadway musical at the Komische Oper was Cole Porter’s Kiss Me, Kate in 2008,
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Putting Operetta Back On The A-List: The Top 5 Productions 2015
Berlin’s ultra-hip and queer urban magazine Siegessäule has published a hot list of the top 5 films and stage productions
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Kálmán As Premature Ejaculation? “Die Zirkusprinzessin” In Berlin
Yes, it comes as a bit of a surprise to hear Yvonne Kálmán – of all people – say about
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Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
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Desirée Nick: “Ich bin die größte Diva von allen!”
Die singende Entertainerin und TV-Phänomen Desirée Nick ist derzeit in der Sat1-Show Promi Big Brother zu bestaunen (und so ziemlich
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The “Europäische Stiftung Operette” Is Back With A Vengeance
The headline in the email to the local press certainly caught our attention: “Europäische Stiftung Operette (ESO) präsentiert Berliner Operette
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What Is Johann Strauss Doing In The Exhibition “Homosexualität_en”?
To say that I was surprised would be putting it mildly. Here I was, at the opening of the grand
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A Day Of Liberation? The 8th of May 1945 In Operetta History
The 8th of May, 1945 was a sunny Tuesday in the Third Reich. It was the day General Hans-Georg von
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Orgasmic Operettas: The New Season At The Komische Oper Berlin
There is something slightly orgasmic about the news from the Komische Oper Berlin. The house announced the titles for their
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“La Rondine”: Does The Operetta Revolution In Berlin Continue With Puccini?
Are we entering the second phase of the operetta revolution in Berlin? After the Komische Oper re-discovered the genre and
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Revisiting 1932 with Oscar Straus’ “Eine Frau, die weiß was sie will”
I can’t help it. I’m an addict. I’m hopelessly addicted to Komische Oper in Berlin. For me, as an American
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Yiddish Operetta Songs: A Re-Discovery On Auschwitz Memorial Day?
The 27th of January 2015 was a memorial day, not only in Germany, but there especially. 70 years ago the
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Flying Down To Berlin: For the First Operetta Festival At The Komische Oper
You know it’s finally happening when the first international guests fly in and need to be picked up at Tegel
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