The Story of Julian Eltinge: America’s Greatest Female Impersonator
It’s almost a quarter of a century ago that Laurence Senelick published his book The Changing Room: Sex, Drag and
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Kálmáns „Marinka“ in Schrumpffassung an der Oper Graz
Irgendwie stehen die in Amerika entstandenen Werke emigrierter Komponisten (ob Korngold, Weill oder Kálmán etc.) in unseren Landen immer noch
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Operette und Musicals in der DDR: Ein Gespräch mit Werner P. Seiferth vom Metropoltheater
Übers Thema Operette in der DDR wird in letzter Zeit wieder mehr gesprochen. 2012 gab es in der Ausstellung Welt
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“Babes in Toyland” Revived by Victor Herbert Renaissance Project Live!
I approached this resurrection of The Little Orchestra Society’s 1990s-era Babes in Toyland with some trepidation. Admirable champion of Herbert’s work
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First Full Cast Recording of Gustave Kerker’s “The Belle of New York”
As everyone who’s currently watching season 2 of The Gilded Age knows: marriage in New York City among the super-rich
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CAMELOT Musical in 2 acts by Alan Jay Lerner and Frederick Loewe
Camelot had the impossibly difficult task of following behind My Fair Lady in the opus of Lerner and Loewe, and
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“Camelot” Returns With A New Broadway Cast Album
I have always liked 90 percent of Camelot. And 100 percent of its delicious source material. I am, yes, too
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“They Haven’t Lost Their Mojo”: The Ohio Light Opera Festival 2023
For the first time in four years, Ohio Light Opera has returned for a full indoor season of shows (though
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Victor Herbert’s “Cyrano de Bergerac”: Live in New York
“You’re about to see a flop,” VHRP Artistic Director Alyce Mott impishly teased the packed house a few moments before
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Rodgers & Hammerstein Revisited: “The King and I” & “South Pacific” on Jay Records
This morning I had an interesting package on my desktop. Complete recordings of The King and I (1994) and South
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“Czech Operetta and Its Transnational Context”: A Conference in Prague
In March 2023 there’s a three-day conference in Prague devoted to the question of “Czech Operetta and Its Transnational Context”.
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John Philip Sousa’s “El Capitan” (1896)
One of the earliest successful comic operas to come out of America, El Capitan was also the one successful attempt
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Reviving Jean Gilbert’s “Kinokönigin” (1913) à la Bob Fosse in Leipzig?
Let’s start with the positive side of this: Musikalische Komödie has put forgotten composer Jean Gilbert (1879-1942) back on stage
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Jean Gilbert (1879-1942): One of the Most Successful Composers for the German Musical Stage
Gilbert was born as Max Winterfeld in Hamburg, 11 February 1879. He died in exile in Buenos Aires, 20 December
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Opening in New York: Barry Manilow’s “Harmony” About the Comedian Harmonists
The story of the six-member close harmony group known as Comedian Harmonists – the toast of Germany and elsewhere in
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42nd Street: The First Complete Recording
I have just been on a very, very happy trip down memory boulevard. For a couple of years of my
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Barrie Kosky Will Direct “La Cage aux Folles” at Komische Oper Berlin
Many people have wondered what Barrie Kosky will do next in terms of popular musical theater at Komische Oper, once
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Spain Invades Broadway: Rediscovering “The Land of Joy” at the Off-Festival in Oviedo
While German or Austrian theatres regularly programme classic Broadway musicals, Spain’s lyric theatres only rarely enter this attractive universe, though
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Glitter And Be Gay: Marin Alsop’s New “Candide“ From London
Finding the best of all possible Candide recordings is hard. Because Leonard Bernstein’s eclectic work from 1956 – his only
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A New “Porgy & Bess” With Marin Alsop And Angel Blue
Another Porgy and Bess recording? Pentanone Classics has released highlights conducted by Marin Alsop, taken from a live concert in
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Gustave Kerker’s “The Belle of New York” Is Coming To Theater für Niedersachsen
It was originally planned for May 2021, but didn’t happen because of you-know-what. However, Theater für Niedersachen (TfN) didn’t give
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The Smithsonian’s 1981 Recording Of “Naughty Marietta” On CD For The First Time
Harbinger Records is planning a re-issue – for the first time on CD – of the Smithsonian Institution’s 1981 recording
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RSC: Reconstructing Erik Charell’s Shakespeare Adaptation “Swingin’ the Dream”
When the Shakespeare adaptation Swingin‘ the Dream opened on Broadway in 1939 it followed Erik Charell’s earlier XXL-sized Broadway hit
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“Gypsy” Xmas Stripper Shtick Reduxed
Gypsy Rose Lee has climbed the laddered stocking of the stripper world, tassel by tassel, and mounted a new summit
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Wolfgang Jansen’s New Book About Musicals Vs. Operetta: An Interview With The Author
Wolfgang Jansen has published many books: on the history of revues and revue operettas in the Weimar Republic, on Broadway
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New Art is True Art: Kurt Weill’s “One Touch of Venus”
When Staatsoperette Dresden presented Kurt Weill’s One Touch of Venus as part of their “Broadway in Dresden” series, in a
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George London On Broadway – But Without His Partner Mario Lanza
And now, I would like to talk to you about George London. Yes, I am aware that he didn’t sing
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David Monod’s “Vaudeville & The Making Of Modern Entertainment” 1890-1925
David Monod, professor of American social and cultural history, has undertaken a massive challenge in presenting a history of American
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Ivan Caryll & The Heyday Of The Gaiety Musical Comedy
Ivan Caryll was the principal composer and conductor for the heyday of the Gaiety musical comedy who encouraged the development
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“My Song For You”: A Marta Eggerth & Jan Kiepura Exhibition In Vienna
Devotees of classic Hollywood musicals – the sort that are the staple of Turner Classic Movies – will know Hungarian
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CHIN-CHIN, Or A Modern Aladdin Musical Fantasy (1914) With Music By Ivan Caryll
An updated version of the Aladdin story, rewritten to feature the comedians Dave Montgomery and Fred Stone, Chin-Chin cast its
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“Swapping The Canon” To Dismantle Racism & Hetero-Cis-Patriarchy? Proposals For Higher Education In The USA
There’s a lot happening in the world of theater right now, not just because of Corona and the ongoing lockdown
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A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls & A Dancing Heifer
A burlesque of Longfellow’s poem of the same name, the extravaganza Evangeline followed the trials and tribulations of its heroine
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Jeanette MacDonald (1901-1965): Hollywood’s Most Successful Soprano Star Of Celluloid Operetta
After beginning her singing career as a teenager in the chorus of a New York revue, Miss MacDonald (born in
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Broadway Producer Henry W. Savage (1859-1927): “Merry Widow” and “Sari” Were His Greatest Hits
Harvard-educated Henry Wilson Savage was born in New Durham (New Hampshire) on 21 March 1859 and well established as a
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Ethel Jackson (1877-1957): Broadway’s First “Merry Widow”
A descendant of the painter Henry Inman, Miss Jackson was born in New York on 3 February 1877. She studied
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