W. R. Heymann’s “Der Kongress tanzt” from Volksoper Wien
Erik Charell, the director of the original film version of Der Kongress tanzt, labored long and hard to bring his
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Gaiety, Glitz & Glamour: Reawakening the “Silver Age” of 20th Century Operetta
Last weekend, the Royal Musical Association devoted one of its study days to what has controversially been described as the
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Barbara Denscher’s Victor Léon Biography & Matthias Kauffmann’s “Operette im Dritten Reich”
Has operetta research shifted gear? One could think so, considering that there are finally in-depth academic studies coming out that
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“Like Rheingold, But With More Tunes”: Stephen Sondheim’s “Follies” At The National Theatre
There are a few ‘musicals’ written in the last seventy years which, because of both the specific quality of their
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Sigrid Grajek Revives Claire Waldoff Repertoire
Die Wirkungsgeschichte von Ikonen folgt eigenen Maßstäben. Und die von Claire Waldoff ganz besonders. Denn die Lieder und Aufnahmen der
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Lehár’s New “Graf von Luxemburg” On OEHMS Classics
If you grew up as a kid in Germany, you probably learned early from a famous TV program to always
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Re-Sampling A Legend: “Ziegfeld And His Follies” By Cynthia And Sara Brideson
Here is a splashy new biography of “Broadway’s Greatest Producer,” Florenz Ziegfeld, written by the team of the Brideson sisters,
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“The White Horse Inn At Central Park”: Rediscovering The Jimmy Berg Adaptations
The White Horse Inn at the Central Park – an Austrian operetta staged in New York in the 1940s? Yes,
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On The Road With John Groves: “Im weißen Rössl” In Neustrelitz
To tell the truth: Im weißen Rössl at the Neustrelitz open air operetta festival was fascinating! For a start, I
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The White Horse Rides Again: Jimmy Berg’s “Rössl” 1940s Adaptations
Das Weiße Rössl am Central Park – eine österreichische Kultoperette im New York der 40er Jahre? 1941 und 1947 war
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“Im weißen Rössl” In Neustrelitz. Plus: An Amazing Erik Charell Exhibition
It’s rare, these days, to encounter such personal enthusiasm for operetta history as is demonstrated in the picturesque town of
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„Ich reiß mir eine Wimper aus und stech’ dich damit tot!“ Die Entnazifizierung der NS-Operette zwischen 1945 und 2015
Nach der sogenannten „Stunde Null“ am 8. Mai 1945 hatten die Menschen in Deutschland mit hoher Wahrscheinlichkeit andere Sorgen, als sich
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Two “Im weißen Rössl” Exhibtions In Neustrelitz
It is one man’s enthusiasm that made this possible: the hotel owner Jürgen Haase from Neustrelitz – a picturesque town
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“Mischa, Marlene and Me” At The Neue Galerie In New York
The one and only Steve Ross returns to the Café Sabarsky, that fabelhaft cabaret in New York’s Neue Galerie, 1048
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Desirée Nick: “Ich bin die größte Diva von allen!”
Die singende Entertainerin und TV-Phänomen Desirée Nick ist derzeit in der Sat1-Show Promi Big Brother zu bestaunen (und so ziemlich
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What Is Johann Strauss Doing In The Exhibition “Homosexualität_en”?
To say that I was surprised would be putting it mildly. Here I was, at the opening of the grand
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“Im Weißen Rössl” Re-Examined: A Conference In St. Wolfgang
Yes, there is more: more White Horse Inn. (Hooray!) The Paris-Lodron Univeristy Salzburg, together with the Leopold-Franzens University Innsbruck, is
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“Der Kongress Tanzt”: A New Exhibition At The Belvedere In Vienna
You all know that the Congress of Vienna in 1815 is the historical backdrop to quite a few famous operettas
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Operetta for Generation LGBTQIA: “White Horse Inn” in Bremen
When a production of White Horse Inn starts with a new overture and “Somewhere Over the Rainbow” – segueing into
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The “Dancing Conductor” Joseph R. Olefirowicz In Munich
If you’re watching this space, you might have registered some recent frustration with current operetta conductors who were not quite
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The “White Horse Inn” of Saxony
Yes, there is going to be another one: The Musikalische Komödie will present the Ralph Benatzky/Erik Charell “Singspiel” Im weißen
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An Academic Symposium on “White Horse Inn” in 2015
Hold your breath: There’s going to be an „interdisciplinary symposium“ on White Horse Inn, examining „new cultural-historical perspectives 1930-2015.“ When?
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Fritzi Massary Revisited: An Interview With Her New Biographer
Take a deep breath and prepare yourself: there will be – finally – a new and English language biography of
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The English Language Adventures of “Im weißen Rössl”
The overwhelming and instant success of Erik Charell’s operetta spectacle Im weißen Rössl at Berlin’s Großes Schauspielhaus (the so-called “Theater
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Erik Charell (April 8, 1894 – July 15, 1974)
Charell was born as Erich Karl Löwenberg in Breslau. He was the first child of Markus Löwenberg and Ida Korach.
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Nächster Halt: La-La-Land: Bemerkungen zum “Weißen Rössl”
Die Revue-Operette Im Weißen Rößl, 1930 im Großen Schauspielhaus Berlin unter Erik Charell uraufgeführt, war einer der größten Theatererfolge der
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