“For the Drama”: Strauss’ “Fledermaus” as Real-Life-Fiction on TV
This 3-part German mini-series called For the Drama is remarkable in many ways. It tells the story of two singers
read moreThis 3-part German mini-series called For the Drama is remarkable in many ways. It tells the story of two singers
read moreThe history of Berliner Großes Schauspielhaus – birthplace of the great 1920s Eric Charell revues and especially of Im weißen
read moreWhen the Komische Oper opened its doors on 23 December 1947 – in the Soviet controlled section of Berlin –
read moreIn recent years we have seen a splendid series of recordings brought forth – in England, France, Italy – of
read moreWhen Johann Strauss presented his first operetta Indigo und die 40 Räuber in 1871 – as a Thousand-and-One-Nights-spectacle written with
read moreIt’s only a few days now, and the Vienna Philharmonic Orchestra will be at their exercise again. Their 1 January
read moreIn the latest newsletter of the Jacques Offenbach Society (No. 98), there is a reprint of the full Meilhac &
read moreThe label Naxos is continuing its Johann Strauss series with a new recording of late operetta Waldmeister, which originally premiered
read moreLast week the Dutch National Opera Academy and Residentie Orkest presented Die Fledermaus in the Compagnietheater for four sold out
read moreOf course he wasn’t going to present his last season as intendant of Komische Oper Berlin via Zoom or only
read moreWith a delay of almost five months, the new production of Johann Strauss’ Der “Zigeuner“baron [sic] finally premiered at Komische
read moreIn 1892 Johann Strauss – the world-famous dance music composer and author of numerous operetta classics – managed to premiere
read moreDie Fledermaus Zuhaus (The Bat At Home) is an abridged version of Johann Strauss’s Die Fledermaus developed during the various
read moreAustrian author and feminist activist Marlene Streeruwitz spoke out against the patriotic “kitsch culture” in her homeland in an interview
read moreYes, it’s great to see that a younger generation of rising “star” conductors is expressing interest in operetta. More than
read moreOn 27 January, 1945 the Nazi concentration in Auschwitz was liberated by the Soviet Army. Memorial speeches all over the
read moreThere’s something supremely uplifting about starting the new year with Franz von Suppé’s rousing Fatinitza march as played by the
read moreAh yes, another Fledermaus recording. As if there aren’t enough already, right? Well, actually, this one from the NDR Radiophilharmonie
read moreThe 2nd wave Corona lockdown has made operetta performances virtually impossible in many countries, and it looks like it might
read moreYou could say it’s a bitter irony: ever since theaters in Germany re-opened after the summer, Barrie Kosky has said
read moreHarvard-educated Henry Wilson Savage was born in New Durham (New Hampshire) on 21 March 1859 and well established as a
read moreBeim Verlag Königshausen & Neumann ist soeben in zwei Bänden Musik und Gesellschaft erschienen, mit den Schlagwörtern „Marktplätze – Kampfzonen
read moreThere’s an increasingly firece discussion about supposed “racism” in operetta. Recently, a production of Franz Lehár’s Land des Lächelns at
read moreWhat grabbed my immediate attention with this new Eine Nacht in Venedig on cpo are the names on the cover:
read moreHow do you solve a problem like Zigeunerbaron? Some might ask: is there a problem with this 1885 show? Well,
read moreWohlbrück or Walbrook? Adolf or Anton? Whatever you choose to call him, the actor known under two names was one
read moreI’ve been on a bit of a Truesound Transfers trip these past few days. You know, that small Berlin based
read moreWhen it comes to Naxos and operetta, and Johann Strauss shows in particular, the famous budget label has a rather
read moreOn a sunny summer afternoon last year I had a long inspiring conversation about Richard Genée (1823-1895) with two operetta
read moreI had really been looking forward to seeing the new production of Der Zigeunerbaron in Vienna because I had enjoyed
read more“Blindekuh”, literally “blind cow”, is the German term for the “blind man’s buff” game – and it is the title
read moreAs part of their Johann Strauss “rediscovery series” the label Naxos is releasing the 1878 operetta Blindekuh which premiered at
read moreThe New Year’s concert from Vienna, with the Vienna Philharmonic, is a beloved tradition for many. It rarely has anything
read moreIt’s a pretty grand claim to make: “With their multi-media stage show Operetta Made in Austria stage stars Ildiko Raimondi
read moreThe staging of musical-dramatic works in the late nineteenth century was dominated by operetta, which effectively dictated the programmes of
read moreNo, this is not scheduled as a mid-summer treat to coincide with the various operetta festival productions in Austria: the
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