A History Of Popular Musical Theater In Dresden, 1844 Until Today
The Staatsoperette Dresden has been – for many years – one of the few theaters in Germany, before and after
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Tenor Endrik Wottrich Dead At 53
Most operetta fans will remember Berlin-based tenor Endrik Wottrich because he sings the male lead in Kalman’s Die Herzogin von
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Offenbach’s “Ritter Blaubart” Returns: The New Operetta Season At Komische Oper
Berlin’s Komische Oper and its artistic director Barrie Kosky are always good for a surprise, most certainly when it comes
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Eduard Künneke’s “Lady Hamilton” In Dessau
Eduard Künneke (1885-1953) has been described by Kurt Ganzl as “the most appreciable German composer for the mid-20th-century musical stage”;
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Kalman’s “Zirkusprinzessin” At The Volksoper Wien
The Vienna Volksoper’s new staging – their first since 1988 – of Die Zirkusprinzessin is unashamedly old-fashioned – and there’s
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Kalman’s “Die Bajadere”: Radio Recording From Cologne
With Die Bajadere, Emmerich Kalman embarked on a new path as a composer in 1921: he changed his librettist team
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“Brutal Cultural Politics”: Dagmar Schellenberger Kicked Out Of Mörbisch Festival
In a way you could see it coming: the Seefestpiele Mörbisch tried breaking away from the stuffy (but much beloved)
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A New Homoerotic “Vetter aus Dingsda” In Stralsund
The Theater Vorpommern / Haus Stralsund will open its new season with Künneke’s Der Vetter aus Dingsda on October 8.
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“Viktoria und ihr Husar”: The 2016 Cast Album From Mörbisch
Paul Abraham’s Viktoria und ihr Husar conquered the German language operetta scene in 1930 – and pretty much swept away
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“Viktoria und ihr Husar”: Abraham-Triumph in Mörbisch
Was für ein Jammer, dass die 1920er Jahre vorbei sind. Und was für ein Jammer, dass Paul Abrahams Operetten noch
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“Viktoria und ihr Husar” aus Mörbisch 2016 mit Dagmar Schellenberger
Die erste moderne Ábrahám-Aufnahme auf Basis einer rekonstruierten Originalpartitur von Hagedorn & Grimminger: mit einer elegischen Dagmar Schellenberger in der
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Josef E. Köpplinger’s New Version of “Viktoria und ihr Husar” In Munich
What is arguably Paul Abraham’s musically strongest operetta, Viktoria und ihr Husar (1930), has been given a new production by
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An Historically Rich “Duchess of Chicago” in Budapest
I recommend booking travel tickets now for Budapest – to arrive before June 9, 2016. That’s the date of the
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“Die Herzogin von Chicago”: Teaching Budapest The Charleston Again
Wenn man seine Dissertation über ein Werk wie Die Herzogin von Chicago geschrieben hat, wenn man all die Aufnahmen von
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Blacks Doing Yellow-Face, Or Some Very Queer Gilbert & Sullivan
Recently, ORCA received a generous donation in the form of various Gilbert & Sullivan materials that a researcher in the
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The “Circus Princess” Triumphs in Vienna: Kalman’s New Musical Piece the Operetta Sensation of Europe
Will he “come back”? Will Emmerich Kalman succeed in duplicating the tremendous success of his Countess Maritza, which has been
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Operette in Wien in den Jahren 1938 bis 1944: Eine Bestandsaufnahme
Am 12. März 1938 nachmittags hatten sich in der Wohnung des Dramaturgen und Regisseurs Kurt Hellmer in Naschmarktnähe ein paar
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Kálmán As Premature Ejaculation? “Die Zirkusprinzessin” In Berlin
Yes, it comes as a bit of a surprise to hear Yvonne Kálmán – of all people – say about
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Conductor Florian Ziemen Discusses The Joys Of (Oversexed) Jazz-Operettas
Ever since conductor Florian Ziemen came to Gießen, the opera house there has presented some unusual operetta rediscovery projects: Gustav
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Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
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“Viktoria und ihr Husar” Coming Up in Altenburg
Is it just my imagination, or is there a noticeable increase in Abraham productions lately? While the Komische Oper Berlin
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“Viktoria und ihr Husar”: Mörbisch’s 2016 Festival Program
The operetta festival of Mörbisch, in Austria, had already announced its title for 2016: Paul Abraham’s Viktoria und ihr Husar,
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A New “Duchess of Chicago” From Ohio Light Opera
As everyone knows, the Ohio Light Opera is one of the prime performance venues for lesser known works of Emmerich
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Rediscovering Mischa Spoliansky – In Berlin And Weimar
There is Spoliansky in the air, it seems. And it is certainly high time that this unique composer is rediscovered.
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Performing Operettas From Nazi-Times Today: Interview With Jakob Brenner
In Stendal, in Saxony-Anhalt, the Theater der Altmark will present a new production of Fred Raymond’s Maske in Blau. It’s
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Two New Ábrahám Biographies
You could call it the battle of the biographers. Who will be first? Who will be better? Who will have
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An Academic Symposium on “White Horse Inn” in 2015
Hold your breath: There’s going to be an „interdisciplinary symposium“ on White Horse Inn, examining „new cultural-historical perspectives 1930-2015.“ When?
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Operetta Goddess of the Future: Lady Gaga
You have to hand it to the Americans. They certainly know how to make their classics sound fresh and funky,
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Stefan Frey’s Biography of Emmerich Kálmán – in English
In 2003, Henschel Verlag of Berlin published Unter Tränen lachen, a German-language “operetta biography” of composer Emmerich Kálmán. The author,
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Another “Zirkusprinzessin” in Baden’s Sommerarena
Some say we’re living in the “Age of Aquarius,” I say we’re living in the times of the Zirkusprinzessin. Or
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Die transatlantische Operette: Vom Flirt des Operettenkomponisten Emmerich Kálmán mit dem Broadway
Ein dickes Buch, das sich aber flüssig liest. Gewiss Gelehrsamkeit, wie es sich für eine Dissertation gehört, doch kommt sie
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„Vienna Is Alarmed By Inroads of Jazz“
Kálmán’s ‘Duchess of Chicago’ Starts Controversy Over the Future of the Operetta./ American Influence Seen./ Composer Turns Attention to Efforts
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Kálmán’s “Die Herzogin von Chicago”
Der Lenz ist da.Nicht der von Hildach. Den gibt es das ganze Jahr. Im Theater an der Wien ist das
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