Kálmán’s “Herzogin von Chicago” At The Deutsches Theater Munich
I have just seen the much-heralded Budapest Operetta Theatre’s re-imagining of Kálmán’s 1928 musical mashup, Die Herzogin von Chicago, at
read morePosts Tagged 'Jazz Operetta'
The Emmerich Kalman Research Center. Plus: Yvonne Kalman’s 80th Birthday Gala
It was a dazzling party: Yvonne Kalman celebrated her 80th birthday last week-end in Budapest as a big gala event,
read more
A History Of Popular Musical Theater In Dresden, 1844 Until Today
The Staatsoperette Dresden has been – for many years – one of the few theaters in Germany, before and after
read more
Tenor Endrik Wottrich Dead At 53
Most operetta fans will remember Berlin-based tenor Endrik Wottrich because he sings the male lead in Kalman’s Die Herzogin von
read more
Offenbach’s “Ritter Blaubart” Returns: The New Operetta Season At Komische Oper
Berlin’s Komische Oper and its artistic director Barrie Kosky are always good for a surprise, most certainly when it comes
read more
Eduard Künneke’s “Lady Hamilton” In Dessau
Eduard Künneke (1885-1953) has been described by Kurt Ganzl as “the most appreciable German composer for the mid-20th-century musical stage”;
read more
Kalman’s “Zirkusprinzessin” At The Volksoper Wien
The Vienna Volksoper’s new staging – their first since 1988 – of Die Zirkusprinzessin is unashamedly old-fashioned – and there’s
read more
Kalman’s “Die Bajadere”: Radio Recording From Cologne
With Die Bajadere, Emmerich Kalman embarked on a new path as a composer in 1921: he changed his librettist team
read more
“Brutal Cultural Politics”: Dagmar Schellenberger Kicked Out Of Mörbisch Festival
In a way you could see it coming: the Seefestpiele Mörbisch tried breaking away from the stuffy (but much beloved)
read more
A New Homoerotic “Vetter aus Dingsda” In Stralsund
The Theater Vorpommern / Haus Stralsund will open its new season with Künneke’s Der Vetter aus Dingsda on October 8.
read more
“Viktoria und ihr Husar”: The 2016 Cast Album From Mörbisch
Paul Abraham’s Viktoria und ihr Husar conquered the German language operetta scene in 1930 – and pretty much swept away
read more
“Viktoria und ihr Husar”: Abraham-Triumph in Mörbisch
Was für ein Jammer, dass die 1920er Jahre vorbei sind. Und was für ein Jammer, dass Paul Abrahams Operetten noch
read more
“Viktoria und ihr Husar” aus Mörbisch 2016 mit Dagmar Schellenberger
Die erste moderne Ábrahám-Aufnahme auf Basis einer rekonstruierten Originalpartitur von Hagedorn & Grimminger: mit einer elegischen Dagmar Schellenberger in der
read more
Josef E. Köpplinger’s New Version of “Viktoria und ihr Husar” In Munich
What is arguably Paul Abraham’s musically strongest operetta, Viktoria und ihr Husar (1930), has been given a new production by
read more
An Historically Rich “Duchess of Chicago” in Budapest
I recommend booking travel tickets now for Budapest – to arrive before June 9, 2016. That’s the date of the
read more
“Die Herzogin von Chicago”: Teaching Budapest The Charleston Again
Wenn man seine Dissertation über ein Werk wie Die Herzogin von Chicago geschrieben hat, wenn man all die Aufnahmen von
read more
Blacks Doing Yellow-Face, Or Some Very Queer Gilbert & Sullivan
Recently, ORCA received a generous donation in the form of various Gilbert & Sullivan materials that a researcher in the
read more
The “Circus Princess” Triumphs in Vienna: Kalman’s New Musical Piece the Operetta Sensation of Europe
Will he “come back”? Will Emmerich Kalman succeed in duplicating the tremendous success of his Countess Maritza, which has been
read more
Operette in Wien in den Jahren 1938 bis 1944: Eine Bestandsaufnahme
Am 12. März 1938 nachmittags hatten sich in der Wohnung des Dramaturgen und Regisseurs Kurt Hellmer in Naschmarktnähe ein paar
read more
Kálmán As Premature Ejaculation? “Die Zirkusprinzessin” In Berlin
Yes, it comes as a bit of a surprise to hear Yvonne Kálmán – of all people – say about
read more
Conductor Florian Ziemen Discusses The Joys Of (Oversexed) Jazz-Operettas
Ever since conductor Florian Ziemen came to Gießen, the opera house there has presented some unusual operetta rediscovery projects: Gustav
read more
Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
read more
“Viktoria und ihr Husar” Coming Up in Altenburg
Is it just my imagination, or is there a noticeable increase in Abraham productions lately? While the Komische Oper Berlin
read more
“Viktoria und ihr Husar”: Mörbisch’s 2016 Festival Program
The operetta festival of Mörbisch, in Austria, had already announced its title for 2016: Paul Abraham’s Viktoria und ihr Husar,
read more
A New “Duchess of Chicago” From Ohio Light Opera
As everyone knows, the Ohio Light Opera is one of the prime performance venues for lesser known works of Emmerich
read more
Rediscovering Mischa Spoliansky – In Berlin And Weimar
There is Spoliansky in the air, it seems. And it is certainly high time that this unique composer is rediscovered.
read more
Performing Operettas From Nazi-Times Today: Interview With Jakob Brenner
In Stendal, in Saxony-Anhalt, the Theater der Altmark will present a new production of Fred Raymond’s Maske in Blau. It’s
read more
Two New Ábrahám Biographies
You could call it the battle of the biographers. Who will be first? Who will be better? Who will have
read more
An Academic Symposium on “White Horse Inn” in 2015
Hold your breath: There’s going to be an „interdisciplinary symposium“ on White Horse Inn, examining „new cultural-historical perspectives 1930-2015.“ When?
read more
Operetta Goddess of the Future: Lady Gaga
You have to hand it to the Americans. They certainly know how to make their classics sound fresh and funky,
read more
Stefan Frey’s Biography of Emmerich Kálmán – in English
In 2003, Henschel Verlag of Berlin published Unter Tränen lachen, a German-language “operetta biography” of composer Emmerich Kálmán. The author,
read more
Another “Zirkusprinzessin” in Baden’s Sommerarena
Some say we’re living in the “Age of Aquarius,” I say we’re living in the times of the Zirkusprinzessin. Or
read more
Die transatlantische Operette: Vom Flirt des Operettenkomponisten Emmerich Kálmán mit dem Broadway
Ein dickes Buch, das sich aber flüssig liest. Gewiss Gelehrsamkeit, wie es sich für eine Dissertation gehört, doch kommt sie
read more
„Vienna Is Alarmed By Inroads of Jazz“
Kálmán’s ‘Duchess of Chicago’ Starts Controversy Over the Future of the Operetta./ American Influence Seen./ Composer Turns Attention to Efforts
read more
Kálmán’s “Die Herzogin von Chicago”
Der Lenz ist da.Nicht der von Hildach. Den gibt es das ganze Jahr. Im Theater an der Wien ist das
read more