It’s Finally Here: Karin Meesmann’s Biography of Paul Ábrahám
Anyone interested in Paul Ábrahám will have known – or will have heard – that Karin Meesmann has been working
read moreAnyone interested in Paul Ábrahám will have known – or will have heard – that Karin Meesmann has been working
read moreKálmáns Gräfin Mariza ist (neben der Csardasfürstin) eine seiner perfektesten, beliebtesten und daher zu Recht jahrein jahraus, landauf landab, im
read moreThe history of Berliner Großes Schauspielhaus – birthplace of the great 1920s Eric Charell revues and especially of Im weißen
read moreAt Theater Dortmund a new version of Die lustige Witwe presents the Lehár show as “a revue operetta” with a
read moreI knew that I should enjoy this 1927 French operetta directly after I read Richard Traubner’s dismissal of Marcel Lattès
read moreSo, the success story continues: the recently rediscovered “vaudeville operetta” Roxy und ihr Wunderteam by Paul Abraham will come to
read moreIt’s the end of an era. For ten years Barrie Kosky made it his mission to revive forgotten Weimar Republic
read morePianist and musical director Adam Benzwi was slated to premiere “his” Dreigroschenoper interpretation – in collaboration with stage director Barrie
read moreOf course he wasn’t going to present his last season as intendant of Komische Oper Berlin via Zoom or only
read moreFinally, Paul Ábrahám’s football vaudeville Roxy und ihr Wunderteam returns to Vienna, the place where the German version by Alfred
read morePaul Abrahám’s flavorsome jazz operetta, which premiered to great acclaim in 1932 Berlin at Großes Schauspielhaus, only to have its
read more“Another opening, another show…” But not in Philly or Boston, as Cole Porter once rhymed for Kiss Me, Kate, but
read moreRejoice greatly! There’s another big English language book on operetta, following last year’s Cambridge Companion to Operetta. This new publication
read moreOn 27 January, 1945 the Nazi concentration in Auschwitz was liberated by the Soviet Army. Memorial speeches all over the
read moreOkay, Munich has the Gärtnerplatztheater and thus a center of operetta “maintenance” in Germany which competes with Staatsoperette Dresden, Musikalische
read moreWhen I visited Tallinn in 2016 and saw that they were playing Ball im Savoy at the Estonian National Opera,
read moreWhen the Shakespeare adaptation Swingin‘ the Dream opened on Broadway in 1939 it followed Erik Charell’s earlier XXL-sized Broadway hit
read moreOne of the things that irritates me about Richard Traubner’s book Operetta: A Theatrical History is the way he dismisses
read moreAfter rumors had already started circulating, it’s now official: Komische Oper Berlin has cancelled its live stream of Paul Abraham’s
read moreWhen I saw the news today that Gorki Theater Berlin will stream one of the greatest operetta productions I have
read moreYeehaw! Komische Oper Berlin has finally awoken from its Sleeping Beauty Corona mode; the company has decided to offer something
read morePutting on Eduard Künneke’s 1920 hit Der Vetter aus Dingsda seemed like a good idea in times of Corona restrictions:
read moreThe future of operetta in Vienna is female: Lotte de Beer was presented this week as new artistic director of
read moreThe other day I had a long transatlantic phone conversation with an US-American operetta researcher I greatly admire for his
read moreA performance of Lehár’s Clo-Clo from the Ohio Light Opera – filmed live at the theater in Wooster – has
read moreUnter ihrem Intendanten Barrie Kosky hat die Komische Oper Berlin seit 2012 einen eigenen, unverwechselbaren Operettenstil gefunden: sehr bunt und
read moreHow many female operetta composers can you name? Here is one who was also a baroness, no less. Her operetta
read moreIf expectations are exceptionally high for a Paul Abraham operetta at Komische Oper Berlin that’s because, in the past, the
read moreIt’s hard to believe, but this is actually only the second fully staged production of Paul Abraham’s Märchen im Grand
read moreThe staging of musical-dramatic works in the late nineteenth century was dominated by operetta, which effectively dictated the programmes of
read moreAt Komische Oper Berlin, Paul Ábrahám’s ‘last’ operetta premiered in a new production by Stefan Huber, with a newly arranged
read moreIt’s with great sadness that we heard about the death of Alfred Wagner this morning. He was the man behind
read moreThe Ischl Lehár Festival has announced what you may expect in 2019 – with the new artistic director Thomas Enzinger.
read moreOver the past twenty years, German-speaking operetta has been enjoying a revival, especially Berlin operettas of the Weimar Republic by
read moreTea might be the only simple pleasure left to us, as Oscar Wilde once remarked. But you need to be
read moreAh yes, the Weimar Republic. Again? While the Museum für Fotografie in Berlin is currently showing a marvelous exhibition on
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