Ass-Dur At Bar jeder Vernunft. Or: “Les deux aveugles” Reloaded
In his new book Der Klang von Paris – “The Sound(s) of Paris” – Volker Hagedorn embarkes on “a trip
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“Une danseuse à l’Opéra”: Kurt Gänzl Examines The Phenomenon of Man And Mistress In The Second Empire
‘Une danseuse à l’Opéra’ – it was a phrase which, under the brilliance of the French Second Empire, had a
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Google Search: “What is Operetta?” And “Is The Phantom of the Opera an Operetta?”
The Operetta Research Centre was, this week, undergoing technical maintenance, in the course of which supremo Kevin Clarke came up
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A Franz von Suppé Biography In French By José-Luis Munoz
Be careful what you wish for, says the old adage. You may get it … and in spades! Forty years
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“Dorothy” By Alfred Cellier: World Premiere Recording
Before the building of railways into London from the rest of south-east England in the third quarter of the nineteenth
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The History of Jacques Offenbach’s “La Princesse de Trébizonde”
Originally produced at Baden-Baden during the 1869 summer season, with the young Mdlle Périer in its principal travesty rôle, La
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Ivor Novello’s “The Dancing Years”: The First Complete Recording
The effect of Ivor Novello’s music on me was immediate: I remember the first time I heard his songs on
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High Kicks, Or: The History Of The CanCan In English-Language Theater
To say precisely who were the first English dancers to perform the cancan in the English-language theatre is pretty impossible.
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Charles Hayden Coffin: A ‘Gay’ Matinee Idol Revisited
A combination of circumstances led me, a year or three ago, to a little coven of enthusiasts fascinated by the
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“La comédie musicale britannique XIXème et XXème siècle”: A New Collection Of Essays In English, French And German
Just out is a large-size almost catalogue-like publication in English, French and German in the Revue Musicorum series, no. 20/2018.
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Trying To Define Opéra-Bouffe: An Article From “The Era” 1870 About “Chilpéric” At The Lyceum
In his 2 volume biography Emily Soldene: In Search of a Singer Kurt Gänzl chronicles the initial success of opéra
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“The Pretty Polish Girl Who Sat Astride Her Virtue”: Early Opéra-Bouffe Star Joseph Kelm (1805-1882)
My last post and its original five pictures, borrowed from the gold mines of Blois, included four taken from the
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W H Payne: Reconstructing The Career Of A Pantomime Artist And Supreme Clown
When you are researching the past, and the answers and facts don’t fall obviously into place, you just have to
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Amy Sheridan: Royal Milkmaid, Queen Of Burlesque, And Concubine
Amy Sheridan was something of a phenomenon. When she died, in 1878, at a Brighton boarding house, aged 39, of
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“Hervé par lui-même” Presented By Pascal Blanchet At Palazzetto Bru Zane
It has been a splendid winter. Three new musical-theatre works – one English, two French – have crossed my desk,
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Revisiting G. B. Shaw And Oscar Straus: Bravo Munich!
I’ve got a book and a CD to review, plus family arriving in a few days, and a bottle of
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Offenbach-Star “Mlle Géraldine.” Or: Every Picture Hides A Story
Many years ago, when I was collecting illustrations for my musico-theatrical books, I haunted e-bay. Bought something weekly. But then
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A New Biography: “André Messager. Le passeur de siècle” By Christophe Mirambeau
The Musical Theatre book of the decade. I sha’n’t gush. Well, I’ll try not to. But … I thought that
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Kinky Boots? Kurt Gänzl Talks About 19th Century Operetta
Kurt Gänzl is no stranger to readers of these pages. As the author of The Encyclopedia of the Musical Theatre
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Theatrical Mythology, or The Best Thing About Her Singing Was Her Looks: Blanche Roosevelt
Theatrical mythology has been curiously and undeservedly kind to some folk. Miss Tucker from Ohio went from failure to failure
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Offenbach And Opera Rara. Or: Waiting For A Recording Of The Original French “Robinson Crusoé”
It’s interesting how you can have a full cast recording sitting on your CD shelf for decades, and it never
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Offenbach’s “Robinson Crusoe”: Bring On The Cannibals
Daniel Defoe’s shipwrecked hero (1719) and his man Friday seem to have made their first appearance on the musical stage
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Stephen Storace’s “The Cherokee” (1794): First Representation Of Native Americans?
Turn the page. Item two in my volume is a 1794 show tune. And there’s another from the same musical,
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“A Greek Slave”: Musical Comedy In 2 Acts With Music By Sidney Jones
Musical comedy in 2 acts by Owen Hall. Lyrics by Harry Greenbank and Adrian Ross. Music by Sidney Jones. Additional
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Bring On The (1860s) Dancing Girls
Today I got led (via my blonde burlesque ladies) into the world of the ‘spectacular theatre’. You know, those shows
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Oozing Sex: Julia Baron, Opéra-Bouffe Star And Top Paris Courtesan
When I lived in St Paul de Vence, my partner Ian and I took a weekly bus jaunt down to
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Racist Minstrel Magic? The Story of the George Mitchell Choirs
A seventy-one year old man, a little crippled these days, lying in the too-scorching sun by the Australian seaside, reading
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The History Of A Burlesque Blonde: Belle Land
Last night, I was researching in ancient texts, trying to track down the history of a burlesque blonde who went
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Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924)
Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924). The grandson of Samuel Lover, the novelist,
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“Eine Nacht in Venedig” At The Pforzheim Theater
The industrial town of Pforzheim boasts a population of under 121,000, yet has an intimate 507 seat modern theatre which
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BABES IN TOYLAND: Musical extravaganza by Victor Herbert
Commissioned by producers Julian Mitchell and Fred Hamlin to follow up their 1902 success with the fairytale spectacular The Wizard
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The Demystification Of “The Black Crook”
One thing leads to another … Answering various queries, after my 15 years old article on The Black Crook, which
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THE PIRATES OF PENZANCE, or The Slave of Duty: Comic opera in 2 acts by Gilbert & Sullivan
Gilbert and Sullivan’s successor to the phenomenal HMS Pinafore proved to be another enormous international opéra-bouffe hit. Where the former
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Double Treat: “The Black Crook” From New York and London
Often, in earlier times, quoted as “the first landmark in the history of the American musical theatre”, the 1866 extravaganza
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Stanley Potter (1819-1894): A Seventy Year Old Chorus Boy!
When Stanley Potter died in 1894, his – paid – death notice said he was ‘of the Carl Rosa’. So
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Mystery Solved: The Truth About Gilbert & Sullivan’s Star Lilian LaRue
Lilian La Rue? Oh heavens, that name sounds like something out of a New Orleans drag show. Lily Street, maybe?
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