Magic Mike Live. Or: What About The Objectification Of Men In Operetta?
In a recent article for The Times, Jamie Stoker reported on casting for London’s Magic Mike Live. The headline says
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Ein Interview mit Henning Hagedorn über die Rekonstruktion (und das Spielen) von Ábraháms Zentralpartituren
Herr Hagedorn, seit Sie mit Ihrem Kollegen Matthias Grimminger angefangen haben für den WDR und die dortige Ábrahám-Aufführungsserie Partituren von
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Team Spirit, The Importance Of Good Looks, And Singing Tauber Roles: A Conversation With Tenor Maximilian Mayer
If you’re following the Operetta Research Center news feeds you will have heard of tenor Maximilian Mayer before: he was
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A Season Full Of Surprises: New Productions in 2018/19 Of Strauss, Offenbach, Beer And Jessel
It’s this time of year when theaters around Germany and Austria are advertising their upcoming productions for the 2018/19 season.
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“Operette für zwei schwule Tenöre”: Reviving the Genre for Today’s LGBT Community
It started out as a small concert performance at Schwules Museum in Berlin in the context of a Siegfried Wagner
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“Shooting Star”: A Romantic Musical Comedy About The Gay Porn Industry? Interview With Composer Thomas Zaufke
A few weeks ago, the new musical Shooting Star was presented in New York City in the form of an
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Revisiting G. B. Shaw And Oscar Straus: Bravo Munich!
I’ve got a book and a CD to review, plus family arriving in a few days, and a bottle of
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Dance: The Secret Star Of Operetta? Giorgio Madia’s Two New Strauss Productions
It is astonishing that one of the main elements of almost every operetta – dance! – is so undervalued today.
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Selling Operetta To The Next Generation: Felix Seiler And Danny Costello Talk About “Die Blume von Hawaii”
This spring, stage director Felix Seiler and choreographer Danny Costello staged Paul Abraham’s Die Blume von Hawaii with students in
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Willard G. Day’s “Lovely Galatea”: Ageing Disgracefully
Recently, conductor Dario Salvi performed Franz von Suppé’s one-act Die schöne Galathée (1865) in the UK, in English. It was
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Gaiety, Glitz and Glamour? Conference at the University of Leeds 2019
British researchers are continuing their conference series Gaiety, Glitz and Glamour. For the next installment at the School of Music,
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Adonises Of Silver Operetta? Or: A Re-Encounter With Adolf Wohlbrück
There is a Facebook group out there called Adonises of the Silver Screen. It offers amazing photos of and anecdotes
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Offenbach Heaven At The Théâtre de l’Odéon In Marseille: An Endless Stream Of Titles
It’s that time of year again when theaters release their programs for next season. One of the most striking programs
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“Der Vetter aus Dingsda” At Moosegg Open-Air Festival 2018
After a successful 2017 season, the team working with young Emmental director Simon Burkhalter is once again relying on last
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“Roxy und ihr Wunderteam”: Abraham’s Football Operetta Finally Comes To Berlin
Why did it take so long, you might ask? And was it worth waiting all this time? In the case
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Who’s Got The Last Laugh Now? Wolfgang Schaller’s Farewell At Staatsoperette Dresden
The Staatsoperette Dresden has a new home, you might recall. The operetta company in Saxony has moved from the outskirts
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A Trip To The Moon With Geschwister Pfister: Talking About “Frau Luna” and Queer-Feminism In Operetta
The Geschwister Pfister – a German-Swiss-Croatian comedy trio – have written operetta history, many times over. Yes, they were the
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“Pretty little China girl, velly, velly nice”: How Do You Revive Kerker’s “Belle of New York” Today?
As a conductor and operetta researcher, I have been working, for the last month or so, on restoring the orchestral
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From Persia to Performing German Schlager From the 1920s: Atrin Madani
It’s always a special treat to see new – and interesting – people coming to musical material that some consider
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A Star Is Born: Jonas Dassler In Spoliansky’s “Alles Schwindel” At Gorki Theater
In a way, it’s what every operetta fan secretly dreams of: you go to a performance with new unknown singers,
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The First Charles Kálmán Chanson Prize At Bundeswettbewerb Gesang 2017
At the beginning of December, the winners of this year’s Bundeswettbewerb Gesang presented themselves at the Friedrichstadt Palast in Berlin,
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Victor Herbert’s “The Red Mill” Returns To New York City
The Victor Herbert Renaissance Project LIVE! is launching its fourth season with The Red Mill, Broadway’s longest running success by
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Joseph Rumshinsky’s “The Broken Violin”: Call For Help
In 1916 two of the leading exponents of the Yiddish Theater of New York got together to work on one
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Gaiety, Glitz & Glamour: Reawakening the “Silver Age” of 20th Century Operetta
Last weekend, the Royal Musical Association devoted one of its study days to what has controversially been described as the
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Künneke’s “Die große Sünderin” In Leipzig: Bringing Back Aryan Operetta Today
You might recall that back in the 1990s a renewed interest in so called ‘degenerate’ operettas spread around the world.
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The New Emmerich Kálmán Research Centre In Budapest
We recently reported on the new Emmerich Kálmán Research Centre that will open in Budapest. It’s an academic institution funded
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The Emmerich Kalman Research Center. Plus: Yvonne Kalman’s 80th Birthday Gala
It was a dazzling party: Yvonne Kalman celebrated her 80th birthday last week-end in Budapest as a big gala event,
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Christian Miebach: Singing “Csardasfürstin” In Rüdersdorf And At The Wedding Of Manuel Neuer
This dashing young musical comedy guy, born 1990 in Germany’s Black Forrest region near Karlsruhe, just ventured far into “enemy
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Interview With Mr. Barihunks: The Beefcake Side Of Oper(ett)a
In 2007, a music manager in the US started a blog called Barihunks, dedicated to hunky baritones. Over the years,
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Double-Exhibition on “Zigeunerbaron” And Johann Strauss In Neustrelitz
The open air operetta festival in Neustrelitz – an hour north of Berlin by train – has Strauss’ Zigeunerbaron on
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“The Swan Song Operetta” In Berlin-Kreuzberg
The Swan Song Operetta was developed and performed over eight years. This summer it will flower into its unabridged self
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Totally Cool? The New Operetta Season In Baden Bei Wien
The luxurious little spa town Baden bei Wien – 45 minutes from the center of Vienna by tram – considers
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Philadelphia Debut Of “The Dollar Princess” By Leo Fall
It’s always astonishing that American audiences never really fell for operettas with stories actually set in the USA. It seems
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Tenor Endrik Wottrich Dead At 53
Most operetta fans will remember Berlin-based tenor Endrik Wottrich because he sings the male lead in Kalman’s Die Herzogin von
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Strauss’s “Spitzentuch der Königin” At Opera della Luna 2017
An interview with Jeff Clarke, artistic director of Opera della Luna, about the company’s planned new production of Johann Strauss’s
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A New “Fledermaus” With Annette Dasch at Deutsche Oper Berlin
Performing operetta in big opera houses is often not an easy task – because the intimacy is easily lost, and
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