Rüdersdorfer Operettensommer Presents “Frau Luna” In 2019 – With Christian Miebach
The operetta summer festival in Rüdersdorf – just outside of Berlin, down in the south-east – has gone through some
read moreNews
Ábrahám’s “Märchen im Grand-Hotel” In Hamburg, Hannover, Luzern & Meiningen
After having been forgotten for more than 80 year, new interest in Paul Ábrahám’s Märchen im Grand-Hotel is noticeable. You’ll
read more
Herbert’s “Babes in Toyland” At Theater Plauen-Zwickau: First German Production
The show title Abenteuer im Spielzeugland might not directly ring a bell. But if you translate it into Babes in
read more
A Memorial For J D Wallace: The Man Who Turned “Belle of New York” Into The Biggest Hit Of Its Era
Today, in the expanses of Rookwood Cemetery, Sydney, Australia, with only the workmen as witnesses, a vacant-looking plot of earth
read more
Daniel Pantano: Living With Oscar Straus’ “Die Lustigen Nibelungen” For 14 Years
My journey with Oscar Straus all began when a colleague at a music conservatory where we worked handed me the
read more
Thank You For The Music! Duophon Records Founder Alfred Wagner Has Died
It’s with great sadness that we heard about the death of Alfred Wagner this morning. He was the man behind
read more
The 2019 Season At The Lehár Festival In Bad Ischl: “Im weißen Rössl” & More
The Ischl Lehár Festival has announced what you may expect in 2019 – with the new artistic director Thomas Enzinger.
read more
Jaromir Weinberger’s “Frühlingsstürme” And Paul Ábrahám’s “Dschainah” At Komische Oper Berlin 2019/20
“We’re not an operetta palace!“ Says Komische Oper intendant Barrie Kosky at the press conference where he announced the new
read more
“Grüezi” In Burgäschi & Zurich. Or: The Swiss Answer To “Im weißen Rössl”
Just when you think there cannot, possibly, be any more Im weißen Rössl stuff coming your way – there is!
read more
Rediscovered: The Viennese Nestroy/Binder Version of “Orpheus in der Unterwelt” (1860)
The double jubilee of Jacques Offenbach’s and Franz von Suppé’s 200th birthdays in 2019 has prompted the Wienbibliothek in Rathaus
read more
“Zur Geburt der Wiener Operette: Musikalische und historische Wurzeln. Heute – Reminiszenz oder Aktualität?”
For 2019, the Wiener Institut für Strauss-Forschung (WISF) is offering a three-day operetta ‘special‘ that‘s entitled Zur Geburt der Wiener
read more
‘Babylon Berlin’: A Philharmonic Discourse with Florian Illies, Manfred Görtemaker And Tilman Krause
Ah yes, the Weimar Republic. Again? While the Museum für Fotografie in Berlin is currently showing a marvelous exhibition on
read more
“Oyayaye, ou la Reine des Îles” And “Pomme d’api” At Kammerspiele München
The Jewish Chamber Orchestra Munich celebrates the 200th birthday of Jacques Offenbach with a performance of two rarities: Oyayaye, ou
read more
“A Re-Evaluation of Operetta”: A Conference At The University Of Leeds
Last week the international operetta research world gathered in Leeds for a conference which was – nothing short of remarkable!
read more
Offenbach’s “Oyayïae, ou La Reine des îles” At Cologne’s New Year’s Concert
To mark the occasion, the city of Cologne and the local Gürzenich Orchestra inaugurate the festivities for Offenbach’s 200th birthday
read more
An “Offenbach Family Album” and “Esther, Queen of Persia”: Interview With Ralf-Olivier Schwarz
For the 2019 Offenbach celebrations the city of Cologne has set up a special committee to organize an “Offenbach Year”
read more
A Certain Disco Feeling: Offenbach’s “Die Schöne Helena” With UdK Students In Berlin
No, it wasn’t public, and yes, it was only a one-off performance with a preceding dress rehearsal. There were invited
read more
Offenbach’s “Robinson Crusoe” At The Royal College Of Music
“The Offenbach bi-centenary is being virtually ignored by opera companies in the United Kingdom, so all credit to the Royal
read more
Paris Finally Has An Operetta Season: 2019 With Palazzetto Bru Zane
They now call themselves “Bouffes de Bru Zane,” and they are taking up the operetta torch at the Théâtre Marigny
read more
Meeting With The Comic Opera Guild Of Michigan: A Conversation With Tom Petiet
Among the various US-American operetta companies, the Comic Opera Guild continues to draw international attention through recordings that offer a
read more
“Gaiety, Glitz and Glamour — or Dispirited Historical Dregs? A Re-Evaluation of Operetta”: A Conversation with Prof. Derek B. Scott
From 10 to 12 January 2019 the University of Leeds is hosting an international operetta conference entitled Gaiety, Glitz and
read more
Everyone’s Dancing The Charleston Tonight: “Die Herzogin von Chicago” in Leipzig
On Saturday, October 20, exactly 90 years after its world premiere, the curtain will rise on Emmerich Kálmán’s Die Herzogin
read more
“Gräfin Mariza” at Theater Magdeburg: With Yvonne Kalman as Guest of Honor
On 20 October, Theater Magdeburg premieres a new production of Kalman’s Gräfin Mariza. The composer’s daughter Yvonne is expected as
read more
Racism In Operetta? An Overdue Debate About “Land des Lächelns” & Co.
Recently, a review of a new Land des Lächelns production by Guy Montavon at Oper Wuppertal sparked a debate about
read more
Spoliansky’s “Alles Schwindel” Returns To Berlin’s Gorki Theater Next Season
The good news is: Mischa Spoliansky’s modern-dating-chaos operetta Alles Schwindel (1931) is returning to Berlin’s Gorki Theater for the 2018/19
read more
Magic Mike Live. Or: What About The Objectification Of Men In Operetta?
In a recent article for The Times, Jamie Stoker reported on casting for London’s Magic Mike Live. The headline says
read more
Ein Interview mit Henning Hagedorn über die Rekonstruktion (und das Spielen) von Ábraháms Zentralpartituren
Herr Hagedorn, seit Sie mit Ihrem Kollegen Matthias Grimminger angefangen haben für den WDR und die dortige Ábrahám-Aufführungsserie Partituren von
read more
Team Spirit, The Importance Of Good Looks, And Singing Tauber Roles: A Conversation With Tenor Maximilian Mayer
If you’re following the Operetta Research Center news feeds you will have heard of tenor Maximilian Mayer before: he was
read more
A Season Full Of Surprises: New Productions in 2018/19 Of Strauss, Offenbach, Beer And Jessel
It’s this time of year when theaters around Germany and Austria are advertising their upcoming productions for the 2018/19 season.
read more
“Operette für zwei schwule Tenöre”: Reviving the Genre for Today’s LGBT Community
It started out as a small concert performance at Schwules Museum in Berlin in the context of a Siegfried Wagner
read more
“Shooting Star”: A Romantic Musical Comedy About The Gay Porn Industry? Interview With Composer Thomas Zaufke
A few weeks ago, the new musical Shooting Star was presented in New York City in the form of an
read more
Revisiting G. B. Shaw And Oscar Straus: Bravo Munich!
I’ve got a book and a CD to review, plus family arriving in a few days, and a bottle of
read more
Dance: The Secret Star Of Operetta? Giorgio Madia’s Two New Strauss Productions
It is astonishing that one of the main elements of almost every operetta – dance! – is so undervalued today.
read more
Selling Operetta To The Next Generation: Felix Seiler And Danny Costello Talk About “Die Blume von Hawaii”
This spring, stage director Felix Seiler and choreographer Danny Costello staged Paul Abraham’s Die Blume von Hawaii with students in
read more
Willard G. Day’s “Lovely Galatea”: Ageing Disgracefully
Recently, conductor Dario Salvi performed Franz von Suppé’s one-act Die schöne Galathée (1865) in the UK, in English. It was
read more
Gaiety, Glitz and Glamour? Conference at the University of Leeds 2019
British researchers are continuing their conference series Gaiety, Glitz and Glamour. For the next installment at the School of Music,
read more