My First Queer Operetta: “Die Insel Tulipatan” At Staatsoper Berlin 1982
Since Offenbach’s Island of Tulipatan has popped up again on the general radar, with a brand new English language recording
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Offenbach’s “The Island of Tulipatan” In A World-Premiere English Language Recording
We need to talk about Offenbach, seriously and right now. Is it a sign of our gender-queer times that of
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Kismet Meets Operetta: Nico Dostal’s “Prinzessin Nofretete” From Leipzig
If you like your operettas exotic, grand, over-the-top and as a total blast, you will probably love the overture to
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Victor Herbert’s “The Red Mill” Returns To New York City
The Victor Herbert Renaissance Project LIVE! is launching its fourth season with The Red Mill, Broadway’s longest running success by
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Joseph Rumshinsky’s “The Broken Violin”: Call For Help
In 1916 two of the leading exponents of the Yiddish Theater of New York got together to work on one
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“Die Blume von Hawaii” In Basel: Was It Really That Terrible?
The Theater Basel has presented us with a brand new production of Paul Abraham’s 1931 Die Blume von Hawaii. Recently,
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Gaiety, Glitz & Glamour: Reawakening the “Silver Age” of 20th Century Operetta
Last weekend, the Royal Musical Association devoted one of its study days to what has controversially been described as the
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Künneke’s “Die große Sünderin” In Leipzig: Bringing Back Aryan Operetta Today
You might recall that back in the 1990s a renewed interest in so called ‘degenerate’ operettas spread around the world.
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Richard Genée’s “Der Seekadett”: New Edition By Dario Salvi
New operas are hard to come by these days—at least that is what I have always been told. Finding an
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“Must Close Saturday”: The Decline and Fall of the British Musical Flop
When this heavy, 350 page book, closely but clearly typed and well-illustrated, arrived in the post I thought I would
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“Sunset Boulevard” in Altenburg: Mit Angelika Milster als Norma Desmond
Es gibt in Deutschland eine nicht unwesentliche Gruppe von Intellektuellen – in Forschung und Journalistik – die sogenannte Mega-Musicals für
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The New Emmerich Kálmán Research Centre In Budapest
We recently reported on the new Emmerich Kálmán Research Centre that will open in Budapest. It’s an academic institution funded
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Les chevaliers du Ciel: Das Neuköllnical “Fly, Edith, Fly” im BKA
Ja, es gibt Menschen die Dragqueens als Wegbereiterinnen des modernen queeren Lebens sehen und damit auch als Vorkämpferinnen einer offeneren
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The Recording Of Edward German’s “Tom Jones” On Naxos
I really don’t listen much, these days, to show recordings. Especially new recordings of my beloved older shows. Those, in
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Sensationell: Sophia Euskirchen als Sally Bowles
Ja, dieser Auftritt der neuen Sally-Bowles-Darstellerin im Berliner Tipi-Zelt am Kanzleramt ist vergleichbar mit einem Blitzeinschlag – der mit gleißendem
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Kálmán’s “Herzogin von Chicago” At The Deutsches Theater Munich
I have just seen the much-heralded Budapest Operetta Theatre’s re-imagining of Kálmán’s 1928 musical mashup, Die Herzogin von Chicago, at
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Bring On The (1860s) Dancing Girls
Today I got led (via my blonde burlesque ladies) into the world of the ‘spectacular theatre’. You know, those shows
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The Emmerich Kalman Research Center. Plus: Yvonne Kalman’s 80th Birthday Gala
It was a dazzling party: Yvonne Kalman celebrated her 80th birthday last week-end in Budapest as a big gala event,
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“The Queen’s Lace Handkerchief”: First UK Revival Since 1937 At Opera della Luna
Opera della Luna is a well-established company, specializing in small-scale touring productions of operetta. Having concentrated on Offenbach and Sullivan
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“Darwinian Man, Though Well Behaved, At Best Is Only A Monkey Shaved”: G&S’s “Princess Ida”
Great Malvern is an attractive spa town of 30,000 souls, nestling in the English Midlands and surrounded by the Malvern
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Barbara Denscher’s Victor Léon Biography & Matthias Kauffmann’s “Operette im Dritten Reich”
Has operetta research shifted gear? One could think so, considering that there are finally in-depth academic studies coming out that
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“Like Rheingold, But With More Tunes”: Stephen Sondheim’s “Follies” At The National Theatre
There are a few ‘musicals’ written in the last seventy years which, because of both the specific quality of their
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Trying To Avoid The Same Old Superlatives: The 2017 Ohio Light Opera Season
Writing these annual roundups of Ohio Light Opera’s summer festival – run with consistent panache by Artistic Director Steven Daigle
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Pop Art Meets Carl Zeller: “Der Vogelhändler” From The 2017 Mörbisch Festival
You could call this year’s Vogelhändler at the Mörbisch Festival a kick-ass production – or an erect middle-finger in the
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Sigrid Grajek Revives Claire Waldoff Repertoire
Die Wirkungsgeschichte von Ikonen folgt eigenen Maßstäben. Und die von Claire Waldoff ganz besonders. Denn die Lieder und Aufnahmen der
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Christian Miebach: Singing “Csardasfürstin” In Rüdersdorf And At The Wedding Of Manuel Neuer
This dashing young musical comedy guy, born 1990 in Germany’s Black Forrest region near Karlsruhe, just ventured far into “enemy
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The Kern-Wodehouse-Bolton Musical “Have a Heart” (1917)
Although they worked together as a trio on only five shows over seven years, the influence of “Bolton, Wodehouse, and
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24th International Gilbert & Sullivan Festival
The 860 seat Theatre Royal, in the shadow of Windsor Castle, is the third one on the site: built in
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How Do You Solve A Problem Like “Saison in Salzburg”? The New Production In Ischl
The Lehár Festival in Ischl just presented a new production of Fred Raymond’s Saison in Salzburg – as a colorful
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Jerome Kern’s “Have A Heart” From The Ohio Light Opera
If we go back in time 100 years and look at Broadway, we witness a change: the US entertainment market
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“Orpheus in der Unterwelt” At The New Staatsoperette Dresden
The Staatsoperette Dresden has recently moved into a new, much-needed, purpose built theatre in the centre of the city. The
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Lehár’s “Der Graf von Luxemburg”: Live-Recording From Frankfurt With Amazing Conductor
Early Lehár operetta seems to be en vogue this season, on record at least. Here is a new release on
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Hunky Pin-Up Guys in Young Vic’s “HMS Pinafore”
Who says that Gilbert & Sullivan can’t be sexy? (Certainly no-one here at the Operetta Research Center.) “The Young Victorian
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A Hungarian Errol Flynn: “Der Zigeunerbaron” In Neustrelitz
Every summer since 2001, Theater und Orchester Neubrandenburg has staged an open-air operetta production in the Schlossgarten, Neustrelitz. Which, for
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Daring To Be Different: Lehár’s “Die Juxheirat” On CPO
Viennese operetta at the beginning of the 20th century was a genre in transition, claims Stefan Frey in an essay
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Lehár’s New “Graf von Luxemburg” On OEHMS Classics
If you grew up as a kid in Germany, you probably learned early from a famous TV program to always
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