Oscar Straus – Ein deutscher Offenbach?
Yes, there’s a new book on Oscar Straus, that often over-looked composer of Ein Walzertraum but also of Die lustigen
read moreYes, there’s a new book on Oscar Straus, that often over-looked composer of Ein Walzertraum but also of Die lustigen
read moreIt seems that Wiener Blut is quite the show-of-the-moment. The 1899 operetta is featured in the new publication of the
read moreThere has been a lot of controversy surrounding Johann Strauss’s final work for the stage, the ballet Aschenbrödel. Most of
read moreYou might have heard of the – highly informative and entertaining – blog Barihunks. It’s dedicated to hunky baritones who
read moreThe poster might not look particularly innovative, but the Quickchange Company in the Swiss town of Zug will present “Operetta
read moreIt’s kind of special: Philipp Harnoncourt (yes, the son of the other Harnoncourt) is staging Der Zigeunerbaron at Schloss Haindorf
read moreThere is no shortage of Eine Nacht in Venedig recordings. Some of them are all-time classics, such as the Elisabeth
read moreTo say that I was surprised would be putting it mildly. Here I was, at the opening of the grand
read moreCagliostro in Wien … Doesn’t ring a bell? It’s the 1875 operetta Johann Strauss Jr. wrote together with Richard Genée
read moreIf you live in Germany and are interested in classical music, you probably know the broschure concerti. They have a
read moreAt the 2015 edition of Tanz-Signale in Vienna, devoted to Johann Strauss and his librettist Victor Léon, Kevin Clarke talked
read moreThis is the lecture Prof. Hans-Dieter Roser gave in the Festsaal of the Vienna town hall, as part of the
read moreThere was a whiff of fresh air in the room at the Tanz-Signale 2015. The Wiener Institut für Strauss-Forschung had
read more“I had a dream” – and, yes, it was “a beautiful dream”; right in the middle of a performance of
read moreYou all know that the Congress of Vienna in 1815 is the historical backdrop to quite a few famous operettas
read moreIt is a grand title, for sure: The Imperial Vienna Orchestra! Yes, wow. It is as “Kakanian” as you can
read moreIf you know your operetta history, you will be aware of the fact that Johann Strauss Jr. was the most
read moreAs the author of Die Fledermaus (1874) and a whole series of other famous Strauss operettas, Richard Genée is not
read moreYes, we all know that conductor Nikolaus Harnoncourt is one of the pioneers of the Early Music Movement. Together with
read moreBorn in Graz to theatrical parents, Geistinger first went on the stage as a child and had an early exposure
read moreOpera in the UK doesn’t only happen in big London theatres with rob-the-bank ticket prices. All over the country there
read moreFinally, there are images of the new Staatsoperette Dresden. It will be situated in Kraftwerk Mitte. And for the first
read moreIt certainly is a little unusual: a ballet version by Roland Petit of the Johann Strauss classic Die Fledermaus. Filmed
read moreNext week, the Ohio Light Opera is starting its 36th season – with 7 (in writing: seven!) productions on offer
read moreThe Israel Philharmonic Orchestra will present a concert version of Die Fledermaus on July 6, at the Charles Bronfman Auditorium.
What became eventually known as “operetta” or “opérette” didn’t start its life under that name. The earliest works of the
read more“Gender Studies” are something on everyone’s lips these days. Yet, somewhat surprisingly, the operetta world has hardly taken note of
read moreThe Wien Museum Karlsplatz will open a new exhibition entitled Experiment Metropole on 5 May, 2014. It will focus on
read moreNow, here’s a topic for a book publication to make our operetta hearts beat faster: Ein Bild von einem Mann
read moreThe greatest theatrical success of composer Johann Strauss, and the most internationally enduring of all 19th-century Viennese Operetten — the
read moreThe eighth in Strauss’s list of Operetten, Der lustige Krieg followed behind the disastrous Blindekuh and the rather more successful
read moreKorngold und die Operette – das ist ein faszinierendes Thema, weil es den Komponisten im Spannungsfeld von ideologischen Widersprüchen der
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