Ambitionierte Vergangenheitsbewältigung: „Lass uns die Welt vergessen – Volksoper 1938“
Zu ihrem 125-jährigen Jubiläum leistete sich die Wiener Volksoper eine Haupt- und Staatsaktion-Premiere mit dem etwas umständlichen Titel Lass uns
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Uraufführung von Moritz Eggerts neuer Operette „Die letzte Verschwörung“
Ich werde diese Szene nie vergessen. Als sich während eines der Zwischenlockdowns mein Elektriker endlich wieder in meine Wohnung wagte,
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Linz & Wien: Zweimal „Gräfin Mariza“ von Thomas Enzinger
Kálmáns Gräfin Mariza ist (neben der Csardasfürstin) eine seiner perfektesten, beliebtesten und daher zu Recht jahrein jahraus, landauf landab, im
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Aus Perspektive eines Operettennostalgikers: „Rebecca“ und „Glöckner“ in Wien
Operettenfreunde in Österreich haben derzeit einen schweren Stand. Im sogenannten „Mekka der Operette“ in Mörbisch wird, seit Altbeau Alfons Haider
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Zwei Offenbach-Premieren in Wien: “Orpheus in der Unterwelt” und “La Périchole”
Wien war einst Jacques Offenbachs „zweites Paris“. 89 seiner Werke wurden hier aufgeführt, einige davon sogar uraufgeführt. Diese Tradition (ja
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Tick tick … boom? Lotte de Beer’s First Season at Volksoper Wien
So, now we know what Lotte de Beer as the new artistic director of the Volksoper in Vienna had up
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“Roxy und ihr Wunderteam” Comes To Bühne Burgäschi In 2022
So, the success story continues: the recently rediscovered “vaudeville operetta” Roxy und ihr Wunderteam by Paul Abraham will come to
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“Roxy und ihr Wunderteam” Comes To Volksoper Wien In September 2021
Finally, Paul Ábrahám’s football vaudeville Roxy und ihr Wunderteam returns to Vienna, the place where the German version by Alfred
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“I Would Like To See More Women Writing About Operetta”: Micaela Baranello Discusses Her Book “The Operetta Empire”
The US-American musicologist Micaela Baranello joined the Department of Music at the University of Arkansas in 2017 and has recently
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Lotte de Beer: The Future Of Operetta At Volksoper Wien Is Female
The future of operetta in Vienna is female: Lotte de Beer was presented this week as new artistic director of
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Anchors Away: Franz von Suppé’s “Il Ritorno del Marinaio” On CPO
Anyone taking a close look at the oeuvre list of Franz von Suppé (1819-1895) in search for an opera entitled
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What The Nasty Old Lady Said. Or: “Zigeunerbaron” At Volksoper Vienna
I had really been looking forward to seeing the new production of Der Zigeunerbaron in Vienna because I had enjoyed
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The Devil In All Of Us: Suppé’s “Teufel auf Erden” (1878) In Chemnitz
With all the attention being given to Offenbach, it is easy to forget that 2019 is also the bicentenary of
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Benatzky’s “Meine Schwester und ich” At Volksoper Wien
Benatzky’s 1930 hit Meine Schwester und ich in a new Wien Volksoper production is totally delightful and enchantingly charming. More
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A New “Man of La Mancha” at ENO and Volksoper
Not seen in London since its original production at the Piccadilly Theatre in 1968, when it starred Keith Michell as
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Updating “Die Csardasfürstin” For Vienna: Peter Lund’s New Volksoper Production
It can be exciting to re-imagine and re-interpret beloved shows: we are witnessing this, again and again, in modern musical
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Sloppy Production With A Great Tenor: “Eine Nacht in Venedig” At Volksoper Wien
Musically, Vienna Volksoper’s 2013 production of Strauss’ Eine Nacht in Venedig has much to commend it: firstly the spirited conducting
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W. R. Heymann’s “Der Kongress tanzt” from Volksoper Wien
Erik Charell, the director of the original film version of Der Kongress tanzt, labored long and hard to bring his
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Peter Minich At St. Pölten’s Stadtmuseum: “Ein Leben für die Musik”
For many operetta lovers, Austrian tenor and Volksoper star Peter Minich, is an icon. He certainly represents a very particular
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Shades Of Grey: “Axel an der Himmelstür” In Vienna
Considering the continuing number of revivals of Im weißen Rössl one could be forgiven for thinking that Benatzky composed nothing
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Kalman’s “Zirkusprinzessin” At The Volksoper Wien
The Vienna Volksoper’s new staging – their first since 1988 – of Die Zirkusprinzessin is unashamedly old-fashioned – and there’s
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“Every Country Gets The Operetta It Deserves”: Trends, Ideological Wars And New Books
In variation of the famous saying “Every country has the government it deserves” – by 18th century political philosopher Joseph-Marie
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“Axel an der Himmelstür” in Vienna: Take Your Clothes Off, Beautfiful Operetta Lady!
The Volksoper Vienna has revived the 1936 hit Axel an der Himmeltür, originally written for Zarah Leander and Max Hansen.
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“West Side Story” Comparing Interpretations On Deutschlandradio Kultur
Most people will probably ask: what does West Side Story have to do with operetta? Isn’t it anything but an
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German Cast Recordings Of “West Side Story”
Today, the Opera Leipzig will present a new production of West Side Story. Not at the Musikalische Komödie, but in
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Golden Schikaneder Statues: The Third Annual Austrian Music Awards
Obviously, the whole world watches the Tony Awards and what’s happening on Broadway – which excludes operetta. (Even if The
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“Sluts” Are Great Singers Too: The Return Of Operetta-Diva Julia Migenes
If you live in Germany and are interested in classical music, you probably know the broschure concerti. They have a
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The “Dancing Conductor” Joseph R. Olefirowicz In Munich
If you’re watching this space, you might have registered some recent frustration with current operetta conductors who were not quite
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“Die Zirkusprinzessin” in Munich
Munich is getting a new Zirkusprinzessin, directed by Josef E. Köpplinger. That is, in itself and without doubt, a reason
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