Trying To Avoid The Same Old Superlatives: The 2017 Ohio Light Opera Season
Writing these annual roundups of Ohio Light Opera’s summer festival – run with consistent panache by Artistic Director Steven Daigle
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Pop Art Meets Carl Zeller: “Der Vogelhändler” From The 2017 Mörbisch Festival
You could call this year’s Vogelhändler at the Mörbisch Festival a kick-ass production – or an erect middle-finger in the
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Sigrid Grajek Revives Claire Waldoff Repertoire
Die Wirkungsgeschichte von Ikonen folgt eigenen Maßstäben. Und die von Claire Waldoff ganz besonders. Denn die Lieder und Aufnahmen der
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Christian Miebach: Singing “Csardasfürstin” In Rüdersdorf And At The Wedding Of Manuel Neuer
This dashing young musical comedy guy, born 1990 in Germany’s Black Forrest region near Karlsruhe, just ventured far into “enemy
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The Kern-Wodehouse-Bolton Musical “Have a Heart” (1917)
Although they worked together as a trio on only five shows over seven years, the influence of “Bolton, Wodehouse, and
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24th International Gilbert & Sullivan Festival
The 860 seat Theatre Royal, in the shadow of Windsor Castle, is the third one on the site: built in
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How Do You Solve A Problem Like “Saison in Salzburg”? The New Production In Ischl
The Lehár Festival in Ischl just presented a new production of Fred Raymond’s Saison in Salzburg – as a colorful
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Jerome Kern’s “Have A Heart” From The Ohio Light Opera
If we go back in time 100 years and look at Broadway, we witness a change: the US entertainment market
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“Orpheus in der Unterwelt” At The New Staatsoperette Dresden
The Staatsoperette Dresden has recently moved into a new, much-needed, purpose built theatre in the centre of the city. The
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Lehár’s “Der Graf von Luxemburg”: Live-Recording From Frankfurt With Amazing Conductor
Early Lehár operetta seems to be en vogue this season, on record at least. Here is a new release on
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Hunky Pin-Up Guys in Young Vic’s “HMS Pinafore”
Who says that Gilbert & Sullivan can’t be sexy? (Certainly no-one here at the Operetta Research Center.) “The Young Victorian
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A Hungarian Errol Flynn: “Der Zigeunerbaron” In Neustrelitz
Every summer since 2001, Theater und Orchester Neubrandenburg has staged an open-air operetta production in the Schlossgarten, Neustrelitz. Which, for
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Daring To Be Different: Lehár’s “Die Juxheirat” On CPO
Viennese operetta at the beginning of the 20th century was a genre in transition, claims Stefan Frey in an essay
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Lehár’s New “Graf von Luxemburg” On OEHMS Classics
If you grew up as a kid in Germany, you probably learned early from a famous TV program to always
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Kálmán Forever: Hungarian Operetta Exhibition In Moscow
The Hungarian Herman Ottó Muzeum has announced that it has debuted in Moscow with a solo exhibition. At the end
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Oozing Sex: Julia Baron, Opéra-Bouffe Star And Top Paris Courtesan
When I lived in St Paul de Vence, my partner Ian and I took a weekly bus jaunt down to
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Double-Exhibition on “Zigeunerbaron” And Johann Strauss In Neustrelitz
The open air operetta festival in Neustrelitz – an hour north of Berlin by train – has Strauss’ Zigeunerbaron on
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Racist Minstrel Magic? The Story of the George Mitchell Choirs
A seventy-one year old man, a little crippled these days, lying in the too-scorching sun by the Australian seaside, reading
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The History Of A Burlesque Blonde: Belle Land
Last night, I was researching in ancient texts, trying to track down the history of a burlesque blonde who went
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“The Swan Song Operetta” In Berlin-Kreuzberg
The Swan Song Operetta was developed and performed over eight years. This summer it will flower into its unabridged self
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Oscar Straus: Avant-propos
Il n’est guère de compositeur du vingtième siècle qui ait été jadis aussi fêté de part et d’autre de l’Atlantique
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Oscar Straus: New Academic Essays On A Mostly Forgotten Composer
Oscar Straus (1870-1954) is one of the leading operetta composers of the first half of the 20th century whose greatest
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First Modern Recording of Franz Lehár’s Feminist “Die Juxheirat”
Julius Bauer (1854-1941) was, like many Viennese operetta librettists, a highly cultured and witty man. He studied medicine and then
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Totally Cool? The New Operetta Season In Baden Bei Wien
The luxurious little spa town Baden bei Wien – 45 minutes from the center of Vienna by tram – considers
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A New Monography On Offenbach’s “Orpheus in the Underworld”
For many operetta fans, Offenbach’s Orpheus in the Underword is the masterpiece with which it all began, back in 1858.
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Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924)
Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924). The grandson of Samuel Lover, the novelist,
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John Koegel: Music in German Immigrant Theater, New York City, 1840-1940
John Koegel reminds us, early on in this broadly conceived, superbly researched, and elegantly written study, that the population of
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Offenbach’s Gender-Bending “L’ile de Tulipatan” From New York
The Light Opera of New York (LOONY) shifted gears this spring from its annual early American operetta – usually by
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Sasha Regan’s All-Male “The Mikado” Touring The UK
Sasha Regan has been director of the Union Theatre in London for 19 years. It is a small space, seating
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World Premiere Recording: Kalman’s “Dryad’s Kiss”
One of Emmerich Kalman’s great musical idols was George Gershwin whom he entertained in Vienna in 1928, after they both
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A History Of Popular Musical Theater In Dresden, 1844 Until Today
The Staatsoperette Dresden has been – for many years – one of the few theaters in Germany, before and after
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Philadelphia Debut Of “The Dollar Princess” By Leo Fall
It’s always astonishing that American audiences never really fell for operettas with stories actually set in the USA. It seems
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“Eine Nacht in Venedig” At The Pforzheim Theater
The industrial town of Pforzheim boasts a population of under 121,000, yet has an intimate 507 seat modern theatre which
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“A Trip To Africa”: Franz von Suppé’s Oriental Operetta In English
It’s quite a miracle: a full cast album of Franz von Suppé’s exotic Die Afrikareise, recorded live and in an
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BABES IN TOYLAND: Musical extravaganza by Victor Herbert
Commissioned by producers Julian Mitchell and Fred Hamlin to follow up their 1902 success with the fairytale spectacular The Wizard
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“Eileen” At The Victor Herbert Renaissance Projekt Live!
The third time was most definitely the charm for VHRP’s Artistic Director Alyce Mott’s revision of Victor Herbert and lyricist/book
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