An Offenbach Festival in Berlin: Four Shows in Seven Days
So this time round it is going to be: Offenbach. The Komische Oper is dedicating its 2016 operetta festival in
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The Gayest Show in Berlin: “Kiss Me, Kate” At The Komische Oper
Barrie Kosky’s first foray into the Broadway musical at the Komische Oper was Cole Porter’s Kiss Me, Kate in 2008,
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Operetta Stars Make Berlin’s New “My Fair Lady” Sparkle
Should anyone be surprised? The new production of My Fair Lady at the Komische Oper Berlin is sold out to
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Race And Operetta: The Next Frontier?
It is often interesting to compare how researchers in different parts of the Western world look at art forms in
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Kunst der Oberfläche: Operette zwischen Bravour & Banalität
The Komische Oper Berlin – together with researchers Bettina Brandl-Risi and Clemens Risi – has put together a highly diverse
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Demonstration der Homosexuellen: Skandalscenen in der Komischen Oper!
This in an article from the magazine Das Freundschaftsblatt, 8 July, 1927, reporting on a ground breaking incident in the
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Walter Felsenstein Revisited: A New Biography
Stage director Walter Felsenstein (1901-1975) is famous for various things: he founded the Komische Oper in East Berlin after WW2
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“I Want To Be A Primadonna”: Christoph Marti Turns 50 Today
It’s a ultra-pink birthday today, and a reason for the operetta world to celebrate one of its greatest divas of
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The “Europäische Stiftung Operette” Is Back With A Vengeance
The headline in the email to the local press certainly caught our attention: “Europäische Stiftung Operette (ESO) präsentiert Berliner Operette
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What Is Johann Strauss Doing In The Exhibition “Homosexualität_en”?
To say that I was surprised would be putting it mildly. Here I was, at the opening of the grand
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Forget Dames At Sea: Here Come Twelve Gay Sailors
My first reaction was: ‘Not another fairy tale musical!’ But after Monday night’s concert at The Ballery in Berlin, where
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Mission Impossible? Teaching Teenagers To Love Operetta
The motto of the project was “Oper sucht Klasse!“, but it was actually all about getting teenagers to sing operetta:
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Orgasmic Operettas: The New Season At The Komische Oper Berlin
There is something slightly orgasmic about the news from the Komische Oper Berlin. The house announced the titles for their
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“La Rondine”: Does The Operetta Revolution In Berlin Continue With Puccini?
Are we entering the second phase of the operetta revolution in Berlin? After the Komische Oper re-discovered the genre and
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Revisiting 1932 with Oscar Straus’ “Eine Frau, die weiß was sie will”
I can’t help it. I’m an addict. I’m hopelessly addicted to Komische Oper in Berlin. For me, as an American
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Yiddish Operetta Songs: A Re-Discovery On Auschwitz Memorial Day?
The 27th of January 2015 was a memorial day, not only in Germany, but there especially. 70 years ago the
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“Die schöne Helena” As A WW2 Drama Of Homosexuality
Considering that Offenbach’s La belle Hélène recently received two extremely “gay” interpretations at the opera houses of Hamburg and Berlin
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Down To My Last Two Days: Linie 1 & Lillie Claus
Down to my last two days in Berlin. The Komische Oper was hosting a three-day symposium on operetta, the last
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Is There An Ideal “La Belle Hélène” Recording – With Sex Appeal?
In early 2015, the Komische Oper presented their very first Operetta Symposium, dealing with the “kinky” side of the genre
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Flying Down To Berlin: For the First Operetta Festival At The Komische Oper
You know it’s finally happening when the first international guests fly in and need to be picked up at Tegel
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A Musical Comedy Orgasm: Seeing “Clivia” In Berlin From A Broadway Perspective
Tuesday and Wednesday in Berlin were exasperating for me. A combination of misunderstandings, bad directions, getting lost, buying a theatre
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An American in Berlin: Seeing Operetta At The Komische Oper
Richard C. Norton, New York City based author of A Chronology of American Musical Theater, regular contributor to the Operetta
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From Dingsda To The Mississipi: Bumping Into Alen Hodzovic Again
Perhaps you know that feeling: you see a super-duper operetta performer one day, and the next he’s vanished. Or so
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A Kálmán Bonanza For Christmas: “Mariza”, “Arizona Lady” & “Csárdásfürstin”
It’s a real Kálmán bonanza this holiday season. Wherever you turn, there is Kálmán, and more Kálmán. In St. Gallen
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“Bodies & Gender”: Operetta Symposium In Berlin
Finally, you might say. Or, as the Germans would put it: „Endlich!“ Yes, the Komische Oper Berlin will present the
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“Ich reiß’ mir eine Wimper aus”: How To Revive Operettas From The Nazi Era
It is an inventive new approach to an old question: how do we deal with the ideological baggage of operettas
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“Ball im Savoy”: Ábrahám’s Late American Premiere
Paul Abraham was, without doubt, the most „American“ sounding operetta composer in Europe in the early 1930s. His jazz-operettas, culminating
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The 2014 Festival in Mecklenburg-Vorpommern
You don’t know where Neustrelitz is? Then you have obviously never been on holiday in Mecklenburg-Vorpommern, the magical region north
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The First “Operetten Festival” in Berlin, at the Komische Oper
You will probably remember that the Komische Oper Berlin has had quite a few remarkable operetta productions lately, ever since
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“Made in Berlin”: Otto Schneidereit Revisited
There’s a lot of talk, again, these days about „Operetta Made In Berlin”—how it differs from other German language types
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Burning to Sing: Gustave Kerker’s Operetta Rediscovered
It’s good to know that German operetta aficionados are busy rediscovering gems from the vaults of the genre’s history. And,
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Nächster Halt: La-La-Land: Bemerkungen zum “Weißen Rössl”
Die Revue-Operette Im Weißen Rößl, 1930 im Großen Schauspielhaus Berlin unter Erik Charell uraufgeführt, war einer der größten Theatererfolge der
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