Kosky macht Kopfkino: Minimalistisches Mahagonny
Kurz nachdem im Spätsommer die lang erwartete (und mehrfach verschobene) Dreigroschenoper am Berliner Ensemble herauskam und ekstatische Reaktionen hervorrief, ging
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Ersan Mondtag’s Over-The-Top Gay Production Of “Der Silbersee”
Kurt Weill’s “Wintermärchen” Der Silbersee is not exactly an operetta, more of a fairy tale “with music” that tells the
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Berliner Ensemble: “Dreigroschenoper” As Cellblock Tango Without Fosse
It’s not unusual for Barrie Kosky to stage something outside of Komische Oper, but usually he doesn’t do it in
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Adam Benzwi Discusses “Dreigroschenoper” & Singing Brecht/Weill Today
Pianist and musical director Adam Benzwi was slated to premiere “his” Dreigroschenoper interpretation – in collaboration with stage director Barrie
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“Pardon, Madame”: UdK Students Present Their Version Of “In Stanniolpapier” Online
The students at UdK (Universität der Künste) in Berlin who are training to be stars in the field “Musical/Show” are
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Too Many New Covid-19 Infections: Komische Oper Berlin Cancels Its “Blume von Hawaii” Live Stream
After rumors had already started circulating, it’s now official: Komische Oper Berlin has cancelled its live stream of Paul Abraham’s
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New Art is True Art: Kurt Weill’s “One Touch of Venus”
When Staatsoperette Dresden presented Kurt Weill’s One Touch of Venus as part of their “Broadway in Dresden” series, in a
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Here Comes “Blume von Hawaii” As A Live Stream From Komische Oper Berlin
Yeehaw! Komische Oper Berlin has finally awoken from its Sleeping Beauty Corona mode; the company has decided to offer something
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George London On Broadway – But Without His Partner Mario Lanza
And now, I would like to talk to you about George London. Yes, I am aware that he didn’t sing
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The Show Will Go On, Or: A New “Großherzogin von Gerolstein” At Komische Oper
“344 Menschen, that‘s besser wie nix!” That’s what intendant Barrie Kosky said when he presented his brand new schedule for
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“Ich wollt’ ich wär’ ein Huhn “: Tackling Toxic Nazi Era Material At Komische Oper Berlin
It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin
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“…was verloren ging”: A New Book About Operetta Before & After 1933
Im Jahr 2005 profilierte sich die Staatsoperette Dresden mit einer überregional vielbeachteten Konferenz, die den Titel Operette unterm Hakenkreuz trug.
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Kurt Weill’s “Lady in the Dark” Revived At City Center in New York
Gertrude Lawrence’s 1941 megahit, Lady in the Dark, groundbreaking in its day for its then novel use of psychoanalysis in
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Jaromir Weinberger’s “Frühlingsstürme” And Paul Ábrahám’s “Dschainah” At Komische Oper Berlin 2019/20
“We’re not an operetta palace!“ Says Komische Oper intendant Barrie Kosky at the press conference where he announced the new
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Who’s Got The Last Laugh Now? Wolfgang Schaller’s Farewell At Staatsoperette Dresden
The Staatsoperette Dresden has a new home, you might recall. The operetta company in Saxony has moved from the outskirts
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From Persia to Performing German Schlager From the 1920s: Atrin Madani
It’s always a special treat to see new – and interesting – people coming to musical material that some consider
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The 2015 Ohio Light Opera Season. Or: Operetta Delights in Wooster
Though an unfortunate scheduling conflict prevented my attending this delightful company’s second annual symposium as I did last year, I
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New Season At Ohio Light Opera: What Will Be Re-Discovered In 2015?
The Ohio Light Opera has announced its 2015 season. After all the razzle-dazzle last year and the many rediscovered goodies
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Mixing Pop And Opera: Triumph Or Trouble?
In the music world, sometimes the concept of mixing vocal genres in the same performance works well, and sometimes it
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Vera Kálmán: “Tonkunst” Issue Dedicated to Composer’s Widows
Here it is: the latest issue of Die Tonkunst. After a recent Bluebeard special that included a big essay on
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“One Touch of Venus” from 1955
In the latest newsletter from the Kurt Weill Foundation, there’s a review of the new One Touch of Venus recording,
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Essays On Kurt Weill’s Broadway Operetta
Here it is, fresh off the press: A German language collection of texts dealing with Kurt Weill’s only “operetta”, The
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One Touch of Venus: A Broadway Operetta
Yes, I know. Kurt Weill’s One Touch of Venus is generally considered a classic Broadway musical. And rightly so. Still,
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Der ‘Firebrand of Florence’ in Dessau
Jetzt mal im Ernst: Kurt Weill ein Operettenkomponist? Das ist zugegebenermaßen nicht das erste, was einem zu “Kurt” einfällt, oder?
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