“Viktoria und ihr Husar”: The 2016 Cast Album From Mörbisch
Paul Abraham’s Viktoria und ihr Husar conquered the German language operetta scene in 1930 – and pretty much swept away
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“Al cavallino bianco”: The 1954 Italian Film Version Starring Rosy Barsony
As everyone knows, by now, there are many White Horse Inn incarnations out there, and it seems more and more
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International Operetta Singing Competition of Franz Lehár
Not too long ago, Berlin’s operetta pioneer Barrie Kosky stated in the Österreichische Musikzeitschrift, that he considers the performers of
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Reviewing The Swiss Operetta Scene: A Conversation With Simon Burkhalter
Young stage director Simon Burkhalter is busy putting Im weißen Rössl on in Bern, Switzerland, where the “slowest people in
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The White Horse Rides Again: Jimmy Berg’s “Rössl” 1940s Adaptations
Das Weiße Rössl am Central Park – eine österreichische Kultoperette im New York der 40er Jahre? 1941 und 1947 war
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“Bühnenbild: Peter Kothe.” The Forgotten World Of Operetta In Socialism
Operetta in East-Germany has turned into a topic I have become more and more fascinated with. Maybe because my first
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Slay It With Music: A Conversation With Michael Colby
Librettist and lyricist Michael Colby has written musicals such as Charlotte Sweet and Tales Of Tinseltown, both have just been
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“Im weißen Rössl” In Neustrelitz. Plus: An Amazing Erik Charell Exhibition
It’s rare, these days, to encounter such personal enthusiasm for operetta history as is demonstrated in the picturesque town of
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CHU CHIN CHOW Musical Tale of the East In 3 Acts, Music By Frederic Norton
Chu Chin Chow was a version of the Arabian Nights’ Ali Baba and the 40 Thieves tale, put together by
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“Die Blume von Hawaii”: Paul Abraham’s Tropical Rollercoaster In Pforzheim
Paul Abraham’s 1931 revue-operetta Die Blume von Hawaii has recently been give a highly enjoyable new production at Theatre Pforzheim,
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“Viktoria und ihr Husar”: Abraham-Triumph in Mörbisch
Was für ein Jammer, dass die 1920er Jahre vorbei sind. Und was für ein Jammer, dass Paul Abrahams Operetten noch
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“A Trip to Africa”: Cambridge Scholars Publish A Critical Edition Of The Libretto
In 1883, three of the masterminds of Viennese operetta collaborated on a new masterpiece; A Trip to Africa – or
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Lehár’s “Giuditta” With Christiane Libor On cpo
Giuditta spielt in Süditalien und Libyen. Aktueller können Orte von Handlungen nicht sein. Mit einen gewichtigen Unterschied zur Gegenwart. Damals
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“Viktoria und ihr Husar” aus Mörbisch 2016 mit Dagmar Schellenberger
Die erste moderne Ábrahám-Aufnahme auf Basis einer rekonstruierten Originalpartitur von Hagedorn & Grimminger: mit einer elegischen Dagmar Schellenberger in der
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“Stella: Ein deutsches Singspiel” By Wolfgang Böhmer And Peter Lund
It seems there is a new and inspiring wave of “history musicals,” with Hamilton on Broadway leading the way: a
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Josef E. Köpplinger’s New Version of “Viktoria und ihr Husar” In Munich
What is arguably Paul Abraham’s musically strongest operetta, Viktoria und ihr Husar (1930), has been given a new production by
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A Re-Written And New “Paint Your Wagon” In Seattle
How very much I wish I could recommend the all new version of Paint Your Wagon in its world premiere
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GIUDITTA: Musical play in 5 scenes by Paul Knepler and Fritz Löhner-Beda. Music by Franz Lehár
Giuditta was the last of the series of darkly coloured romantic operettas (this one purposely titled ‘musikalische Komödie’) composed by
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Lehár’s “Giuditta”: A New Recording From Munich With Ulf Schirmer
There are many reasons why one can fall head-over-heels for Lehar’s “musikalische Komödie” Giuditta, first produced in January 1934 at
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„Ich reiß mir eine Wimper aus und stech’ dich damit tot!“ Die Entnazifizierung der NS-Operette zwischen 1945 und 2015
Nach der sogenannten „Stunde Null“ am 8. Mai 1945 hatten die Menschen in Deutschland mit hoher Wahrscheinlichkeit andere Sorgen, als sich
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Benatzky’s “Bezauberndes Fräulein” In Switzerland
Ralph Benatzky’s “Musikalisches Lustspiel” Bezauberndes Fräulein (1933) is a true delight. As anyone knows who has ever heard the wonderful
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Two “Im weißen Rössl” Exhibtions In Neustrelitz
It is one man’s enthusiasm that made this possible: the hotel owner Jürgen Haase from Neustrelitz – a picturesque town
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“Operette: hipp oder miefig?” The New Issue Of The Österreichische Musikzeitschrift
It doesn’t happen too often that a musicological magazine dedicates an entire issue to “operetta”: with eight short essays dealing
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“Leichte Muse im Wandel der Zeit”: A Conference On Nazi Operetta In Nuremberg
Nuremberg is a special place for a conference that wishes to examine “Operetta in Nazi Times.” Because the so called
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Summer Operetta Season In Baden: “Frasquita” And “Dreimäderlhaus”
The summer season for operetta has started, and various festivals are about to open. Coming up in Baden, near Vienna,
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World Premiere Recording: Kálmán’s “The Little King” From Ohio
Could any musical comedy from 1912 be more up-to-date from today’s war-on-terror-perspective? This is the story of a revolution of
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Michael Colby’s “Charlotte Sweet” Or: When Musicals Were Fun
More years ago than I care to count, I was staying at New York’s Algonquin Hotel, in my capacity as
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Paul Lincke’s “Frau Luna” At The Tipi Tent In Berlin
Most people outside of Germany will probably know Paul Lincke’s 1899 hit show Frau Luna because of the rousing march
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“Berlin Non Stop”: A New Musical For The German Capital?
Isn’t it strange that the city of Berlin is so popular, with young (and not so young) hormone-driven tourists from
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“West Side Story” Comparing Interpretations On Deutschlandradio Kultur
Most people will probably ask: what does West Side Story have to do with operetta? Isn’t it anything but an
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“A Little Night Music” In Bielefeld: Starring Tobias Licht And Johanna Spantzel
There are those who consider Sondheim’s A Little Night Music the greatest of all modern operettas. And in a way,
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Ghostlight Records New Lerner & Loewe “Paint Your Wagon”: Starring Keith Carradine
In November 1951, composer Frederick Loewe and librettist Alan Jay Lerner premiered Paint Your Wagon, their homage to the American
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UdK Berlin: “Ich meine, es geht ja doch darum, ein Leben zu führen, das einem keine Qual ist”
It is always refreshing to see new and awe-inspiring talent. The so called “collages” at the Universität der Künste (UdK)
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A Major Star Of 19th Century French Musical Theatre: Jean-François Philibert Berthelier
Jean-François Philibert Berthelier (b Panissières, Loire, 14 December 1828; d Paris, 29 September 1888) was a comic actor and singer
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“Bouffe”: A New Theater Piece About Offenbach And Hortense Schneider At The Brighton Fringe Festival
We could not agree more with this statement of Red Blonde Productions and West Sussex Opera: “What Cabaret was to
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Light Opera of New York: Jerome Kern’s “Sally”
Charm was in abundance at Light Opera of New York’s semi-staged concert reading of Jerome Kern’s 1920 musical smash Sally,
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