“Die Blume von Hawaii” At Theater für Niedersachsen: Florian Ziemen Conducts
So it was off to Waikiki and South Sea breezes, again. I had a chance to see Paul Abraham’s glorious
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Selling Operetta To The Next Generation: Felix Seiler And Danny Costello Talk About “Die Blume von Hawaii”
This spring, stage director Felix Seiler and choreographer Danny Costello staged Paul Abraham’s Die Blume von Hawaii with students in
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Revisiting Honolulu: “Die Blume von Hawaii” With Students of the Hochschule für Musik In Osnabrück
We all have our favorite memories – our ‘madeleine moment’ that changed our world forever. For me, this moment occurred
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Message In A Bottle? YouTube As Global Popular Home-Archive For Operetta
In a 2018 essay entitled Das Webvideo als Flaschenpost, or “the web video as message in a bottle,” Chris Tedjasukmana
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“Roxy und ihr Wunderteam”: Abraham’s Football Operetta Finally Comes To Berlin
Why did it take so long, you might ask? And was it worth waiting all this time? In the case
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Abraham’s “Ball im Savoy” In Koblenz: No Lavish Sets But SS Officers
Having hugely enjoyed Barrie Kosky’s 2013 exuberant production of Abraham’s Ball im Savoy several times, I was interested to see
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Re-Writing “Roxy und ihr Wunderteam” As A Gay Football Farce In Augsburg
Theater Augsburg is in the midst of refurbishment, so the various ensembles have decamped to several venues around the city.
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Berlin Letter: Major Revival Of Forgotten Weimar-Era Operetta Is Proving A Hit
For a city so rich in culture, and drowning in history, it is surprising to experience first-hand Berlin’s long cultural
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The Walking Dead? “Operetta Made In Austria” With Ildiko Raimondi and Herbert Lippert
It’s a pretty grand claim to make: “With their multi-media stage show Operetta Made in Austria stage stars Ildiko Raimondi
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“Die Blume von Hawaii” In Basel: Was It Really That Terrible?
The Theater Basel has presented us with a brand new production of Paul Abraham’s 1931 Die Blume von Hawaii. Recently,
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Gaiety, Glitz & Glamour: Reawakening the “Silver Age” of 20th Century Operetta
Last weekend, the Royal Musical Association devoted one of its study days to what has controversially been described as the
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Pop Art Meets Carl Zeller: “Der Vogelhändler” From The 2017 Mörbisch Festival
You could call this year’s Vogelhändler at the Mörbisch Festival a kick-ass production – or an erect middle-finger in the
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Christian Miebach: Singing “Csardasfürstin” In Rüdersdorf And At The Wedding Of Manuel Neuer
This dashing young musical comedy guy, born 1990 in Germany’s Black Forrest region near Karlsruhe, just ventured far into “enemy
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Totally Cool? The New Operetta Season In Baden Bei Wien
The luxurious little spa town Baden bei Wien – 45 minutes from the center of Vienna by tram – considers
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Offenbach’s “Ritter Blaubart” Returns: The New Operetta Season At Komische Oper
Berlin’s Komische Oper and its artistic director Barrie Kosky are always good for a surprise, most certainly when it comes
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Re-Thinking The Concept Of “Escapism”: Damien Chazelle’s “La La Land”
This month, Damien Chazelle’s movie musical La La Land hits theaters in Europe. It is a must-see for anyone interested
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Joseph Beer’s “Polnische Hochzeit” (1937) On CPO
“In der Heimat blüh’n die Rosen – nicht für mich den Heimatlosen”, sings Count Boleslav in his first big solo
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“Every Country Gets The Operetta It Deserves”: Trends, Ideological Wars And New Books
In variation of the famous saying “Every country has the government it deserves” – by 18th century political philosopher Joseph-Marie
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“Brutal Cultural Politics”: Dagmar Schellenberger Kicked Out Of Mörbisch Festival
In a way you could see it coming: the Seefestpiele Mörbisch tried breaking away from the stuffy (but much beloved)
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“Viktoria und ihr Husar”: The 2016 Cast Album From Mörbisch
Paul Abraham’s Viktoria und ihr Husar conquered the German language operetta scene in 1930 – and pretty much swept away
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“Die Blume von Hawaii”: Paul Abraham’s Tropical Rollercoaster In Pforzheim
Paul Abraham’s 1931 revue-operetta Die Blume von Hawaii has recently been give a highly enjoyable new production at Theatre Pforzheim,
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“Viktoria und ihr Husar”: Abraham-Triumph in Mörbisch
Was für ein Jammer, dass die 1920er Jahre vorbei sind. Und was für ein Jammer, dass Paul Abrahams Operetten noch
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“Viktoria und ihr Husar” aus Mörbisch 2016 mit Dagmar Schellenberger
Die erste moderne Ábrahám-Aufnahme auf Basis einer rekonstruierten Originalpartitur von Hagedorn & Grimminger: mit einer elegischen Dagmar Schellenberger in der
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Josef E. Köpplinger’s New Version of “Viktoria und ihr Husar” In Munich
What is arguably Paul Abraham’s musically strongest operetta, Viktoria und ihr Husar (1930), has been given a new production by
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Baltimore Ravens Singing Star-Kicker: Justin Tucker
Why not have something visually refreshing this week-end? The classical music blog “Barihunks” reported today, that Baltimore Ravens kicker Justin
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“Viktoria und ihr Husar” Coming Up in Altenburg
Is it just my imagination, or is there a noticeable increase in Abraham productions lately? While the Komische Oper Berlin
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“Viktoria und ihr Husar”: Mörbisch’s 2016 Festival Program
The operetta festival of Mörbisch, in Austria, had already announced its title for 2016: Paul Abraham’s Viktoria und ihr Husar,
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“Me And My Little Brother”: A Gender-Bending Operetta By Mihály Eisemann From 1934
Admittedly, you would not necessarily expect a “queer” operetta in Viktor Orban’s Hungary. But that’s exactly what you get in
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Performing Operettas From Nazi-Times Today: Interview With Jakob Brenner
In Stendal, in Saxony-Anhalt, the Theater der Altmark will present a new production of Fred Raymond’s Maske in Blau. It’s
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Two New Ábrahám Biographies
You could call it the battle of the biographers. Who will be first? Who will be better? Who will have
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Deep Throat: Jonas Kaufmann Sings 1920s Operetta
When a PR-savvy superstar of the Jonas Kaufmann caliber issues a “cross-over“ album filled with operetta goodies, people take notice.
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“Ball im Savoy”: Ábrahám’s Late American Premiere
Paul Abraham was, without doubt, the most „American“ sounding operetta composer in Europe in the early 1930s. His jazz-operettas, culminating
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