Stefan Frey’s Biography of Emmerich Kálmán – in English
In 2003, Henschel Verlag of Berlin published Unter Tränen lachen, a German-language “operetta biography” of composer Emmerich Kálmán. The author,
read moreIn 2003, Henschel Verlag of Berlin published Unter Tränen lachen, a German-language “operetta biography” of composer Emmerich Kálmán. The author,
read moreThere is a new book by Neil McKenna about “Two Young Men Who Shocked Victorian England“ entitled Fanny & Stella.
read moreIn the latest newsletter from the Kurt Weill Foundation, there’s a review of the new One Touch of Venus recording,
read moreIt’s always a good time to pay attention to Leo Fall (1873-1925) because his operettas – Der fidele Bauer, Die
read moreMost Germans are familiar-very familiar-with the White Horse Inn. That’s because the film version starring Peter Alexander and Waltraud Haas
read moreAs of 2013, the Austrian operetta festival in Mörbisch—near the Hungarian border—has a new director. Dagmar Schellenberger replaced Harald Serafin
read more“Gender Studies” are something on everyone’s lips these days. Yet, somewhat surprisingly, the operetta world has hardly taken note of
read moreNever heard of Louis Hirsch (1881–1924) and his Broadway operettas? Well, we can change that easily. Because our friends at
read moreHere it is, fresh off the press: A German language collection of texts dealing with Kurt Weill’s only “operetta”, The
read moreAfter a sell-out show in January 2014 by Tarquin Productions, the WestEnders are delighted to announce the launch of the original
read moreThere are two truly stunning moments on this new disc by tenor Piotr Beczala devoted to Richard Tauber. And not
read moreYes, it’s memorial time. You’ll remember that 2014 is the 100th anniversary of the start of World War 1. There
read moreYes, I know. Kurt Weill’s One Touch of Venus is generally considered a classic Broadway musical. And rightly so. Still,
read moreIt doesn’t happy very often that a recording takes my breath away. But the new West Side Story from San Francisco—of
read moreI don’t suppose the name means very much nowadays to anyone but a handful of music and theatre historians. Emily
read moreThere’s a lot of talk, again, these days about „Operetta Made In Berlin”—how it differs from other German language types
read moreFirst off: I actually like Klaus Florian Vogt. Hearting him as Lohengrin and Stolzing in Wagner’s operas is a unique
read moreAm 18. Dezember 1983 erlebte die Deutsche Oper Berlin eine kleine Sternstunde heiteren Musiktheaters. In der dritten Spielzeit seiner Intendanz
read moreNeedless to say, casting Leo Fall’s Madame Pompadour is not an easy task. Because there’s the overwhelming shadow of Fritzi
read moreNeedless to say, German operetta fans already know her: the actress Dagmar Manzel dazzled audiences at Berlin’s Deutsches Schauspielhaus years
read moreAye, you might very well ask: why is a recording of Rodgers & Hart’s “American Musical Comedy” Dearest Enemy coming
read moreNow, here’s a topic for a book publication to make our operetta hearts beat faster: Ein Bild von einem Mann
read moreIt’s a historic document, of a special kind: when the Deutsche Oper Berlin was the only opera company in good
read moreIt all began with an email. “We want you write musical … how much?” Was my Spam blocker set on
read moreQuite simply put, this is the best book on Gilbert & Sullivan that I have come across. Not in a
read moreIt’s good to know that German operetta aficionados are busy rediscovering gems from the vaults of the genre’s history. And,
read moreSo here it is, the Emmerich Kálmán gala from Dresden’s Semperoper on CD. Christian Thielemann is conducting the forces of
read moreNacktes Fleisch, Frivolitäten, feminin-lamboyante Männer, »blasende Hirten«, selbstbewusste Frauen – die Operetten der 1920er und 1930er Jahre haben mit dem
read more2013 began with some major new publications. One is Heike Quissek’s PhD Das deutschsprachige Operettenlibretto: Figuren, Stoffe, Dramaturgie, written at
read moreOf course, there have been many recordings of operetta in English before. There’s the famous Decca series featuring Kitty Carlisle,
read moreThe Irish are always good for a song. Or so the saying goes. And Dublin-born Victor Herbert’s only “Irish” themed
read moreThis big and lavishly illustrated coffee table book appears as a companion to an exhibition at the Österreichischer Theatermuseum in
read moreOne could call it revolutionary and decidedly up to date: a Viennese operetta biography published in English and (!) German,
read moreEr kan niet genoeg lof over de kleine labels afgestoken worden. Het is aan hen te danken dat wij eindelijk
read moreTo coincide with the new exhibition at the Theater Museum Wien, the publishing house Brandstätter has released a dazzling new
read moreIt’s a mile stone in operetta publishing, you might say: the Wiener Volksliederwerk (WVW) in cooperation with a whole list
read more