The White Horse Rides Again: Jimmy Berg’s “Rössl” 1940s Adaptations
Das Weiße Rössl am Central Park – eine österreichische Kultoperette im New York der 40er Jahre? 1941 und 1947 war
read moreDas Weiße Rössl am Central Park – eine österreichische Kultoperette im New York der 40er Jahre? 1941 und 1947 war
read moreDie erste moderne Ábrahám-Aufnahme auf Basis einer rekonstruierten Originalpartitur von Hagedorn & Grimminger: mit einer elegischen Dagmar Schellenberger in der
read moreWhat is arguably Paul Abraham’s musically strongest operetta, Viktoria und ihr Husar (1930), has been given a new production by
read moreNach der sogenannten „Stunde Null“ am 8. Mai 1945 hatten die Menschen in Deutschland mit hoher Wahrscheinlichkeit andere Sorgen, als sich
read moreMany great operetta things come from Hungary; and you might add, many great musical comedy things too. Emmerich Kalman wanted
read moreGerman tenor Philip Lüsebrink studied at Hamburg’s Johannes Brahms Conservatory; and built quite a career for himself singing and directing
read moreThe Oper Leipzig annouced its new season this week, including the program for the associated Musikalische Komödie. There is a
read moreFor many people in the classical music world, the name of Nikolaus Harnoncourt is almost sacred. The conductor who died
read moreThere are news, and there are NEWS. This certainly qualifies for the latter category, in capital letters: Berlin’s private theater
read moreYes, you are right: there are not that many operettas set in South America. Okay, there is Moïse Simons‘ stunning
read moreIf poster images – or mood photos attached to an official press release – are any indication of what’s to
read moreAn unlikely current hit, the 1923 Yiddish musical Di goldene Kale (“The Golden Bride”) by Joseph Rumshinsky, emerged after years
read moreAm 12. März 1938 nachmittags hatten sich in der Wohnung des Dramaturgen und Regisseurs Kurt Hellmer in Naschmarktnähe ein paar
read moreWhy not have something visually refreshing this week-end? The classical music blog “Barihunks” reported today, that Baltimore Ravens kicker Justin
read moreYes, it comes as a bit of a surprise to hear Yvonne Kálmán – of all people – say about
read moreShould anyone be surprised? The new production of My Fair Lady at the Komische Oper Berlin is sold out to
read moreEver since conductor Florian Ziemen came to Gießen, the opera house there has presented some unusual operetta rediscovery projects: Gustav
read moreIt is often interesting to compare how researchers in different parts of the Western world look at art forms in
read moreIs it just my imagination, or is there a noticeable increase in Abraham productions lately? While the Komische Oper Berlin
read moreEmmerich Kálmán’s Csardasfürstin opened on Broadway, at the New Amsterdam Theater, on 24 September 1917 under the new American title
read moreWith the regular theater season in Europe re-opening with some funky returning operetta productions, e.g. at the Komische Oper Berlin
read moreThe operetta festival of Mörbisch, in Austria, had already announced its title for 2016: Paul Abraham’s Viktoria und ihr Husar,
read moreWhen the San Francisco Opera puts on a show like Show Boat it raises expectations. The company has a chorus
read moreIf you’re British, you undoubtedly will have heard of Alan Titchmarsh, the man who went from gardener to Classical FM
read moreIt’s a ultra-pink birthday today, and a reason for the operetta world to celebrate one of its greatest divas of
read moreGetting hold of scores – for operettas – has always been a challenge. Admittedly, the situation has become a lot
read moreThe headline in the email to the local press certainly caught our attention: “Europäische Stiftung Operette (ESO) präsentiert Berliner Operette
read moreObviously, the whole world watches the Tony Awards and what’s happening on Broadway – which excludes operetta. (Even if The
read moreYes, Mr. John Wilson and his orchestra are at it again. After they presented Cole Porter’s Kiss Me, Kate at
read moreYes, it is somewhat unusual: a crime novel that is not directly set in the operetta world, but references that
read moreThe motto of the project was “Oper sucht Klasse!“, but it was actually all about getting teenagers to sing operetta:
read moreAdmittedly, you would not necessarily expect a “queer” operetta in Viktor Orban’s Hungary. But that’s exactly what you get in
read more“I had a dream” – and, yes, it was “a beautiful dream”; right in the middle of a performance of
read moreAre we entering the second phase of the operetta revolution in Berlin? After the Komische Oper re-discovered the genre and
read moreThe 27th of January 2015 was a memorial day, not only in Germany, but there especially. 70 years ago the
read moreYou know it’s finally happening when the first international guests fly in and need to be picked up at Tegel
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