Vive la Révolution: Offenbach’s “Belle Lurette” at New Sussex Opera
New Sussex Opera is a self-funding organisation in the south-east of England that specialises in performing rarely heard operas and
read morePosts Tagged 'John Groves'
Welcome to the Fifties: “The Yeomen of the Guard” at ENO
Forever branded as Gilbert and Sullivan’s “serious” comic opera, The Yeomen of the Guard is in fact a skilful blend
read more
G&S’s “Patience” Presented by Charles Court Opera in an Updated Version
Charles Court Opera has been described as one of the leading and most versatile chamber music theatre companies in the
read more
“America in the French Imaginary” – A New Book That Sadly Forgets Operetta
“Music in Society and Culture” 1789-1914 we are informed on the cover of this new book. And then: “Following the
read more
Rediscovering Marcel Lattès’ Swing Operetta “Le Diable à Paris” (1927)
I knew that I should enjoy this 1927 French operetta directly after I read Richard Traubner’s dismissal of Marcel Lattès
read more
An 18th Century Operetta Composer? First Recording Of Charles Dibdin’s “The Wags”
Charles Dibdin is often thought of, assuming he is thought of at all, as one of the links between the
read more
Kurt Gänzl’s “Gilbert and Sullivan: The Players and the Plays”
I feel very honoured and flattered to have been asked to write about the most important book to be written
read more
Curtain Raisers: “Les Deux Aveugles” and “Cox and Box” At Wilton’s Music Hall
Opera della Luna, under the artistic direction of Jeff Clarke, has built a well-deserved reputation for staging inventive productions of
read more
Live In Buxton: The 27th International Gilbert & Sullivan Festival
The 27th International Gilbert & Sullivan Festival takes place at Buxton every year, before moving on to Harrogate. International even
read more
A Murderous Musical Mystery Tour: “Express G & S” In London
Express G&S was conceived during lockdown, and is the well nigh perfect post-lockdown entertainment, especially for Gilbert & Sullivan aficionados,
read more
Post-Lockdown: An Unusual Feast Of Operetta For The United Kingdom
The various ‘lockdowns’ that we, in the UK, have lived under for the last 18 months have meant that several productions
read more
The Showtime Series: Historic Recordings Of “Mademoiselle Modiste” & “Naughty Marietta”
After 1945, Decca and American Columbia developed the 33 rpm LP vinyl record to replace the 78 rpm shellac disc.
read more
Free Streaming: National G&S Company’s “Pirates of Penzance” From Buxton
Having had to cancel the 2020 festival owing to Covid restrictions, this year’s Gilbert and Sullivan Festival, taking place at
read more
Another “First” Recording Of Reynaldo Hahn’s 1933 “Ô Mon Bel Inconnu”
Venezuelan born Reynaldo Hahn (1874-1947) lived in Paris for most of his life, composed his first successful song (“If My
read more
“Die Fledermaus Zuhaus”: When 35 Artists From 7 Time Zones Come Together On YouTube
Die Fledermaus Zuhaus (The Bat At Home) is an abridged version of Johann Strauss’s Die Fledermaus developed during the various
read more
My Corona Year 2020: Discovering Wolfgang Anheisser’s “Operetten Gala”
My first theatre visit of 2020 was an ominous forewarning of what was to come: On 2 January I saw
read more
A Semi-Staged “Camelot” At The Watermill Theatre
In the United Kingdom restrictions on ‘live’ performance, owing to Covid-19, were lifted with regard to outdoor theatre at the
read more
Oscar Straus’ Piano Concerto & Other Rare Orchestra Pieces
My first ‘live’ encounter with Oscar Straus was attending a wonderfully inspired production of his first operetta Die lustigen Nibelungen
read more
“Cheer Up! British Musical Films 1929-1945” By Adrian Wright
In a preface to Cheer Up! British Musical Films 1929-1945, author Adrian Wright tells us that British Film Studios made
read more
Opéra-Comique Overtures By Lecocq, Offenbach & Co.
The record label Naxos has just released a fascinating CD containing French 19th century overtures. One of these is the
read more
“Trafalgar sur un volcan”: An(other) Operetta About Terrorists?
The German record label cpo has recently released a CD of two short operettas. One of them is a real
read more
“One Long Gender-Bender”: Berlin’s Queer Operetta Revolution In The Years 2010-2020
The Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to
read more
Reading “The Cambridge Companion To Operetta” In Times Of Self-Isolation
The paperback edition of this fascinating, useful and, on the whole, well researched book sells for about 20 Euros on
read more
Sullivan, Cellier & Ford: “Haddon Hall,” “Captain Billy” And “Mr Jericho” On CD For The First Time
In 2018 the National Gilbert and Sullivan Opera Company staged the first professional revival of Haddon Hall for about one
read more
What The Nasty Old Lady Said. Or: “Zigeunerbaron” At Volksoper Vienna
I had really been looking forward to seeing the new production of Der Zigeunerbaron in Vienna because I had enjoyed
read more
Maury Yeston Meets Julian Slade. Or: “Amélie” At London’s The Other Palace
Amélie is a charming, whimsical, musical, based on a 2001 French Film, which was originally (2015) staged in California, and
read more
Francisco Barbieri’s “Barberillo de Lavapies”: The Classic BBC Recording In English
This is totally delightful! Francisco Barbieri (1823-94) was the leading exponent of the zarzuela revival of the mid-19th century. He
read more
“Mary Poppins” As London’s Unashamedly Old-Fashioned Christmas Spectacle
Mary Poppins is an unashamedly old-fashioned “feel-good musical,” at times very pantomimic in style, at times almost a “nostalgic operetta”
read more
Gilbert & Sullivan At Wilton’s Music Hall: An “HMS Pinafore” Performance To Remember
Wilton’s Music Hall is “the most important surviving early music hall to be seen anywhere” (says the Theatres Trust) and
read more
Offenbach Double-Treat in London: “La belle Hélène” and “Orpheus in the Underworld”
With the BBC Proms totally ignoring Offenbach’s bicentenary, it has been left to London’s music colleges, small scale opera companies
read more
“Das Feuerwerk” by Paul Burkhard & Erik Charell At Musikalische Komödie Leipzig
When I was about eight years old I have vivid memories of my mother doing the housework, continually singing “Oh,
read more
A New “Madame Pompadour” At Musikalische Komödie, Leipzig
The 1922 Madame Pompadour is not only one of Leo Fall’s last stage works (he died in 1925), it is
read more
The Devil In All Of Us: Suppé’s “Teufel auf Erden” (1878) In Chemnitz
With all the attention being given to Offenbach, it is easy to forget that 2019 is also the bicentenary of
read more
Offenbach’s “König Karotte” In Hannover: Farewell To The Production By Matthias Davids
German regional theatres excel in searching out rarely performed stage works and often breathing new life into them. Le Roi
read more
“La Princesse de Trebizonde”: Revisiting The Offenbach Production In Hildesheim
The World Heritage city of Hildesheim, 20 miles south-east of Hannover, possesses a charming, intimate, 600-seater theatre staging opera, musicals
read more
Howard Goodall’s “The Hired Man” At Queen’s Theatre: “A Serious Musical About Ordinary People”
In November 2018 I reviewed a concert performance of Howard Goodall’s Girlfriends, recommending his previous musical The Hired Man which
read more